Filmmaking

DOWNLOADABLE DIGITAL DIVIDE

Producer Jeff Levy-Hinte (Thirteen, High Art, and the Venice-bound Mysterious Skin) wrote one of the most important articles Filmmaker has ever published in our current issue. Entitled “The Digital Divide,” it’s a trenchant and provocative attack on the intersecting political and lobbying efforts that comprise the MPAA’s “War on Piracy.” Levy-Hinte uses last fall’s “screener battle” (which he, Ted Hope, the IFP and the IFP/L.A. as well as an alliance of independent producers all fought) as the jumping off point to discuss what’s next when it comes to the effect of anti-piracy policies on independent filmmakers. By parsing the history […]

By Scott Macaulay on Jul 30, 2004 Filmmaking
SELF-STIMULATION AND A SINK

Filmmaker doesn’t run a lot of letters to the editor. We’re usually strapped for space at our regular 96 or 112 page count, so we can’t publish all the letters we’d like to. One letter that calls out to be published, at least here on the blog, is below. Feel free to post if you can answer this fellow’s question. Hi, I am interested in an adult scene in film and video which is connected with both Paramount (then run by Barry Diller) and Tri-Star (when Columbia was owned by The Coca-Cola Company). I believe the film was released in […]

By Scott Macaulay on Jul 28, 2004 Filmmaking
GUERILLAS AT NBC

When I read about filmmaker Nathaniel Kahn (My Architect) and producer Callum Greene’s film about M. Night Shamalayan for the Sci-Fi Channel running into trouble over Night’s refusal to cooperate once the documenatarians discovered a “buried secret” in his past, I meant to check it out by making a call to Greene. We recently covered his last produced feature Homework in the magazine. But today I was reminded that this had slipped off my “to-do” list by this piece on CNN.com. In it, Sci-Fi Channel president Bonnie Hammer described the news leak as a “guerilla marketing campaign” that went too […]

By Scott Macaulay on Jul 17, 2004 Filmmaking
WAR ON PIRACY… HITS CANAL STREET

In the current issue of Filmmaker, producer Jeff Levy-Hinte writes a lengthy and provocative essay on the MPAA’s “War on Piracy.” Even if we weren’t the publishers of the magazine, we’d tell you that it’s a must-read. But for those who, after finishing it, may feel that Jeff’s paralleling of the “War on Piracy” with the Bush administration’s “War on Terror” is a bit over-the-top, then check out this link to an article in The Guardian, in which the true cost of that black-market copy of Soul Plane is revealed. Writes The Guardian: “That, essentially, is the message being promoted […]

By Scott Macaulay on Jul 16, 2004 Filmmaking
FAHRENHEIT RISING

According to a new poll released today and disseminated by MoveOn PAC, “viewership of Fahrenheit 9/11 continues to grow with 11 percent of all voters now reporting they have seen Michael Moore’s film. This is nearly double the number of viewers since the July 4th weekend, when 6 percent reported having seen the movie. “An additional 33 percent [reportedly] intend to see Fahrenheit 9/11, which means that 44 percent of all voters in the 2004 Presidential election could be exposed to the film. “Movie-goers and intended movie-goers represent a broad and diverse slice of the electorate and spread across the […]

By Jason Guerrasio on Jul 15, 2004 Filmmaking
THE BUZZ AND THE BYTES

Over on his The Hot Button site, David Poland’s got up one of his rambling think pieces, this time on the State of Things in the world of Internet publicity. A lot of it is comprised of his critical take on Ain’t It Cool News and the way in which both the studios and the mainstream media feed off of it. It’s a three-part article and is quite interesting in its attempt to define and argue for the specialized role of Interet publicity while also calling out the most egrigious offenders of the relaxed-sourcing, anyone-can-do-it attitude of the Web press. […]

By Scott Macaulay on Jul 14, 2004 Filmmaking
FAIR USE

Lawrence Lessig, in a “Guest Column” in today’s Variety writes: “Robert Greenwald’s latest film, ‘Outfoxed,’ is a political documentary about Republican bias at Fox News. It is also, as the New York Times Sunday Magazine dubbed it, a ‘guerrilla documentary.’ “In addition to interviews with former Fox employees, academic studies evaluating the ‘Fox effect’ and internal Fox memos, Greenwald has used a significant number of clips from Fox News to show the bias that the slogan ‘fair and balanced’ belies. “He had no permission to use those clips. “Fox has called Greenwald’s use stealing. It has warned other networks that […]

By Jason Guerrasio on Jul 14, 2004 Filmmaking
DOC ROCK MYSTERY

When I read the headline in today’s Variety — “Hanks a Rebel Rocker for Biopic” — I wondered what rock star Tom Hanks (or perhaps his son Colin) could be playing. So, as someone whose music knowledge is pretty good, I was surprised to read that DreamWorks has picked up the life rights to a rock figure whom I know nothing about. According to the trade mag, the studio has bought the life story of “Dean Reed, an American singer, actor and filmmaker whose 15-year career in East Germany was halted by his mysterious death in 1986.” Reed apparently became […]

By Scott Macaulay on Jul 9, 2004 Filmmaking
FREE MICHAEL MOORE!

On the 4th of July, this link, via Moviecity News is too rich to pass up: “Urge Ashcroft to brand Michael Moore what he really is — a traitor to America!” headlines a petition by Patriotic Americans Boycotting Anti-American Hollywood found on the Web site Conservative Petitions.com. “Free speech isn’t free when it costs lives,” the Web site says as it argues that Moore’s Farenheit 911 is endangering the lives of our troops. Those who click on the petition will find their names forwarded to House Majority Leader Tom DeLay, Senate Majority Leader Bill Frist and Speaker of the House […]

By Scott Macaulay on Jul 4, 2004 Filmmaking
ARCHTYPAL FILMMAKER

When it comes to independent film careers, there are few more interesting than that of E. Elias Mehrige’s. In 1991 he finished his years-in-the-making Begotten, a Stygian montage of primordial imagery, summarized thusly by Marty Cassady, a reader at Imdb.com: “God disembowels himself with a straight razor. The spirit-like Mother Earth emerges, venturing into a bleak, barren landscape. Twitching and cowering, the Son Of Earth is set upon by faceless cannibals.” Mehrige worked with a tiny crew and hand treated the film to give it a look like it had been around for centuries. The film, which played at underground […]

By Scott Macaulay on Jul 3, 2004 Filmmaking

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