The last time I linked to the Cyan Pictures Web site it was to make fun of founder Josh Newman’s constant posting of new film sales and starts that never seem to quite happen. So it’s only fair that I eat some crow and link to the site again now that a new film, a doc called More than a Game has gone into production. From the site: “Late this may, B’nei Sakhnin became the first Arab-led soccer team to win the Israeli national cup. Now the team heads off to Europe to represent Israel on the world stage of […]
There’s been a bunch of cool stuff popping up in the film blogosphere lately. Below are a couple of links that have caught my attention; the sites these links are from should be immediately bookmarked! The Movieblog, subtitled “The Official Home of Correct Movie Opinions,” actually isn’t a compendium of hastily scribbled film “reviews” but rather a sharp assortment of interesting movie links with a particular emphasis on Asian horror and art films. Click over there now for stuff like a stylish Japanese website for Wong Kar-Wai’s 2046 and a giant Quicktime trailer of Wes Anderson’s new The Life Aquatic. […]
In Jeff Levy-Hinte’s piece, “The Digital Divide,” in the current issue of Filmmaker, Levy-Hinte discusses the major studio’s battle against new technologies like the file-sharing services which, while they enable the free distribution of copyrighted materail, also have legitimate uses. Levy-Hinte’s fears of expanding governmental control over legal technologies were abated this week by a federal appeals court ruling stating that two file sharing services, Grokster and Streamcast, weren’t liable for the distribution of copyrighted works on their networks. Judge Sidney R. Thomas wrote, “History has shown that time and market forces often provide equilibrium in balancing interests, whether the […]
Filmmaker Alison Murray emailed to say that she’s launched her new Web site, The Hellhound, which contains a trailer from her forthcoming debut feature Mouth to Mouth as well as short films and other info. Says the Web site, Mouth to Mouth, executive produced by Atom Egoyan, “features Alison’s signature choreographic style, woven into a powerful narrative about a search for belonging. Sherry, a teenage goth, runs away with a bizarre collective called SPARK (Street People Armed with Radical Knowledge) losing her lip ring, her virginity and her family in one road trip. Cast include Natasha Wightman (Gosford Park), Eric […]
I received sad news from my friend Claire Best today. Geraldine Peroni, one of New York’s top film editors, died unexpectedly at her home yesterday. Peroni has long been associated with the films of Robert Altman — she cut The Player, Short Cuts, Pret-a-Porter, Kansas City, Dr. T and the Women, and The Company — but she also contributed her considerable skills to a number of other great independent films by a wide range of directors. She cut Alison Maclean’s Jesus’ Son, Rose Troche’s The Safety of Objects, Tom DiCillo’s Johnny Suede, and Sande Zeig’s The Girl, among others. At […]
The British newspaper The Guardian has long been a daily read for its left-leaning political coverage. Now they’ve added a Gamesblog, so you can check them out for smart takes on gaming played on platforms ranging from PCs to phones. Amid the obvious — like links to the new Doom 3 demos — the blog discusses a game featuring an s/m virtual world, a forthcoming game in which one can hunt Osama Bin Laden, and the poltical potential of quickly conceived and rendered downloaded Java games.
Producer Jeff Levy-Hinte (Thirteen, High Art, and the Venice-bound Mysterious Skin) wrote one of the most important articles Filmmaker has ever published in our current issue. Entitled “The Digital Divide,” it’s a trenchant and provocative attack on the intersecting political and lobbying efforts that comprise the MPAA’s “War on Piracy.” Levy-Hinte uses last fall’s “screener battle” (which he, Ted Hope, the IFP and the IFP/L.A. as well as an alliance of independent producers all fought) as the jumping off point to discuss what’s next when it comes to the effect of anti-piracy policies on independent filmmakers. By parsing the history […]
Filmmaker doesn’t run a lot of letters to the editor. We’re usually strapped for space at our regular 96 or 112 page count, so we can’t publish all the letters we’d like to. One letter that calls out to be published, at least here on the blog, is below. Feel free to post if you can answer this fellow’s question. Hi, I am interested in an adult scene in film and video which is connected with both Paramount (then run by Barry Diller) and Tri-Star (when Columbia was owned by The Coca-Cola Company). I believe the film was released in […]
When I read about filmmaker Nathaniel Kahn (My Architect) and producer Callum Greene’s film about M. Night Shamalayan for the Sci-Fi Channel running into trouble over Night’s refusal to cooperate once the documenatarians discovered a “buried secret” in his past, I meant to check it out by making a call to Greene. We recently covered his last produced feature Homework in the magazine. But today I was reminded that this had slipped off my “to-do” list by this piece on CNN.com. In it, Sci-Fi Channel president Bonnie Hammer described the news leak as a “guerilla marketing campaign” that went too […]
In the current issue of Filmmaker, producer Jeff Levy-Hinte writes a lengthy and provocative essay on the MPAA’s “War on Piracy.” Even if we weren’t the publishers of the magazine, we’d tell you that it’s a must-read. But for those who, after finishing it, may feel that Jeff’s paralleling of the “War on Piracy” with the Bush administration’s “War on Terror” is a bit over-the-top, then check out this link to an article in The Guardian, in which the true cost of that black-market copy of Soul Plane is revealed. Writes The Guardian: “That, essentially, is the message being promoted […]