Emergence
New work in new media by Deniz Tortum
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Replicating Images: Submerged, AI and Immersive Cinema
In October, Apple released its first scripted immersive film production, Submerged, on Apple Vision Pro (AVP), its mixed-reality headset. The film follows a submarine crew during World War II who fight for survival after enduring a torpedo attack. The high-end technological production included a submarine set, a proprietary 3D camera by Apple and headsets for the crew to monitor the shots in real time. The production design is impressive, the use of close-ups peculiar and novel—it’s a well-crafted film. However, more than the film itself, the experience of watching Submerged on the headset is what truly shines. A making-of trailer… Read more
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Subtle Inconsistencies: Filmmakers and Generative AI in 2024
In Orhan Pamuk’s novel The Black Book, there’s a story about a mannequin maker and his underground workshop. The craftsman believes that after the introduction of cinema, people began to lose their natural gestures and now simply imitate the movements and behaviors of actors they see on the big screen. To preserve natural and native mannerisms, he undertakes an immense archival project: He makes mannequins of people performing small gestures in great detail. I’m curious what the craftsman would do faced with generative AI. AI film festivals and competitions are growing in popularity. Last May, the second annual Runway AI… Read more
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Over the Horizon Line: Looking for a New Climate Cinema
Everyone who welcomes the seriousness of the climate crisis into their lives does it in a different way, but there are common patterns. For me, it was precipitated by a weeks-long period of research into climate science for work, creating a new intensity that physically manifested as a panic attack, my first time experiencing this. There are a few representations of such realizations/radicalizations in recent films. In First Reformed, there are scenes of Reverend Toller, his face lit by the computer screen at night, researching climate change, looking at many different websites and reports on his computer. In How to… Read more
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A Blurring of the Real: Damon Packard, Documentary Archival Footage and Generative AI
A crowd of people, animals and AI-generated beings sleeps in a movie theater. Faces are lit by the explosions of an atom bomb on screen. All we hear is the loud snoring of hundreds of people and the sounds of their bodies moving; a nondescript rodent crawls on the floor. We cut to the 70mm IMAX projection room, where the projectionist is also sleeping. The camera moves very slowly, but each shot morphs within itself at a faster pace. These two visual rhythms are layered on top of each other. The explosions on screen intensify; a panic sets in. We… Read more
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In an Instance
During the pandemic, while I was stuck at home in Maryland, a friend from California suggested that we catch up in virtual reality. This had been their favorite pandemic activity. We set a time and decided to meet at a specific room in VRChat. When the time came, we were both in our headsets, logged into the same space. The virtual room was crowded, and we couldn’t find each other. I called my friend, and we tried to coordinate our locations over the phone. We went to the same corner of the same room but still couldn’t see each other.… Read more
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The Man Machine: On the NPC Streaming Phenomenon
On a hot July afternoon, a friend sent a video, a TikTok livestream, to a group chat, followed by a question: “What is this genre called?” A young man in a Spider-Man suit and hoodie was rhythmically swaying back and forth in a parking garage as he stared into the camera. He frequently broke his silence when he received a “gift” sent by one of the stream’s 2,000 viewers. Depending on the gift type, he repeated one of a few phrases, each with the same delivery: “Hey, thanks for the rose”; “Too much ice cream makes me cold”; “Nothing like… Read more
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A New Kind of Cinematograph: New Filmmakers at the AI Film Festival
We see a childhood photograph nearly centered in the frame on a black backdrop. In the photograph, a boy of three or four years of age smiles inside the bathtub with his two dogs. A few seconds later, the black screen around the photograph becomes part of the photograph; the image expands and the rest of the room is revealed. Everything looks familiar and slightly off at the same time. The tiles are slightly skewed, as if the wall has melted. The shape of the bathtub looks normal but perhaps larger than usual. There are suddenly three more dogs in… Read more
