Authors — Scott Macaulay
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Alongside Spotlight, Mya Taylor, Krisha, The Look of Silence Nab 2016 Spirit Awards
Tom McCarthy’s Spotlight, about a team of Boston journalists investigating Catholic Church pedophilia scandals in the 1980s, swept the Film Independent Spirit Awards yesterday, scoring Best Feature, Best Director, Best Screenplay, and Best Editing awards, in addition to the Robert Altman Award for Best Ensemble. As if often the case at the Spirits, the Open Roads released film was by far the highest-grossing film in all of its winning categories, sometimes to a surprising degree. On the awards circuit this year, Spotlight has been that rare frontrunner without a galvanizing lead, or even supporting, performance. (Perhaps acknowledging that fact, the […]
by Scott Macaulay on Feb 28, 2016 -
Trailer Watch: K8 Hardy’s Outfitumentary
K8 Hardy does not want you to watch her debut feature, Outfitumentary. Or, at least, that’s her position expressed in the trailer above. If you choose to ignore her advice, the film has one more screening as part of MoMA’s Doc Fortnight series this Sunday. Also, check out Taylor Hess’s interview with Hardy here at Filmmaker.
by Scott Macaulay on Feb 25, 2016 -
Anohni, Academy’s Only Transgender Nominee Ever, Explains Decision to Skip the Oscars
As a viewer it’s easy and arguably admirable to skip the Oscars. As a film writer, a disinterest in the Academy Awards can provide thoughtful commentary on the artistic and commercial priorities of our film business. But for those with more vested interest, not attending the Awards is a powerful statement. In the year of the Oscar boycott, this essay by Anohi (aka Antony Hegarty of Antony and the Johnsons), the first transgender performer ever to be nominated, is particularly bracing. Anohni, who was nominated for Best Original Song (“Manta Ray,” her collaboration with J. Ralph from the movie Racing […]
by Scott Macaulay on Feb 25, 2016 -
Deadline Approaching for the IFP Narrative and Documentary Labs
The IFP Labs, which offer intensive, year-long mentorship to first-time filmmakers with features in post-production and budgeted less than $1 million, has a March 1 deadline coming up. Still the only Labs focused on post-production, festival strategy, marketing, distribution and DIY strategies, the program is, I think, an invaluable resource and one of the IFP’s best activities. (Full disclosure: IFP publishes Filmmaker, and I was a creator of the IFP Narrative Labs.) In addition to the guidance and advice from Lab Leaders and professional mentors, the Labs also create a tight-knit community of filmmakers who wind up being their own […]
by Scott Macaulay on Feb 24, 2016 -
Watch: Roger Deakins and Matthew Heineman Talk Shooting the Drug War
One fiction, one documentary, Sicario and Cartel Land were the year’s two most vivid cinematic vocations of violence surrounding the Mexican drug wars. Here, courtesy of VICE, is a great conversation between Sicario D.P. Roger Deakins and Cartel Land director and cinematographer Matthew Heineman. They get deep into their visual ideas for the film as well as the narrative and moral issues those ideas are designed to represent.
by Scott Macaulay on Feb 20, 2016 -
Trailer Watch: Stephen Elliott’s After Adderall
“What’s the difference between a memoir and life?” “I’m an agent, not a philosopher.” That’s writer/director/actor Stephen Elliott quizzing his agent, played by James Urbaniak, in After Adderall, the director’s feature-length, rapid-response to the strange experience of having his memoir turned into a movie starring James Franco. Elliott has assembled a great cast, including Michael C. Hall and Lili Taylor alongside numerous authors playing themselves (Jerry Stahl, Susan Orlean, Michael Cunningham). The film is currently being submitted to film festivals.
by Scott Macaulay on Feb 19, 2016 -
Trailer Watch: The Marijuana Journalism Documentary, Rolling Papers
The SXSW-premiering Rolling Papers, which opens in theaters today from Alchemy, finds a sharp angle to cover the rise of legal weed in the state of Colorado. Even before recreational marijuana use was legalized in Colorado, The Denver Post launched a department devoted to covering the pot beat, “The Cannabist.” It’s by focusing on editor Ricardo Baca and his team of journalists that producer/director Mitch Dickman tells a story that’s about changing cultural mores, the struggles of print journalism, and getting high in the Mile High State.
by Scott Macaulay on Feb 19, 2016 -
Trailer Watch: Tilda Swinton’s The Seasons in Quincy: Four Portraits of John Berger
Is there any contemporary filmmaker — or any artist invested in the creation of images — who hasn’t been influenced, at least on some level, by the British writer John Berger? His Ways of Seeing, a semiotics-tinged analysis of imagery ranging from European oil painting to 20th century advertising, is a seductive and accessible introduction to critical theory, feminist film criticism and Marxist cultural commentary. Premiering at the Berlin Film Festival is the anthology film, The Seasons in Quincy: Four Portraits of John Berger. Conceived of by Swinton and producer and literary critic Colin McCabe, the film captures the 89-year-old […]
by Scott Macaulay on Feb 15, 2016 -
Behind-the-Scenes Blue Velvet Footage in Blue Velvet Revisited
Last August we posted the trailer for the reissue of Peter Bratz’s Blue Velvet Revisited, a feature-length, Super 8 documentary on the making of David Lynch’s classic with a new score by Tuxedomoon and Cult with No Name. The footage in that trailer consisted on square, black-and-white video. Now, not one but two new teasers have been posted online with restored, color-corrected footage that reveals the full range of the film, including strange, behind-the-scenes moments, interview footage with Lynch, and the director in a nicely starched shirt buttoned up to the collar. For more on Blue Velvet Revisited, check out […]
by Scott Macaulay on Feb 14, 2016 -
Watch: Sam Scoggins’ J.G. Ballard Short, The Unlimited Dream Company
Having just posted the trailer for Ben Wheatley’s upcoming adaptation of J.G. Ballard’s classic dystopian novel, High-Rise, now’s a good time to check out this considerably more obscure — yet, for fans of the British writer, equally rewarding — film. With a hat tip to Dangerous Minds, check out Sam Scoggins’ rather Ballardian author’s portrait, which mixes interview footage with both imagery and storytelling strategies drawn from Ballard’s work.
by Scott Macaulay on Feb 11, 2016
