David Fincher is famously a technical wizard, but most of his special effects use is designed not to be perceived. Kristian Williams dives into some of his most inconspicuous applications of VFX.
Newlyweeds writer/director Shaka King, who last appeared on the site with his excellent Sundance short Mulligans, is back with another imaginatively executed, of-the-moment short. LaZercism is his riff on “racial glauccoma,” a disease affecting white people that prevents them from seeing the contributions of — or just seeing at all — people of color. The comedy short, which stars Keith Stanfield (Short Term 12, Atlanta) and Robert Longstreet (I Don’t Feel at Home in this World Anymore), proposes an easy, outpatient procedure to correct the affliction.
A few weeks ago, AbelCine launched a video series hosted by DP Matt Porwoll that’ll examine 11 common lenses used in documentary filmmaking. First up: the Zeiss LWZ.3 21-100mm Zoom, whose sharpness, chromatic aberration and other properties are exhaustively broken down. To read through the tech info, click here.
The latest in a trilogy of video essays from Vugar Efendi, this one speaks for itself: painting on the left, clip from a movie modeled on it on the right.
One of my most anticipated films of the summer is Josh and Benny Safdie’s Good Time, which premieres in a few days in the Main Competition of the Cannes Film Festival. The first trailer has just dropped from A24, and it shows Robert Pattinson as a bank robber trying to get his accomplice — his brother, played by Benny Safdie — sprung from Rikers Island. Jennifer Jason Leigh appears as well as Buddy Duress, who co-starred in the Safdies’ previous Heaven Knows What. It’s a heartbreaker of a trailer scored to an original song by Oneohtrix Point Never and Iggy […]
Whereas previous Twin Peaks trailers have featured pretty much nothing in the way of images from the cult show’s return, this teaser actually drops us into the look of the new season. It’s creepily tantalizing.
There was a mini-boomlet a few years ago in cinematic fashion films, and Kate Mulleavy and Laura Mulleavy, the two sisters who are the designers for the fashion label Rodarte, were behind several of the best. Working with the director Todd Cole, the films were stunningly beautiful, fitfully mysterious and emotionally ambiguous. Now, the sisters have directed their own first film, out this September from A24. The trailer, posted above, is an absolute knockout — my favorite trailer posted in the last two days. Here’s the press release copy: The exquisite feature film debut of visionary fashion designers Kate and […]
A trailer that needs no introduction — especially after countless image drops, promos and even a teaser for the trailer. Here are Harrison Ford, Ryan Gosling and Robin Wright in director Denis Villeneuve’s sequel to Ridley Scott’s iconic Blade Runner.
While its opening salvo, in which Quentin Tarantino’s legacy is rated against four other directors — three of whom are still fondly thought of here at Filmmaker — is a bit harsh, Evan Puschak’s video appreciation of Reservoir Dogs, QT’s first feature, digs into some of the aspects that make it a still-compelling watch a quarter of a century (!) later. And after you watch, check out Alex Rockwell’s interview with Tarantino upon the film’s release. (HT: Kottke.org)
“A fashion photographer gets more than she bargained for when a roll of film in a used camera contains sinister imagery of high-society menace that sends her into a labyrinth of imminent danger,” reads the logline for China Test Girls, the second feature from Filmmaker 25 New Face Frankie Latina. In post-production, and with the final scenes just shot due to Latina’s own finding of an unused, refrigerated roll of Fuji film stock, the film looks to contain the ’60s/’70s exploitation vibe and anarchic underground weirdness that made his previous film, Modus Operandi, a favorite here at the magazine. Latina […]