Filmmaker Videos
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James Schamus on Why Money is not “Money”
Producer and screenwriter James Schamus hardly needs another skill set to add to his CV, but let’s go ahead anyway and add “economic commentator” following the premiere of his engaging, witty and nicely analytical two-part, “That Film About Money,” for the 20-episode We the Economy series. Premiering this week online, We the Economy is a collaboration between Paul Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan. (Disclosure: I’m on the Advisory Board of Cinelan.) The series features filmmakers — both documentarians and fiction directors — tackling, in bite-size form, questions surrounding the workings of our global economy and financial markets. For […]
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Watch: Brando, Directed by Gisèle Vienne, Music by Scott Walker and Sunn O)))
Accompanying the first track of the anticipated collaboration, Soused, between avant-garde crooner Scott Walker and sludgy noisemeisters Sunn O))) is an arresting short film by French director and choreographer Gisèle Vienne. Walker’s music — with or without Sunn O))) — is the stuff of waking nightmares, and Vienne’s dream-like film matches it fuzzed-out chord by fuzzed-out chord. A house in the mountains, a blonde-tressed woman moving in slow-motion epilepsy; a teenage boy (her son?) locked in tremulous horror; a car crash?; and a sudden appearance by French novelist, theater artist and dominatrix Catherine Robbe-Grillet… it’s eerie, disquieting, and, with its […]
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Watch: Cinematography in the Films of Martin Scorsese
There’s no particular point of inquiry in this tribute to Martin Scorsese from Alexandre Gasulla, but it nonetheless does a bang-up job of emphasizing what makes the director a master manipulator of camera movements. From his sweeping booms and tracking shots to jarring static lensing, few filmmakers convey the cinematographic agency that Scorsese gets across in a mere handful of moments. Check out the comprehensive tribute above.
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Watch: Creating a Bullet Time Effect with 35mm
There are a lot of videos that offer how-tos and hacks for creating a relatively affordable bullet time effect by marshaling a little technological ingenuity. This one from last year is probably more elaborate an effort than most people will care to make: in a bit over five minutes, you can watch the condensed six month process, which comes with a recipe-like ingredient list up front: 40 tin cans, 10.8 kilograms of sawdust, using 60 meters of 35mm film and so on.
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Short Film: Gooses, Directed by Shawn Sullivan and Joe Peeler
You know the best way to fall in love again with your city? Invite a friend to visit and see it anew through their eyes. Despite the truth of that statement, however, I can’t say that’s exactly what happens in Gooses, a lovely short film by directors Shawn Sullivan and Joe Peeler. Lucinella visits her “spirit animal” (actually, her sister Lore) in Los Angeles, and her trip is both an impressionistic journey through the sights of L.A. as well as a more nuanced tale of sibling rediscovery. Gooses, which premiered on NoBudge and stars Zena Gray and Katy Knowlton, is […]
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Short Film: Bag Man, Directed by Jonathan & Josh Baker
The tropes of American independent filmmaking — in this cast, the tale of a latchkey child wandering the city — are a deceptive red herring in the surprising and rewarding short film Bag Man, by commercial directors Jonathan and Josh Baker. Currently making the online rounds, the film blends a sensitive, character-based tale of a Harlem youth left on his own with… well, I won’t spoil the surprise. The directors were interviewed over at Short of the Week: BAG MAN feels like it takes a narrative-first approach to filmmaking, serving up its audience an intriguing and well-considered storyline, how did […]
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Watch: 50ish VHS Production Company Logos Piled up on Each Other
Has it been too long since you saw the Trimark pyramid logo? Would you like to revisit an ill-spent vidiot past but you’re in a hurry? This efficiently quasi-nightmarish video exploits the inherent strangeness of logos derived from primitive computer graphics and rudimentary synth tones, layering about 50 such specimens on top of each other. The dual visual and sonic pile-up is hypnotic in a vaguely unnerving way.
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Trailer Watch: Joshua Oppenheimer’s The Look of Silence
Formally exacting where The Act of Killing was dazzlingly brazen, The Look of Silence is no less staggering of a feat than its talked-about predecessor. Joshua Oppenheimer’s unflinching look at the victims behind the Indonesian genocide will not hit theaters until next Spring, but the documentary continues to ride a nice critical wave from the fall festival circuit, where it picked up the FIPRESCI prize in Venice, amongst other plaudits. I, too, was wowed by the film’s unflinching probe of military and neighborly antagonization at my NYFF viewing, and look forward to revisiting it in the coming months.
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(New) Trailer Watch: Stanley Kubrick’s 2001
The match cut, “Also Sprach Zarathustra,” HAL — it’s all here, along with praise from Christopher Nolan and Alfonso Cuaron, in this brand new trailer for Stanley Kubrick’s classic 2001. Here’s the Hollywood Reporter: Ahead of the digitally restored film’s special limited U.K. release on Nov. 28 as part of the British Film Institute’s “Sci-Fi: Days of Fears and Wonder” season, a new trailer commission by the BFI and Warner Bros. has now been unveiled. Created by Ignition Creative London, the trailer is the first for this title in four decades, and uses Hal as the central figure to create […]
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Bold Choices: Making the “Film-to-Table” Short Film, The Slaughter
It’s March 2012. I’m standing outside a warehouse with 18 people. We’re about to watch a pig die. Three cameras are ready to roll: two for the movie and one for legal purposes. My actors have the morning off; because of my agreement with SAG, they’re not allowed to be on set for this particular scene. Rory Royston, the operator of an independent slaughterhouse, as well as his assistant, stand in for my lead actors, dressed in their wardrobe; they will make sure the slaughter about to be performed is both safe and humane. Rory looks to me; it’s time. […]
