Filmmaker Videos
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Trailer Watch: Laura Poitras’ CITIZENFOUR
Ahead of its world premiere in the Main Slate at NYFF tonight, Radius-TWC has released the first trailer for the Edward Snowden documentary, CITIZENFOUR. Directed by Laura Poitras, who, along with The Guardian‘s Glenn Greenwald was the first journalist to be contacted in what would become the NSA leak, CITIZENFOUR purports to tell Snowden’s side of the story. Poitras was years into filming a documentary on post-9/11 surveillance when she reworked the narrative to incorporate her interview sessions with Snowden. Radius releases the film in New York and Los Angeles on October 24.
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Trailer Watch: Josephine Decker’s Thou Wast Mild and Lovely
IFP’s brand new Screen Forward initiative, which offers filmmakers a one-week theatrical run at the Media Center in Dumbo, is now open for submissions. The series kicks off on October 17 with Onur Tukel’s Summer of Blood, followed by former 25 New Face Josephine Decker’s Butter on the Latch and Thou Wast Mild and Lovely on November 14. Here’s the first trailer for the latter title, still making the festival rounds in London this week.
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Watch: Sight & Sound’s 30 Greatest Documentaries in 6:24
Kevin B. Lee’s new video takes the top 30 documentaries of all time (at least as voted upon in Sight & Sound‘s poll earlier this year) and stitches them together in reverse order, building from #30 (Leviathan) to #1 (The Man with the Movie Camera) by finding a logical chain of association from one film to the next. The on-duty policeman in Chronicle of a Summer) who refuses to talk about his personal happiness on the job (off-duty he might have given a different answer) sets up the recreated killing of a cop in The Thin Blue Line, whose night-and-fog-machine […]
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Watch: A Short Test of the Koji Color LUT Suite
For those interested in using a LUT (lookup table) to obtain a more filmic look, our friends at No Film School have drawn attention to Koji Color’s new suite, which attempts to preserve the appearances of six different 35mm film stocks. The program works with most NLE and post applications, and above we’ve got test footage shot by Paul Schefz. It has a strong look; whether it succeeds at preserving 35mm’s textures and colors exactly is obviously up for anybody who wants to debate that. For those convinced enough to buy, the No Film School link above will allow you […]
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Watch: Three New Shorts from Errol Morris
“I don’t usually like my own work, but I’m rather proud of these,” tweeted the self-effacing Errol Morris, sharing a link to three new shorts about peace for the New York Times Op-Docs. His eclectic subjects include the Nobel Prize Winners Leymah Gwobee and Lech Walesa, and the nominee Bob Geldorf. Visa hired Morris to shoot the laureates as part of a commercial campaign for the World Cup, and he took the opportunity to conduct extended interviews on activism and widespread change. Head to the Times to view the short documentaries, alongside a long-form introduction by Morris.
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Trailer Watch: I’m Not Patrick
Independent publisher Two Dollar Radio recently launched a microbudget filmmaking arm, and tonight they’ve dropped their first trailer. I’m Not Patrick is a black comedy about teen suicide directed by the press’s founder, Eric Obenauf. Watch the trailer above. Below is an excerpt of the press release from this Ohio-based publisher. I’m Not Patrick is a black comedy that follows Seth, a teenager whose twin brother, Patrick, has suddenly, tragically, committed suicide. Seth doesn’t know how to react, but everyone is eager to suggest what they imagine to be typical reactions to monozygotic suicide. Whether it’s the rival twins’ landscaping […]
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Watch: William Friedkin Visits Criterion’s Offices
In the latest edition of “a famous person visits the Criterion Collection’s offices,” William Friedkin drops by to browse. Sighting Sunday Bloody Sunday, he remembers that as another film nominated for Best Picture the year he won with The French Connection. Segeuing from memory to pro-digital polemic, he says that the Criterion’s editions preserve films as they were meant to be seen, unlike movie theaters, where prints are “scratched up.” He also praises “one of Walter Huston’s greatest performances, The Devil and Daniel Webster” and talks up Jules Dassin’s Brute Force. “I never thought I’d see this again,” he says, […]
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Watch: The Teaser for Twin Peaks’ Unexpected Return in 2016
This is unexpected but welcome: in 2016, 25 years after its abrupt and terrifying finale, Twin Peaks will return to Showtime in 2016. Variety has the story, but for now here’s a teaser trailer with zero new footage that’s still mildly bonechilling. Fans, you may recall that abrasively loud Frost/Lynch production company logo that ended every episode; it’s the stinger here, so maybe turn down the volume.
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Watch: P.T. Anderson and Inherent Vice Cast’s NYFF Press Conference
Stoking the fires of anticipation for P.T. Anderson’s Pynchon adaptation Inherent Vice, here’s the press conference from Saturday morning’s NYFF press screening. The questions may not always be on point, but you’ll probably want to stick with it for P.T. Anderson quoting Crazy People to explain why he shot in 1.85 rather than widescreen (it’s like a Volvo: “they’re boxy but they’re good”), Owen Wilson explaining that “I had one shirt that I really wanted to wear, and I guess it wasn’t ’70s enough” and that his look was equally modeled on Dennis Wilson and Zoot the sax player from […]
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Trailer Watch: Clint Eastwood’s American Sniper
Here’s an effective alternative to the traditionally jam-packed action thriller trailer. The first bumper for Clint Eastwood’s American Sniper is structured entirely around a white knuckled do-or-die scenario in which the titular protagonist, played by Bradley Cooper, wagers whether or not to make a kill shot. Based on Navy Seal Chris Kyle’s autobiography and co-starring Sienna Miller, the film opens on Christmas Day, just in time for awards season.
