This post is half public service for the tech-challenged (like me), and half “note to self” for the next time I change my internet connection settings. Briefly, like the many PS3 owners who have posted all over the internet looking for help, connecting a PS3 to the internet can be a challenge if you’re not quite sure what to do. I remember cursing the Gods of Sony last year when I bought a PS3. Then, through some kind folks on Twitter, I figured out how to do it and all was good. Recently, I changed my home ‘net security from […]
I don’t need any special encouragement to blog about a new book by Rick Moody…. especially when it has to do with a “blocked writer… whose major success is winning the right to author the novelization of the remake of the 1963 horror flick The Crawling Hand.” And when it has a pretty great trailer that took me back to Saturday afternoons watching Channel 20 in Washington, D.C. when I was growing up. (Hat tip: The Rumpus.)
Without an environment to shoot, cinematographers have nothing; without directors of photography to shoot their sets, production designers have no purpose. It takes a lot of people to build a world for the camera to film, and while the director may inspire and supervise its creation, it takes a production designer and a cinematographer to get it in front of the lens. The creative and practical collaboration between these two key crew members often gets personal. It is always co-dependent. We spoke to three such teams about their most recent projects together – Inbal Weinberg and Andrij Parekh of Blue […]
AFI-Discovery Channel Silverdocs Documentary Festival (held June 21 to 27) announced its distinguished winners. Best Feature directors receive $5,000. Best US Feature: WO AI NI MOMMY (I LOVE YOU, MOMMY) directed by Stephanie Wang-Breal, which documents eight-year-old Chinese Fang Sui Yong and her adoption by a Jewish couple from Long Island who name her “Faith.” The film follows Faith and her parents’ twist-and-turn journey over a year and a half. Best World Feature: THE WOMAN WITH THE 5 ELEPHANTS directed by Vadim Jendreyko, which chronicles eighty-five-year-old Svetlana Geier who has dedicated her life to language. Considered the greatest translator of […]
The LA Film Festival (held June 17-27) announced its winners. The prize for Best Narrative Feature went to Danish director Pernille Fischer Christensen for A Family. The Documentary Award went to J. Clay Tweel for his doc Make Believe. Christensen and Tweel both receive $50,000. L.A. Film Festival winners (descriptions provided by the festival): Narrative Award (for Best Narrative Feature): A Family (En Familie) directed by Pernille Fischer Christensen (Denmark). The conflict between love and duty plays out in this stunning, award-winning saga about a successful Danish family that faces agonizing choices when its charismatic patriarch falls ill. Documentary Award […]
A curious celebration of cinema and the mix of craft, history and ideology that goes into its making, Angela Ismailos’ Great Directors provides a chance to travel into the minds of ten of the world’s most celebrated film directors. In conversations with Bernardo Bertolucci, David Lynch, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles, Ismailos probes these directors for the secrets of their success while recounting much of the history of post-War world cinema via archival footage, occasionally ponderous black-and-white B-roll of the filmmakers, and mostly insightful voice over commentary. Detailed and […]
At the Festival Square in Edinburgh, Tilda Swinton organized and led a flash mob dance yesterday, coinciding the launch of her new charity, the 8 1/2 Foundation. From an article in the Scotsman: Gathering several hundred willing participants under the shadow of Edinburgh Castle, she led them in a soft-shoe shuffle known as At The Ball, by the Avalon Boys, originally performed by Laurel and Hardy, in an effort to create a “flash mob dance”, where a group suddenly and spontaneously start dancing in a public place. The instructions, disseminated online, were simple: watch the Laurel and Hardy clip, turn […]
Filmmaker (and former Filmmaker Managing Editor) Matt Ross made this short film updating the European trip montage from Rules of Attraction to material taken from and inspired by all of Ellis’s books, including his new Imperial Bedrooms. It stars Kip Pardue, James Van Der Beek and Tara Summers, and it was conceived of, shot, and edited in ten days. And, oh yeah, it has no name. You can take part in a contest by naming the film at the Knopf website.
Over at FilmInFocus, screenwriter Howard Rodman picks up on the vino intelligence of Lisa Cholodenko’s The Kids are All Right to riff on wines that would go well with specific films. Here’s his recommendation for Far from Heaven: The elegance and depth of Far From Heaven deserves an expression of fruit, tannin, poignance, melancholy, and regret. A wine that satisfies on first sip, then opens up in the glass to reveal tastes and emotions far more profound. Giacomo Conterno’s Barolo Monfortino is such a wine. A bottle of the 1982 will take you to the precipice, then gently guide you […]