David Lynch is notoriously averse to discussing the meaning of his movies, so this recent “in conversation” exercise from the Pennsylvania Academy of the Fine Arts gets above-average results by getting him to focus on the process of making his artwork instead. There are anecdotes about creating art using mice, discussions of his love of stone lithography, and this unbeatable evaluation of what’s changed about Philadelphia since Lynch’s mid-’60s art school time there: “There was a lot of fear and insanity and violence, and then we’d hear about corruption and police brutality, and there was a lot of sickness in the people, and […]
by Vadim Rizov on Nov 13, 2014Released in 1975, Joan Micklin Silver’s feature debut Hester Street is the story of immigrant Jews assimilating with various degrees of success to turn-of-the-century New York City. She followed with two contemporary works: 1977’s Boston alt-paper story Between the Lines and 1979’s Chilly Scenes of Winter. The latter is set to screen tomorrow at NYC’s IFC Center as part of the “Celluloid Dreams” series, whose premise would not have made sense in the very recent pre-DCP past: it aims to show repertory cinema on 35mm. Chilly Scenes is based on Ann Beattie’s first novel, which primarily concerns itself with Charles (John Heard) and his deathless, […]
by Vadim Rizov on Nov 11, 2014This is making the Internet rounds and will presumably swallow the entire world by midday at this rate, so why resist? Casper Kelly is a regular Adult Swim contributor, and this is his magnum opus. What begins as an extended parody of every single type of mediocre ’80s sitcom personage (the casting, finding the exact right face for every goofy dad, hectoring boss and bemused grandma, is really something) mutates into a series of other staples of the decade — G.I. Joe-esque animation, some kind of old-school Battlestar Galactica thing — before metastasizing into a self-reflexive slasher film, a hospital drama, […]
by Vadim Rizov on Nov 7, 2014“I consider the industrious Robert Greene a friend, but that makes me no less cautious in deeming his new film Actress a big deal,” I wrote after seeing the film at True/False this year. The quick takeaway: This collaborative psychodrama follows and subjectively sculpts his friend/neighbor Brandy Burre’s attempt to simultaneously separate from her longtime boyfriend and return to the acting world she left for suburban motherhood. Sliding from seemingly straightforward self-presentation to ambiguously unfeigned snapshots of daily life, director and subject collude, not so much valorizing her attempts to jumpstart her career and finances (“I have to make a […]
by Vadim Rizov on Nov 6, 2014This Film Riot video (via No Film School) quickly runs down five basic tools you’ll need to have in order to shoot outside — wind socks or other protection for your mic, ND filters and so on — as well as suggesting cost-effective alternatives for especially cash-strapped productions. No money for a bounce board? No problem: pull a pillowcase over a cardboard box and you’re ready to go. While intended primarily for beginners, this video’s pointers can serve as a quick refresher crash course to bring everyone on your crew up to speed.
by Vadim Rizov on Nov 6, 2014Opening with the decidedly non-canonical duo of Always and All Dogs Go to Heaven, this nifty eight-ish minute montage looks at the afterlife as rendered onscreen. Graphic matches and dialogue segues from one person protesting they don’t belong here to another are smoothly handled, and while it’s more for fun than study, there are some takeaways: i.e., that there’s very little difference in the degree of tackiness of the afterlife as rendered in What Dreams May Come and Little Nicky. Thanks to Press Play for the tip. (There is brief rear male nudity and a dude’s neck being torn apart, […]
by Vadim Rizov on Nov 5, 2014This post-SXSW screening Q&A for The Grand Budapest Hotel is a few cuts above average. For one thing, Wes Anderson, Jason Schwartzman and music supervisor Randall Poster get to have Richard Linklater as their moderator, which makes for a higher class of question and a more relaxed rapport between two sympatico filmmakers. Native Texans who’ve both worked with animation, Linklater and Anderson are equally ready to discuss the films of Max Ophuls and which Stefan Zweig books in particular they have or haven’t read. Other highlights: Poster talks about how they arranged to record with a full balalaika orchestra, Anderson […]
by Vadim Rizov on Nov 4, 2014One of the more unexpected side effects of Interstellar‘s much-ballyhooed release in 35mm, 70mm and 70mm IMAX has been a wave of videos from local theaters showing their patrons exactly what it takes to prepare and project 70mm. My pick of the litter is this nicely shot two-minute video from the Willow Creek 12 Theater in Plymouth, Minnesota. Watch the process from start to finish as eight cans of film arrive, are unlocked, checked for damage, and then fed onto a platter for projection. An earlier video showed the theater testing its 70mm projector for its first 70mm engagement in 22 years. […]
by Vadim Rizov on Nov 3, 2014It’s Halloween and you know what that means: less than two shopping months before Christmas! On the heels of summer’s David Fincher-helmed ads encouraging you to “dress normal,” we now have four Sofia Coppola-directed spots tied to the holiday season. The theme is that you don’t have to “get” your family, girlfriend or other significant players in your life to get them Gap. The shots and vibe are recognizably Coppola’s, the musical selections predictably eclectic. My pick of the litter — the only minute-long spot, the others being 30 seconds long — is embedded above, but it’s a playlist, so […]
by Vadim Rizov on Oct 31, 2014John Wick‘s primary premise is lots of well-crafted action delivered by veteran stuntpeople-turned-directors finally given free rein to make sure their work is optimally served. Co-directors David Leith and Chad Stahelski deliver on this front: it doesn’t take much time before retired hitman Wick (Keanu Reeves) is sufficiently angered to leave his New Jersey pad, head into NYC (more inferred than seen) and unleash mayhem in a hotel, club and church. No one is going to confuse 50-year-old Keanu Reeves for prime Jet Li, but he’s more than credible in walking through each point of contact and delivering body blows. […]
by Vadim Rizov on Oct 30, 2014