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I mean, really, don’t. It’s one of the greatest movies ever made, and a personal top ten favorite… but here on this blog is not the way to see it. Let me explain. I first saw Charles Laughton’s Night of the Hunter while visiting a friend’s house for the weekend. She had it on VHS and we watched it on a pretty small TV. I thought it was really good. Later, feeling I had missed out on seeing it on the big screen I caught it during a special run at New York’s Public Theater — back when the Public […]
by Scott Macaulay on Aug 26, 2008Okay, cool mentions across the blogosphere are one thing, but a fashion spread in the Sunday Times is something else. Check out this feature to see Josh Safdie, director of The Pleasure of Being Robbed (my favorite independent film of the year), his brother Benny, actress Eleonore Hendricks and the rest of the Red Bucket Films crew wearing some of the latest Fall fashions. There’s also this group of curated Red Bucket Shorts.
by Scott Macaulay on Aug 24, 2008There’s a good edition of “The Medium,” Virginia Heffernan’s column in the Sunday Times Magazine this week. She tries to define what makes a web series work. In the most recent Filmmaker magazine newsletter I wrote about Max Richter’s new album, 24 Frames in Full Colour, which consists of 24 short pieces that Richter says are designed to be thought of as ringtones, not songs. In the letter I wrote about the perceptual change that prompted in the listener leading to a different kind of appreciation of the album. Applying this thinking to web filmmaking, I wrote that maybe we […]
by Scott Macaulay on Aug 24, 2008On the one year anniversary of Mike Jones’s “The Circuit” column at Variety, former AFI Fest Director Christian Gaines, who is now employed by Withoutabox, contributes a two-part discussion on festivals and our current failing indie film theatrical distribution model. Part one is titled “Do Festivals Matter?” and part two is “Things Gotta Change.” In part one, Gaines writes that festivals have become, for many films, the premiere exhibition opportunity: In the pantheon of viable choices for getting your film seen, film festivals continue to thrive (seems there’s a new one born every minute, right?), and that’s because, putting aside […]
by Scott Macaulay on Aug 24, 2008I’ve written before about the “uncanny valley,” the term used in discussion of technological attempts to simulate the human visage. It refers to the phenomenon where things intended to look human suddenly seem unrealistic as they closely approach a realistic representation of the human. There was talk this month at SIGGRAPH about Emily, a completely animated character that promises, in the words of creator David Barton, “new levels of believability in computer animation.” From the linked piece in the Daily Mail: To create the footage the University of Southern California Institute for Creative Technologies made a a computer generated replica […]
by Scott Macaulay on Aug 24, 2008M. Dot Strange, writer/director, 2007: Since being the only one hiding his face amongst the 25 I posted my animated feature film We Are the Strange on youtube subtitled in 17 languages where combined it has been viewed over 1.1 million times adding to my international audience. I did an animated music video for the NYC band “Mindless Self Indulgence” for the song “Animal” and it was included with the bands new album “IF” I’m currently completing the animatic for my new animated feature film Heart String Marionette. It is scheduled to be completed in January 2010 with production beginning […]
by Scott Macaulay on Aug 23, 2008In a Guardian piece titled “Exit Strategies,” Ronald Bergan writes about a seldom-discussed part of moviegoing: walking out. His lede: Though life is too short, it seems to drag on interminably while one is watching a bad film. The moment during a film when I begin to question my very existence is the moment I decide to head for the exit. It is when I abandon any cool critical assessment. All I know is that my senses and intelligence are being abused by the ugly and stupid sights and sounds on the big screen. Bergan doesn’t just write about the […]
by Scott Macaulay on Aug 23, 2008Nick Dawson’s Web Exclusive Director’s Interview this week is Azazel Jacobs, whose third feature, Momma’s Man, opens tomorrow. Of the movie, which details a few days in which a young, recent father, Mikey, travels home to his parents (played by Ken and Flo Jacobs, the director’s real-life parents) and is not able to leave, having become entangled in the crosscurrents of nostalgia for his childhood, Dawson wrote: …the film is particularly resonant and moving, as well as being funny and tender, and Ken and Flo Jacobs both give surprising, strong performances, despite never having acted before. But it is ultimately […]
by Scott Macaulay on Aug 21, 2008In Summer, 2005, the filmmaker Barbara Schock wrote a spirited piece for Filmmaker about studying film with critic and artist Manny Farber, who died on Tuesday. Mirroring Farber’s rapid-fire thinking, Schock makes you feel like you’re in his classroom as she writes about the man, his syllabus, and his teaching style. We’ve posted it in our Web Exclusives. Here’s the intro: The phenomenal painter, teacher and film critic Manny Farber called his film class “A Hard Look at the Movies.” It was the first upper-division college class I took. I’d transferred from a small college in the Midwest to the […]
by Scott Macaulay on Aug 19, 2008A year ago Gary Hustwit came out with Helvetica, showing how the typeface became the ubiquitous graphic signifier for… just about everything in the post-’60s era. Well, everything except one thing. As this web video demonstrates, when it comes to movie marketing, a font called Trajan rules. Watch this great clip for a glimpse at how unimaginative our movie marketing has become. (Hat tip: Ted Hope.)
by Scott Macaulay on Aug 19, 2008