Authors — Scott Macaulay
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Parting Shot: Chloé Zhao
When Filmmaker interviewed Chloé Zhao in 2013 for our 25 New Faces series, the Beijing-born writer/director said she was inspired by her childhood in China to set her first feature within the Native American community at North Dakota’s Lakota Pine Ridge reservation. “There are lies everywhere,” she said. “You felt like you were never going to be able to get out.” That feeling of struggle, and of a desire to escape, suffuses Zhao’s evocative Songs My Brother Taught Me, a Sundance Dramatic Competition entry that receives its New York premiere this spring at Film Forum. Her teenage protagonists — Johnny […]
by Scott Macaulay on Jan 20, 2016 -
Seeking Arrangements: Lodge Kerrigan, Amy Seimetz and Steven Soderbergh on The Girlfriend Experience
Shot in New York City during the 2008 financial crisis, Steven Soderbergh’s feature The Girlfriend Experience was a cool movie about a hot topic. Ostensibly about a “new” kind of prostitution, where escorts would simulate the casual intimacy of a real relationship, it starred real-life porn star Sasha Grey even as it contained virtually no sex. But what began as a look at how the Internet enabled a new kind of solo entrepreneur sex worker — “As we were making the film, I didn’t consider [prostitution] as a metaphor for anything,“ Soderbergh said then — wound up a trenchantly austere […]
by Scott Macaulay on Jan 20, 2016 -
Editor’s Letter
I met with a director recently, and as I sat down I asked him about the small book he was reading, Learning to Die in the Anthropocene. It’s a philosophical book about climate change, and the thesis is that we’ve passed a tipping point in terms of our relationship with our planet. We’re on the other side — we’re screwed — and we must not only learn to adapt but also to reorganize within new political, social and cultural institutions. We will have to do this in purely practical ways, author Roy Scranton argues, but also in terms of storytelling. We […]
by Scott Macaulay on Jan 20, 2016 -
Indie Housewarming
When IFP Minnesota was deciding whose name to place above the exhibition galleries in its new space in St. Paul’s Vandalia Tower, executive director Andrew Peterson and its board of directors didn’t go the obvious route. There’s not a corporate sponsor logo in sight. Instead, the organization named the gallery after two local photographers, Ann Marsden and Gus Gustafson, both of whom were avid chroniclers of the Minneapolis/St. Paul arts community before they each passed away in recent years. Along with IFP Minnesota’s offices, four classrooms and two editing suites, the Marsden/Gustafson gallery opened to the public and members this […]
by Scott Macaulay on Jan 20, 2016 -
Sundance Announces New “Art of Nonfiction” Initiative Supporting Innovative Documentary Filmmaking
“There has been a very vibrant conversation over the last several years about content in documentary,” says Tabitha Jackson, Director of the Sundance Institute Documentary Film Program. “And when I came to Sundance two years ago, I said, ‘I want to help make a conversation about form and process as loud and vibrant as the one going on about content.’” Announced today by the Sundance Institute is the first step in that process, a new “Art of Nonfiction” initiative that, over the course of a year, supports a curated group of filmmakers exploring creative formal, story and craft possibilities in […]
by Scott Macaulay on Jan 18, 2016 -
David Bowie, 1947 – 2016
I’ve been listening to David Bowie’s new Blackstar all week, and its lyrical ruminations on mortality — some aching, some cheeky — are inescapable. Still, the idea that these were prompted by anything more than an impending 70th birthday didn’t occur to me. It seemed unbelievable that David Bowie would not be around for a little while longer. So, it’s a sad day to wake up to the news that Bowie has died. So meaningful, influential and vital through so many different periods of our lives. For me, the Berlin trilogy, my first arena show, The Man Who to Earth, […]
by Scott Macaulay on Jan 11, 2016 -
Vilmos Zsigmond, 1930 – 2016
Legendary cinematographer Vilmos Zsigmond, who shot a string of iconic pictures for Robert Altman, Steven Spielberg, Michael Cimino and Brian DePalma, among others, died January 1, Variety reports. Hungarian-born, Los Angeles-residing, Zsigmond was a steadfast proponent of shooting on film his entire life, and he was known for innovative techniques — such as flashing the stock on films like McCabe and Mrs. Miller — and his ability to create unique looks for his various movies. His work encompassed rugged styles in films like Deliverance or The Sugarland Express to composed, dense, painterly work in Heaven’s Gate. He won an Oscar […]
by Scott Macaulay on Jan 3, 2016 -
5 Questions for Yosemite Writer/Director Gabrielle Demeestere
Distracted fathers and sons left to their own devices; father surrogates and the salve of friendship — these are the themes that circle around Gabrielle Demeestere’s lovely and composed feature debut, Yosemite, which opens today in New York from Monterey Media at the IFC Center. Based on two short stories by James Franco (taken from the same collection that led to the film Palo Alto), as well as Demeestere’s own original material, Yosemite is set in 1985, when pre-adolescent dangers are symbolized by mountain lions descending from the wilds into this Northern California town, and when father-son bonding trips into […]
by Scott Macaulay on Jan 1, 2016 -
Michael Mann Interviews Alejandro Gonzalez Innaritu about The Revenant
Here’s a pairing! Two notoriously obsessive, driven, perfectionist and demanding directors in an on-stage dialogue. The DGA hosted this talk between Alejandro González Iñárritu and Michael Mann about the former’s epic frontier saga, The Revenant. Says the director of Heat and Miami Vice, The Revenant “embraces the totality of life, nature and experience… not like anything I’ve seen before.” Check out the detailed, candid conversation above or below.
by Scott Macaulay on Jan 1, 2016 -
Christmas Surprise Tracks from LCD Soundsystem and Radiohead
Here’s hoping this becomes a new tradition — surprise releases from great bands that are actually pretty good! The first, what will become a seasonal classic for melancholics everywhere, is from a band that technically doesn’t even exist anymore: LCD Soundsystem. And the second is an unused theme for the James Bond film Spectre by Radiohead. First, here’s what LCD Soundsystem’s James Murphy wrote to accompany “Christmas Will Break Your Heart”: so, there’s been this depressing christmas song i’d been singing to myself for the past 8 years, and every year i wouldn’t remember that i wanted to make it […]
by Scott Macaulay on Dec 25, 2015
