Directing
Filmmaking - Directing
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Director Greg Barker on Koran By Heart
Koran by Heart, premiering on HBO today, comes out at a time when it couldn’t be more necessary. In the wake of July’s attacks in Norway and the Islamophobic response in Western media outlets, the film offers a composed perspective of life in the Muslim world. Koran by Heart follows three Muslim youths — Nabiollah from Tajikistan, Rifdha from the Maldives, and Djamil from Senegal — as they enter into an annual Koran-reciting competition in Cairo, Egypt. The competition attracts hundreds of Muslims from all over the world, many of whom don’t speak Arabic, but are able to recite the […]
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Director Catherine Breillat on Sleeping Beauty
For many adults, The Sleeping Beauty, whether in Charles Perrault’s original telling or the Brothers Grimm’s, is the quintessential fairy tale. It has spawned countless retellings in the form of animated films, ballets, and children’s book adaptations. Now, iconoclastic director Catherine Breillat tackles the tale but on her own terms. For Breillat, The Sleeping Beauty is a doorway into the world of childhood fantasy in general as her young princess, cursed to die on her 16th birthday, travels through time and space, going on a series of adventures that underscore the fearlessness of a child’s imagination — and the adult […]
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Project Nim: An Interview with Director James Marsh
James Marsh first became a household name in the States after winning the 2009 Oscar for Best Documentary for his film Man on Wire, a “heist” picture about the French tightrope walker, Philippe Petit, who traversed a line between the twin towers in 1974. That film’s use of genre, its stylistic flair, and its fusion of fiction and documentary elements can be witnessed as early as Marsh’s 1999 film Wisconsin Death Trip, about the tragedies that befell a small town of Wisconsin at the turn of the 20th century. Marsh stays true to form in his latest documentary Project Nim […]
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Director Robert Persons on General Orders No. 9
Much can be made of duration. The long stretches of time presaging the releases of Stanley Kubrick’s Eyes Wide Shut or, more recently, Terrence Malick’s The Tree of Life, lent each film a preordained measure of value. Yet, those films were helmed by directors with celebrated careers and reputations for being perfectionists. So it comes as an anomaly that General Orders No. 9, premiering at the reRun Gastropub Theater on June 24th, took first-time filmmaker Robert Persons 11 years to make. General Orders No. 9 is a person-less documentary about Georgia’s ongoing process of urbanization. A synthesis of voiceover, music, […]
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Director Zach Clark on Vacation!
I first met Zach Clark last October when his excitingly subversive, sex-scene-less SXSW hit Modern Love Is Automatic opened Pornfilmfestival Berlin (where my own short The Story of Ramb O had its premiere). Since we barely had the chance to chat in the buzzing, jam-packed Moviemento hub, I was thrilled when I heard recently that Clark’s follow-up Vacation! (pictured above) was already on the festival circuit and would be playing theatrically at Brooklyn’s own reRun Gastropub Theater in May. Finally I had an excuse to find out what makes this offbeat yet seemingly well-adjusted director of a feature about a […]
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Director Alex Gibney on Catching Hell
Few documentary filmmakers’ careers are as fascinating to follow as that of Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room), and that’s not just because of the consistent quality of his films, but because of the astonishing rate at which he produces them. In the midst of three other projects — an untitled Wikileaks documentary in pre-production; The Road Back, about Lance Armstrong, in post-production; and the newly completed Magic Bus, about Ken Kesey and the Merry Pranksters — Gibney was at this year’s Tribeca Film Festival with his sports documentary Catching Hell, which […]
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Writer/Director Janet Grillo on Fly Away
Emotional and involving yet also clear-eyed and with a cool wisdom, Janet Grillo’s Fly Away is a sharply observed and strongly acted tale of a mother learning to allow her autistic teenage daughter to transition into the adult world. Beth Broderick plays Jeanne, a single mom with her own home-office corporate consulting business. Ashley Rickards is her daughter Mandy, and the two have a tight, well-ordered relationship, with Jeanne trying to grow her business during the day while Mandy attends a special needs school. But when Mandy begins a series of violent outbursts at that school, Jeanne’s almost preternatural composure […]
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Zeina Durra and Elodie Bouchez on The Imperialists Are Still Alive!
In the opening scene of Zeina Durra’s debut, The Imperialists Are Still Alive!, Asya, a young artist, poses naked for the camera. A hijab on her head, a machine gun in hand, she explains to an off-screen assistant her rationale for why the religious freedom fighter she’s portraying might have waxed her pubic hair. It’s a scene that is as funny as it is politically loaded, much like the movie that follows. Although its milieu — the young, privileged and the artistic — is the stuff coming-of-age movies are made of, The Imperialists Are Still Alive! is more than just another […]
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Josh Radnor, happythankyoumoreplease
Josh Radnor, the writer-director-actor of, happythankyoumoreplease, has a day job: he stars on the hit CBS sitcom, How I Met Your Mother. (Radnor plays the titular “I”— perhaps the most famous “I” in pop-culture since Withnail & I.) happythankyoumoreplease is an immensely likeable New York ensemble film about young people trying to negotiate love and responsibility, and its Audience Award win at Sundance in 2010 marks Radnor, who makes his directorial debut with the movie, as a filmmaker to watch. happythankyoumoreplease features a number of outstanding performances by actors including Malin Akerman, Tony Hale, Zoe Kazan, Kate Mara, Pablo Schreiber, […]
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The Map
Alice Munro wrote a short story once called “Deep Holes,” and it’s as fitting a title as any when one considers her body of work. Munro has made a career out of writing the same short story over and over again, but because that story is shot through with an incredible amount of depth, with endless bottoms of nuance and complexity and minor shifts and adjustments each time, it constantly amazes. Jonathan Franzen (who himself rewrote his 2001 classic novel The Corrections as the even better Freedom), reviewing Munro’s 2004 collection Runaway, nailed it: I like stories because it takes […]
