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Fanny, Annie & Danny — A Hammer to Nail Review
(After winning multiple awards during its festival run — including the Emerging Filmmaker Award at the 2010 Starz Denver Film Festival — Fanny, Annie & Danny screens for one night only, Tuesday, March 29, 2011 (for *free*, no less!) at the reRun Theater in New York City. Visit the film’s official website to learn more.) If there’s one universal truth about families, it’s that as cozy and loving and supportive as they can be, they can also be cruel and irritating and patronizing and infuriating and maddening and fisticuffs-inducing and… that will suffice for now. That truth is ratcheted up […]
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The Microbudget Conversation: Brandon Bethmann
Short films can often be gateways to feature films, experiments in storytelling, or stand alone works of art. After film school I still made one short film every year, but for me they were ways to try out ideas before committing to something feature sized. For some folks they are end goals that are beautifully done and well thought out. Sometimes however, we get short films that are too long, or ideas that exist between short format and feature length. Plus, with the introduction of Youtube and Vimeo we also seem to have an over abundance of “short films” that […]
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Redland — A Hammer to Nail Review
(Redland is distributed by Zyzak Film Company. After playing at several festivals in 2009, it opened theatrically at Laemmle’s Sunset 5 in Los Angeles on Friday, March 11, 2011. See here for a list of future showings.) Though the influence of its cinematic forebears is readily apparent, nary a film comes to mind whose approach is as singularly visual as Asiel Norton’s Redland. Words prove woefully insufficient in conveying its imagistic intensity, but a few descriptions nonetheless come to mind: an aged photograph come to life, key aspects of which are out of focus or otherwise difficult to discern; a […]
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The Microbudget Conversation: Micro Mundo
In the summer of 2009 I had the pleasure of attending the Maine International Film Festival in Waterville. Not only did I get to meet one of my favorite authors and find an actor I will use for life, but I also had the pleasure of meeting Alexander Berberich (pictured below). It is my hope that I can work with Alexander until we are very old, bitter men, and I recently asked him for his viewpoint on international micro-budget filmmaking. Alexander is a jet setter by definition, and whenever I speak to him he seems to be in a new […]
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The Microbudget Conversation: Sounds Good
These past two weeks I’ve been in Rochester, NY working on the Orphaned soundtrack with all the usual suspects and collaborators. (Let me know if there are issues with the feed. This is an ongoing daily live feed where I will eventually be distributing free content…it is part of my MFA thesis.) I had been trying to write a response to the latest “explosion” of indie film acquisitions, the new world models of indie film financing, and the influx of nobody filmmakers. BUT I found that others with something to say, have already said it best, so I scrapped it. […]
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Into the Splice: The King’s Speech
I had put off seeing The King’s Speech, and for good reason it turns out, though not the reason I expected. The movie is proudly what it is, and it is hard not to fall under the spell of the story. In some ways, it’s a very old-fashioned film, in the same way that True Grit is old-fashioned. The complete absence of irony. Both films simmer at the same ahistorical temperature. On the big screen, movies still have a certain scale of force absent from smaller screens. The reason to go to the movies is to be dominated, and yet […]
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The Microbudget Conversation: What Are The Festivals Good For ?
Sorry to all for the week off. A little festival called Sundance was happening, and this column would have been lost in the hustle and bustle. PLUS, I’ve become agoraphobic after editing Orphaned for three weeks straight now. I no longer possess social skills and hygiene. (But the movie looks good so far!) After our second article posted, Blake Eckard contacted me and thought I needed to talk to someone ASAP. It could only be one person, Jon Jost (pictured below). Jon is one of Blake’s favorite film directors and he is a legendary indie filmmaker. It was a no-brainer. […]
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The Microbudget Conversation : Films Too Small To Fail
I first met Zak Mulligan through my DP Sean Donnelly a few years back. After a bit of back and forth on the merits of Kickstarter, I helped him with a little production design on his first feature, and we became fast friends and supporters of each others work. Zak and his directing partner Rodrigo Lopresti were recent participants of IFP’s Independent Filmmaker Labs with their first feature film I’m not me. Zak also won the Best Cinematography award at Sundance last year for his work on the film Obselidia. He’s here to talk a bit about the advantages of […]
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The Microbudget Conversation: Blake Eckard Has Questions Without Answers
This week we hear from the Micro-Budget Filmmaker Blake Eckard. After I had put my first feature up on the web for free downloading, Blake contacted me and we began a three-year conversation on the highs and lows of micro-budget filmmaking. I think Blake’s take on the subject is one of importance and it needs to be shared. “Orson Welles, by his own admission, didn’t believe in artists so much as “works.” He also hated (or liked people to believe he hated) talking about himself and his films. Although it may be fashionable to say it, I don’t think there’s […]
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Into the Splice: Black Swan
Things didn’t bode well from the beginning. The crowd in the theater was restive. People shifted uncomfortably in their seats even before the movie began. I was alone, and sat in the back, the projector whirring somewhere above and behind me. But that was only the beginning. As it turns out, I had been editing Alla Gadassik’s remarkable video-essay for the Requiem // 102 project, and had learned of an obscure Italian Jennifer Connelly film from 1988, Etoile (directed by Peter Del Monte), which also happens to be a nightmarish film about Swan Lake that also features a monstrous black […]
