It was only a matter of time before this trippy sci-fi film featuring a disarmingly strange but impossibly stylish early-1970s David Bowie as an alien navigating Earth would make the rounds once again. Nicolas Roeg’s The Man Who Fell to Earth, a cult classic whose Criterion Collection DVD has been out of print for years, has just finished a near-entirely sold-out run at New York City’s Film Forum on a beautiful new 35mm print and will be touring the rest of the country in the coming months. While the film seems dated at times, downright incoherent at others, its reflection […]
(Project Nim is being distributed theatrically by Roadside Attractions. It opens in theaters July 8, 2011. Visit the film’s official website to learn more.) In December of 1973, a two-week old chimpanzee named Nim Chimpsky was taken from the arms of his mother and given to a human family in the hopes of settling a raging intellectual debate. In a famous study, the linguist (and now-famous political philosopher) Noam Chomsky had asserted that language acquisition was solely the domain of human beings, an innate quality existing within and discovered by humans through experience and exposure to language, which combined to […]
In keeping with a bit of our theme from last week we tackle the subject of using our films to make a larger audience aware of a subject or group, and in turn gain a network of people we would have never come in contact with. If crowdsourcing is a way to gain a new following and engage an audience in the filmmaking process, then social change can do the same thing, but also give back to a community or group in more ways than just one narrative film can. It can also serve to engage a larger network in […]
The appearance of a fictional version of the President of the United States is a hallmark of many genre films, particularly of the earthly disaster variety, in which the impending destruction of the planet, or at least the country warrants a visit from our Commander-in-Chief. In some cases, the character is a way for the filmmaker to get into some mild politics, to take a sly jab at a particular administration through spoofing or lampoonery. In other cases the POTUS depiction has an element of wish fulfillment, in which the filmmaker projects his ideal leader in a crisis situation. Like […]
(The 10th anniversary of Dark Days will be re-released through Oscilloscope Laboratories beginning Friday.) Things keep happening that make me feel old. No I don’t have any major age-related illnesses. I haven’t been getting copies of AARP magazine in the mail. “Are you even 30 yet?” is still a legitimate question to ask me upon any encounter. For the record, I’m not (yet) 30, but still I can’t help getting the creeping sense that, in the words of LCD Soundsystem, “I’m losing my edge.” Upon learning that the Cinema Village was going to open British documentarian Marc Singer’s seminal 2000 […]
I first met Jesse Borkowski back at RIT in 2002, and we became fast friends. His interest in experimental filmmaking mirrored my own, and soon we were the dynamic duo of cinematographer and assistant on over ten short films. Our verbal short hand and similar visual language made it easy for us to work together, but it wasn’t until now that we’ve collaborated on a project as co-directors; It was bound to happen. The film I’m referring to is Engram. This “epic” micro budget is an experiment in many things, one of those things being crowdsourcing. My last few attempts […]
(General Orders No. 9 is being distributed theatrically by Variance Films. It opens at the reRun Gastropub in New York City on June 24, 2011. Visit the film’s official website to learn more.) Deer trail becomes Indian trail becomes County road. General Orders No. 9 is one of those films where the adjectives used to describe it—dense, meditative, reflective, confounding—are intended as compliments, yet they will be mistaken by many for pejoratives. And while it would be stubborn and ignorant to think that everyone will respond to it with open arms, its refusal to speak to anyone except itself is […]
So last week we presented one type of manifesto knowing full well it’s almost impossible to define what this all is. The feedback was wonderful and I want to take a moment before I present the next two manifesto perspectives to comment. I think some people are completely right about the fact that sometimes the point of micro-budget is to NOT be part of a group. However, as humans, we group ourselves, and others, together so that we can quickly categorize and compartmentalize the world around us. Which is the very reason I started thinking about a rule book. Groups […]
Running for nine solid years and organized by the folks over at Subway Cinema, the New York Asian Film Festival is a genre lover’s dream — a carefully curated crop of new films from Korea, Thailand, Japan, Taiwan, and anywhere else on the continent they can get their hands on a good movie, watched in the company of equally discerning fans. The 2011 edition is kicking off on July 1 with the film Milocrorze: A Love Story, a genre-bending samurai romance in the form of a musical variety show, from Yoshimasa Ishibashi. I’m intrigued already. I remember the first time […]
Our last few posts have really sparked a great conversation and it seems to be one of definition. Not just of micro’s structure, but definition of our stance on art vs. commerce, and our perspective of micro’s purpose. A while back I made a half-joke on this column that someone should write a manifesto for micro-budget filmmakers. The more I thought about what it would contain, the more I realized I was writing one of my own. I immediately contacted one of our column alums Jamie Heinrich. Jamie is in the process of financing and shooting his next feature via […]