Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Damon Smith interviewed The Most Dangerous Man In America directors Judith Ehrlich and Rick Goldsmith for our Director Interviews section of the Website. The Most Dangerous Man In America is nominated for Best Documentary. As a history lesson, Judith Ehrlich and Rick Goldsmith’s enthralling new documentary, The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, is as solid as a textbook, stitching together old broadcast footage, first-person testimony, […]
The Film Society of Lincoln Center and Museum of Modern Art have announced the films selected for this year’s New Directors/New Films. In its 39th year, the series, taking place March 24 – April 4 at the Walter Reade Theater at Lincoln Center and the Roy and Niuta Titus Theaters at MoMA, will screen 38 films from emerging filmmakers. Richard Press‘s documentary Bill Cunningham New York will be the opening film, while acclaimed Canadian writer-director Xavier Dolan will close ND/NF with the New York premiere of I Killed My Mother (J’ai tué ma mère). For tickets and more on ND/NF, […]
FEBRUARY – shot on the Canon EOS 550D / Rebel T2i (preprod unit) from Nino Leitner on Vimeo. From filmmaker Nino Leitner. This short film, FEBRUARY, was shot on a pre-production unit of the new Canon EOS 550D / Rebel T2i. This is UNGRADED footage straight off the camera (converted to ProRes LT first for easy editing). I used a “flattened” picture style as outlined by Stu Maschwitz on his blog. Check out his blog for a detailed review of the camera, which comes out next month and is priced at $799.
Big news out of Sundance tonight: Keri Putnam, former President of Production at Miramax Films and Executive Vice President at HBO Films, has been named the new Executive Director of the Sundance Institute. The position was previously held by Ken Brecher, who left Sundance last April. Keri is well known to many of us in the independent community for her leadership at Miramax and HBO, where she opened the door to both new directors as well as established veterans looking to explore new ideas that wouldn’t fly in the mainstream studio system. Among the films she has been involved with […]
Of all the people I know — artists, musicians, filmmakers — who make dark, dark things, the French director Philippe Grandrieux is the sunniest. In person, he projects a passionate joy about his filmmaking craft, and the disturbing events contained within his films are not projections of surface-level angst or garden-variety emotional torment but rather philosophical inquiries into our relationship with Nature, our bodies, and our selves. To hear him talk about his work is to realize that he comes from a line that includes De Sade, Blanchot, and Bataille as well as later post-structuralists like Gilles Deleuze. (Grandrieux’s bloody […]
As a theme in Western art, sibling rivalry is as ancient as the Hebrew Bible or the internecine blood feud that shapes the destinies of two sisters in Sophocles’ Antigone. In her utterly absorbing family portrait Prodigal Sons, which won the FIPRESCI prize at the 2009 Thessaloniki Documentary Film Festival, Kimberly Reed (“25 New Faces of Independent Film,” Summer 2007) revisits this archetype with honesty and courage, grappling with questions of identity as she details how life-changing transformations have affected her relationship with adopted brother Marc McKerrow, a soulful hard-luck character who has long felt he was living in her […]
Here’s the just-released trailer for Elijah Drenner’s American Grindhouse, which plays SXSW next month.
American Hardcore filmmakers Paul Rachman and Steven Blush have a new project: Lost Rockers, a documentary “about great musicians overlooked by pop culture.” From the project’s Kickstarter page: LOST ROCKERS… offers insight into what it takes to “make it,” and why so many of equal talent to famous stars fall through the cracks. The film tells the life stories of these forgotten artists — of different eras, genres, creeds and orientations — from their doomed paths to fame to their ultimate redemption. You’ll experience amazing music you can’t believe you never heard. LOST ROCKERS has only just begun. We’ve shot […]
The Wall Street Journal-hosted Venture Capital Dispatch blog linked to my article yesterday about the closing of independent film distributor and festival website service business B-Side Entertainment. Scott Austin’s piece focused on comments made in the piece by CEO Chris Hyams and President of Distribution Paola Freccero about the company’s fate at the hands of the VC funding model. The executives said that B-Side was on the road to being profitable but couldn’t deliver large enough returns in the time period desired by financier Valhalla Partners. Austin points to another B-Side investor: original Series A-funder Mike Maples, Jr. and his […]
A often stunning and certainly never less than riveting meditation on the coming of age of an Arab/Corsican criminal in the unforgiving French penal system, Jacques Audiard’s A Prophet is that rare bird that feels utterly at home as an art house blockbuster (its pedigree includes the Grand Prix in Cannes, multiple European Film Awards and an Oscar nomination for Best Foreign Language Film) and as a potential crossover hit. It follows a young prisoner named Malik (a terrific Tahar Rahim), who enters jail as little more than a homeless petty thief, but after being taken under the wing of […]