Filmmaking

RED ON RED

Actress Evan Rachel Wood seems to be the go-to-girl for ambitious music videomakers. First there was her starring role in Green Day’s anti-war “Wake Me Up when September Ends” video: And now she joins reported new b.f. Marilyn Manson in “Heart Shaped Glasses,” an NSFW homage to David Lynch (plenty of red curtains), David Cronenberg and, perhaps, Hermann Nitsch. (Oh yeah, if you’re under 16 you’re not supposed to watch this.)

By Scott Macaulay on May 12, 2007 Filmmaking
THE WRITING ON THE WALL

Below I blogged about the L.A. Weekly piece, “Double Cross at the WGA,” which was an explosive account of the Writer’s Guild of America’s policy of collecting and not always paying foreign levies on behalf of member and non-member writers. It’s a complicated story but well worth following for several reasons, not the least of which is what it says about our current and possibly future system of copyright. Now there’s more on the story. Stefan Avalos has written a long and nuanced piece about the scandal at Fade In Online. (The story begins on the website’s front page and […]

By Scott Macaulay on May 12, 2007 Filmmaking
TIME REGAINED

If you’re in New York you’ve got a few days left to catch Guy Maddin’s Brand upon the Brain, the director’s spectacular staging of his latest movie with a live chamber orchestra, castrato, three live foley artists and an assortment of guest narrators like Lou Reed, Laurie Anderson and Isabella Rossellini. Like all of Maddin’s work, the film immerses itself in the poetics of early cinema, applying the style this time to a storyline that seems a mix of Dickens and gothic horror. But what makes it a must-see is its rare event quality. When the musicians start, the foley […]

By Scott Macaulay on May 12, 2007 Filmmaking
A GENIUS LEDE

Until such time as The Day the Clown Cried sees the light of day, we might just have to settle for… Georgia Rule.. Here’s John Anderson’s genius lede to his Variety review: No offense to either of them, but Georgia Rule suggests an Ingmar Bergman script as directed by Jerry Lewis. The subject matter is grim, the relationships are gnarled, the worldview is bleak, and, at any given moment, you suspect someone’s going to be hit with a pie.

By Scott Macaulay on May 8, 2007 Filmmaking
COMEDIC CAMERA

Over at David Bordwell’s Website on Cinema, Bordwell has one of his great screen-grab filled comparative film essays, this time on the relationship between film framing and humor. “Can a shot be amusing in itself?” asks Bordwell before going on to talk about Tati, Barry Sonenfeld, and a sequence from Shaun of the Dead that features the two shots below: Writes Bordwell of the scene in which two groups of survivors meet in zombie-filled London, “The gag’s premise is that each survivor has a counterpart in the other line. There are two posers in brown leather jackets, two can-do girls, […]

By Scott Macaulay on May 6, 2007 Filmmaking
THE WGA AND THE MORAL (AND FINANCIAL) RIGHTS OF THE AUTHOR

It’s long, detailed and a must-read — Dennis McDougal’s piece in the L.A. Weekly, “Double Cross at the WGA,” on the guild’s collecting and non-payment of monies issued to member and non-member writers by foreign rights societies. The piece springboards off a class-action lawsuit filed by writer William Richert (Winter Kills) against the WGA as well as whistleblower activity by a now-terminated guild administrator into a discussion of American copyright law, studio business practices and the U.S.’s complicated relationship to the Berne Convention, the international copyright agreement spearheaded by author Victor Hugo. The upshot? If you wrote a screenplay for […]

By Scott Macaulay on May 6, 2007 Filmmaking
THE VAST RIGHT-WING BLOGOSPHERE

Via Talking Points Memo comes news of Qube, the right-wing answer to the lefty, politically correct, and conservative censoring website that is… YouTube? From their front page mission statement: Bit by bit the site is coming together. Building QubeTV in the public eye has been a both a joy and a challenge, a real chance to bring the American conservative movement together in one place – with all of you watching! Coming next: a continuation of the ongoing (and not always visible to the eye) tech improvements such as embeds and (duh!) categories, the simple basics we know you are […]

By Scott Macaulay on May 5, 2007 Filmmaking
TRIBECA WINNERS

Awards were handed out last night in Chinatown for the 6th annual Tribeca Film Festival. See list of winners below. The Founders Award for Best Narrative Feature – My Father My Lord (Hofshat Kaits), directed by David Volach (Israel). Best New Narrative Filmmaker – Two Embraces (Dos Abrazos), directed by Enrique Begne (Mexico). Best Actor in a Narrative Feature Film – Lofti Edbelli in Making Of (Akher film), directed by Nouri Bouzid (Tunisia, Morocco). Best Actress in a Narrative Feature Film – Marina Hands in LadyChatterley, directed by Pascale Ferran (France, Belgium). Best Screenplay – Making Of (Akher film), written […]

By Jason Guerrasio on May 4, 2007 Filmmaking
DOCS @ TRIBECA

As the Tribeca Film Festival wraps up its 6th year this weekend its clear that as it expands throughout the city confusion mounts within the industry on what it actually is – a venue for high profile films or discovering new talent (I’ll go into greater detail about this in my Festival Wrap-Up in the Summer issue). But having attended every year there’s one thing I’m always impressed by: the documentaries. And this year is no exception. Two that I’ve enjoyed equally but are completely different in tone and style are Alex Gibney’s Taxi to the Dark Side and Bruce […]

By Jason Guerrasio on May 1, 2007 Filmmaking
GOING MOBILE

If you’ve picked up our Spring issue you may have read the sidebar in our “Option Overload” Line Item (“Cell Capture”) where Dutch filmmaker Cyrus Frisch describes how he made his latest film Why Didn’t Anybody Tell Me It Would Become This Bad In Afghanistan with a cell phone. Which as far as we know is a first. It goes without saying that this is a shooting format that’s probably a decade before its time (at the least), but after seeing the film at the Tribeca Film Festival (it made its World Premiere at Rotterdam) the other day, this extremely […]

By Jason Guerrasio on Apr 28, 2007 Filmmaking

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