Authors — Scott Macaulay
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Watch (and Read): Video Tribute and Interview with D.P. Jeff Cronenweth
With Josh Maczinski’s tribute to Jeff Cronenweth popping up around the interwebs, here’s a good time to post, alongside it, Jamie Stuart’s 2014 interview with the cinematographer. Maczinski’s supercut surveys favorite scenes from films like Gone Girl, The Social Network, Hitchcock and One-Hour Photo. Stuart’s interview gets deep into it regarding digital technology, lens choices and a lot more. Here is Cronenweth on Fincher’s use of digital tools: But it’s part of David’s tenacity in making sure that every image supports the story and nothing ever unsettles an audience member unintentionally. In other words, you see everything you’re supposed to […]
by Scott Macaulay on Mar 29, 2016 -
Collaborative Essay/Music Project March Sadness Enters its Final Four
With Paula Bernstein writing today about Guy Maddin’s The Saddest Music in the World, I was reminded to post about a cool internet essay/music project by Ander Monson with Megan Campbell, March Sadness. For those a bit blue, and no following college basketball — and, probably, more than a few who do — the month-long series has paired off sad songs for voters to up and downvote, mixing in essays on the music by Rick Moody, Juan Diaz, Megan Campbell and others. Explains Monson: So this March I’ve been running this project called March Sadness. Well, I’m already oversimplifying: we […]
by Scott Macaulay on Mar 29, 2016 -
Robert De Niro Pulls Controversial Autism Doc Vaxxed from the Tribeca Film Festival
Just a day after issuing a statement supporting what he dubbed a personal decision to screen a controversial documentary, Vaxxed, by discredited researcher and former doctor Andrew Wakefield, Tribeca Film Festival co-founder Robert De Niro has pulled the film from this year’s festival. Last night, De Niro issued the following statement: My intent in screening this film was to provide an opportunity for conversation around an issue that is deeply personal to me and my family. But after reviewing it over the past few days with the Tribeca Film Festival team and others from the scientific community, we do not […]
by Scott Macaulay on Mar 27, 2016 -
Robert De Niro Issues a Statement about the Tribeca Film Festival’s Screening of Vaxxed
The following statement by Tribeca Film Festival co-founder Robert De Niro was provided to Filmmaker by the festival in response to the controversy that has arisen around the screening of Andrew Wakefield’s documentary, Vaxxed, discussed here in Penny Lane’s open letter. From Robert De Niro: Grace and I have a child with autism and we believe it is critical that all of the issues surrounding the causes of autism be openly discussed and examined. In the 15 years since the Tribeca Film Festival was founded, I have never asked for a film to be screened or gotten involved in the […]
by Scott Macaulay on Mar 25, 2016 -
“People Assume That I am ‘Isabelle'”: Isabelle Huppert on the Metaphysical Desert Drama, Valley of Love
Playing divorced parents embarking on a strange journey into Death Valley, Isabelle Huppert and Gérard Depardieu bring an easy chemistry and rich shared experience to Guillaume Nicloux’s Valley of Love, opening today in the States from Strand. They both play famous actors, one a skeptic and one a life-after-death believer, yoked together on a road trip conceived by their son, who committed suicide in San Francisco several months earlier. He’s written them both letters and given them a map to seven locations, telling them in his posthumously received correspondence that he’ll appear to them at one of the stops. The premise […]
by Scott Macaulay on Mar 25, 2016 -
The Graphic Design of High Rise
Here’s a fascinating article by Mark Sinclair in the Creative Review about graphic design in Ben Wheatley’s High Rise. In most films, contemporary and near-period, production designers will seek clearance to use actual logos and products. When those clearances aren’t granted for whatever reason, the art department will mock something up. But unless there’s been real attention paid to these graphics, they can often look cheesy — like the film equivalent of clip art. The fantastic, dystopian qualities of High Rise — a science fiction tale set in an imaginary pre-Thatcherite early ’70s — has enabled Wheatley and his designers […]
by Scott Macaulay on Mar 21, 2016 -
Watch: What Does a Camera Operator Do?
A reader, Dylan Toombs, passes along this video shot earlier this month at the The Banff Centre for Story Summit 2016 and featuring his interviews with three top Hollywood camera operators: Mitch Dubin (Saving Private Ryan, Bridge of Spies), Steve Fracol (Songs of Anarchy, Scandal), and Dave Thompson (American Hustle, Silver Linings Playbook). At the head of the video, Dubin offers perhaps the most concise description of the camera operator’s job that I’ve every heard, and the rest of the short, four-minutes-and-change interview contains other perceptive insights into how these three men view the nature and definition of their job. […]
by Scott Macaulay on Mar 20, 2016 -
Joel and Ethan Coen Discuss How Their Editing has Evolved Over Thirty Years
“I think it’s absurd to say there isn’t a difference” between shooting on film and on digital, says Joel Coen in this short interview found on Adobe Create and filmed in the cutting room of the Coen Brothers’ latest, Hail, Caesar! Coen goes on to say that he hopes for a kind of format-neutral future, where choices of all sorts can be made on purely artistic grounds. That said, neither filmmaker is naive, and they realize that digital technology provides the new standards. As Ethan goes on to say, one of the reasons they finally began cutting on a digital […]
by Scott Macaulay on Mar 16, 2016 -
The Arbalest, TOWER Win Top Prizes at the 2016 SXSW Film Festival
While screenings continue throughout the week, 2016 SXSW Film Festival had its official awards ceremony last night, with director and comedian Mike Birbiglia — whose Don’t Think Twice was well received at the festival — hosting. Awards went to features about a famous mass shooting, a misfit romance and the KKK while, as always, the festival gave prizes as well to shorts, music videos and poster designs. In addition, Austin favorite Lee Daniels, well known for his work with Rick Linklater, received a special cinematography award for his lensing of Laura Dunn’s The Seer. Our friends at Keyframe have assembled […]
by Scott Macaulay on Mar 16, 2016 -
SXSW: Teenage Cocktail DP Justin Kane on Capturing “Raw Youth”
In his directorial debut Teenage Cocktail, director John Carchietta examines the plight of best friends Annie (Nichole Bloom) and Jules (Fabianne Therese), who just want to get out of their small town and move to California. Nothing is off the table, including webcam modeling, which places the adventurous young women in danger. In advance of the film’s premiere at SXSW, DP Justin Kane talked about his work on the project, going deep into the technical aspects. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being […]
by Scott Macaulay on Mar 15, 2016
