Authors — Sean Porter
-
“Sorry” isn’t a Solution: On Mistakes and Film Sets
Mistakes don’t really have a place on a film set. Sets are engineered for performance under pressure, engaging dozens and dozens of professionals, from producers to PAs, to do their best work in order to get the shot, make the day and finish the film on time — all while maintaining a good attitude and supporting the creative process. A good set is a well-oiled machine, with a cinematographer at, or near, the center. As a DP, you are interacting with just about every on-set department. Your job is to make everyone look good, and not just with your lighting! […]
by Sean Porter on Jan 20, 2016 -
The Union Between DPs and Operators
“And that’s when he started yelling into the phone. No, no, no!” My agent laughed a little bit as he retold the story. The union rep was on the other end of the line, and he wasn’t very happy. “Apparently I was the third person to call him about it,” he said. It was three days before principal photography was slated to begin on my current project, and IA600 had made it painfully clear that there was no way they were letting me touch the camera. For many of us indie DPs, there has never been a delineation between shooting […]
by Sean Porter on Oct 28, 2015 -
5 Things Cinematographers Don’t Talk About
I only faintly recall writing my last entry for Filmmaker Magazine. I was huddled over at some bar at a busy airport, in between jobs and cities I’ve only seen through the windows of a hotel: a cinematographer’s life. I do remember the article was a bit cheeky — I was pretty elated with the success of It Felt Like Love — so I thought this time that to commemorate Kumiko, the Treasure Hunter I’d get down to brass tacks. Here are five things cinematographers don’t talk about. 1. When to Say No Possibly one of the hardest parts of […]
by Sean Porter on Jan 21, 2015 -
Five Things Not To Do When Shooting a No-Budget Film By Yourself (And Why I Did Them Anyway)
D.P. Sean Porter’s credits include Kumiko, the Treasure Hunter, Eden and, opening on Friday at the IFC Center, Eliza Hittman’s It Felt Like Love. Here he contributes a guest blog post on the latter film, listing the five rules he made for himself that he wound up breaking when shooting this highly recommended micro-budget picture. 1. Use other movies as references in preproduction. When I sat down to prep It Felt Like Love with Eliza Hittman the first thing we did was talk about movies. It makes sense — it’s the most direct way discuss tone, lighting, framing and style. […]
by Sean Porter on Mar 20, 2014
