Over at the new IFP Independent Film Week 2009 blog, Danielle DiGiacomo sits down with Independent Film Week ’08 veteran Bryan Wizemann, who has a number of promising projects that might just be about to go… and then he’s got a short film that questions the wisdom of it all. At Wholphin check out Film Makes Us Happy, a short in which Wizemann interviews on-camera his wife and asks her whether he should give up film. It’s a painful watch, although one with a lot of relevance to many filmmakers trying to balance work and family needs. From the interview […]
When I initially talked with producer Jake Abraham about contributing a piece to our Web Exclusives section about his DIY distribution of Kirt Gunn’s Lovely by Surprise, I told him I wanted it to be a two-parter. I wanted him to check back after the release had time to prove itself and let us know how it all worked out. Well, as Abraham notes in the intro to his just-posted new piece, “Tweet This!”, that time has come sooner rather than later. In brief, Abraham was compelled to write when he discovered that the film he’s been tirelessly promoting has […]
I’ll be the first to admit that I didn’t expect Inglourious Basterds to be as big a hit as it is when we selected it for Filmmaker‘s cover. I love the movie, but I thought it’s more idiosyncratic qualities would take it out of mainstream orbit. I’m really happy to be wrong. And while credit gets passed around to the Weinsteins, the publicists, etc., Tarantino should take some himself. He defied the pundits who opined that he had to cut a half hour or so out of the film after Cannes (the current cut is actually one minute longer), refusing […]
Posted this morning over on the main page are interviews with Hirokazu Kore-eda on his touching family drama Still Walking and Robert Siegel talks about his dark comedy Big Fan. Both films open in limited release this weekend.
A connoisseur of longing and remembrance who brings great sensitivity to each of his reflective fables, Japan’s Hirokazu Kore-eda should be better known in the States, as his films extend the tradition of world-class artists like Naruse and Ozu. Enthralled with the operation of memory and the impact of grief on the lives of everyday people, Kore-eda has created a body of work that’s as rich with feeling as it is modest in tone. In Maborosi (1995), Kore-eda told the story of a quietly devastated young widow struggling to move on after her husband commits suicide. He then departed from […]
Back in 2005 Matt Ross selected STEW for our “25 New Faces” list. STEW is the multi-media art duo consisting of theater artists Stew and Heidi Rodewald, and they had just staged their show Passing Strange at the Public Theater and attended the Sundance Producer’s Lab. Four years later a film version of Passing Strange opens at the IFC Center, directed by Spike Lee. Check it out this weekend and meet Stew and Heidi, who will be appearing in person at the shows. Here’s the trailer:
I remember being involved in a music video in the 1980s. At the time I was programming director at New York’s The Kitchen and we would rent out the space to video shoots to help pay the rent. The space got rented out to a big video with a budget in the mid-six-figures. They took both floors, built for a few days, shot for a few days, and envelopes of petty cash were handed out like candy. A few years later my partner and I produced a couple of music videos and wondered how we’d pull it off on only […]
Werner Herzog has not just his Bad Lieutenant rethink at Toronto but also his David Lynch-executive produced psychological crime drama My Son, My Son, What Have Ye Done. Strip out the title cards and the formulaic voiceover and there is some vintage Herzog in this trailer.
If you never saw Husbands during its brief release in 1970 through Columbia (mostly misunderstood by critics, audiences and even the studio that released it) or bought it on VHS, you’ve probably only heard of it through discussions people have of John Cassavetes’ work or books written on the actor/director. If you’ve read about the film, like I have, you’re probably excited for this release, as for the first time, Husbands is being released close to how Cassavetes wanted it to be seen. It is one of my favorite chapters in Ray Carney’s seminal book on Cassavetes’ life and work, […]
Timely? Too late? Successfully satirical or else defeated by the same complexities that have befuddled the lawmakers themselves? We’ll see what happens when Moore takes his Everyman Avenger persona into the dizzying world of derivatives and credit default swaps. Embedded video from CNN Video