The team behind the award-winning documentary Boys of Baraka are back with a new film that focuses on Evangelical children training to be “soldiers in God’s Army.” Early on in Jesus Camp, Pentecostal minister Becky Fischer asks an auditorium full of children and parents: “Do you believe God can do anything?” A young mother grabs her child’s arm and raises it. LEVI IN HEIDI EWING AND RACHEL GRADY’S JESUS CAMP. This is just one of many provocative moments that give Rachel Grady and Heidi Ewing’s latest documentary its haunting power. As enthralling as the religious rallies it reveals, Jesus Camp […]
Director Nicolas Winding Refn on “The Pusher Trilogy” KIM BODNIA IN “PUSHER” Halfway through “Pusher,” Nicolas Winding Refn’s first installment in what would ultimately become an epic trilogy, the director faced a predicament. Suddenly, the genre marked by guns and car chases held no interest. He abandoned the beatings and foot chases from the film’s early scenes, and went for a haunting, harrowing character study. “I realized I wasn’t interested in gangsters and crime,” the Danish filmmaker explains of his 1996 film. “I was really interested in the morality of the characters, and their emotional descents into hell.” “The Pusher […]
Co-director Keith Fulton reveals how to create an unlikely filmic Frankenstein like Brothers of the Head, welding a bizarre story of conjoined rock stars onto a fake-documentary framework. HARRY TREADAWAY AND LUKE TREADAWAY IN KEITH FULTON AND LOUIS PEPE’S BROTHERS OF THE HEAD. Ever heard of Tom and Barry Howe, conjoined twin frontmen from seminal seventies punk rock band Bang Bang? Remember “Two Way Romeo,” their signature live hit, when Barry would pull up his shirt and display the shared flesh-band that forever connected them at the midsection? No recollection? Then what about the British band “Spinal Tap,” with the […]
With The Outsider, cinematic badboy James Toback gets in front of the camera for first-time filmmaker Nicholas Jarecki. “Who is James Toback?” That’s the question documentary filmmaker Nicholas Jarecki poses in The Outsider, a freewheeling and highly watchable portrait of the director of idiosyncratic films like Fingers and Black and White. Jarecki introduces his subject, the Oscar-nominated screenwriter of Bugsy, on the set of a 2004 film for which Toback had high hopes. When Will I Be Loved, which starred Neve Campbell as a young woman on the make, would, like many of Toback’s films, be a minor presence […]