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“Even the Biggest Fight Scene Was Ultimately About Character”: Editor Robbie Morrison on Polite Society
When Ria’s (Priya Kansara) big sister Lena (Ritu Arya) announces that she’s dropping out of art school and getting married, she immediately knows that something’s not right. As such, the London schoolgirl and aspiring martial artist recruits a couple of friends to save Lena from her own wedding before she moves to Singapore with her new beau. Robbie Morrison tells Filmmaker about cutting Polite Society, writer-director Nida Manzoor’s debut feature. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that […]
by Filmmaker Staff on Jan 29, 2023 -
“Develop a Workflow to Effectively ‘Play Ping-pong'”: Editors Roman Liubyi and Mila Zhluktenko on Iron Butterflies
Ukrainian director Roman Liubyi’s Iron Butterflies examines the ramifications of Malaysia Airlines Flight 17, which was shot down by Russian forces as it passed over eastern Ukraine on July 17, 2014, killing all 298 passengers on board. With an intricate nonfiction narrative laid out by Liubyi and Mila Zhluktenko, Iron Butterflies confronts the political aftermath of this atrocity. Liubyi and Zhluktenko discuss the process of cutting Iron Butterflies, as well as their involvement in the Babylon’13 film collective. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your […]
by Filmmaker Staff on Jan 29, 2023 -
“It’s Been a Mad Dash to the Finish Line” | Vuk Lungulov-Klotz, Mutt
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? “Miracles in real time.” I don’t know when in the production process we started saying that, but it’s kind of been our motto ever since. The biggest unforeseen obstacle for us was our lack of time. Mutt is having its world premiere only four months after wrapping principal photography. My editor and I had two weeks to put together a […]
by Filmmaker Staff on Jan 28, 2023 -
“We Were Forbidden to Film in the Archive” | Roman Liubyi, Iron Butterflies
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? COVID, and, after that, the expansion of Russian aggression against Ukraine, were pretty strong obstacles. It is a paradox, but we have never felt broken. I remember an expression that art is the material of resistance. This whole project is a search for creative solutions and remaining possibilities against these obstacles. An example is the scene that we shot in […]
by Filmmaker Staff on Jan 28, 2023 -
“The Unexpected Was To Discover That I, Myself, Was Expecting” | Rebecca Zlotowski, Other People’s Children
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Any director can tell you that obstacles and crises to overcome are their daily basis on set. I wrote Other People’s Children with a desire to address a solidarity letter to child-free women, and as a child-free woman myself. While prepping the film, the unexpected was to discover that I, myself, was expecting, and the entire shoot was seen through […]
by Filmmaker Staff on Jan 28, 2023 -
“The Feeling of Interconnectedness We Share as Humans”: Editor Chris McNabb on Invisible Beauty
The impressive life and career of model and activist Bethann Hardison is the focus of Invisible Beauty, co-directed by Frédéric Tcheng and Hardison herself. From Hardison’s experience as a Black runway model in the ’70s to her vocal advocacy for more diversity in the fashion world in the 2000s, her decades-spanning commitment to fighting racism in the field is front and center in this documentary. Editor Chris McNabb details their experience cutting the film, which included incorporating Hardison’s memoir-writing journey. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor […]
by Filmmaker Staff on Jan 28, 2023 -
“The Role of an Editor Is Similar in Many Ways to a Good Translator”: Editor Simon Price on Bad Behavior
In Bad Behavior, the feature debut from writer-director Alice Englert, Lucy (Jennifer Connelly) travels to a high-profile silent retreat with her guru (Ben Wishaw). During her search for spiritual enlightenment, however, Lucy can’t seem to let go of her self-centeredness. As the title suggest, Lucy can’t seem to stop engaging in bad behavior—and the worst of it is still to come. Editor Simon Price tells Filmmaker about his experience working on the project, including how he came up in the industry. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being […]
by Filmmaker Staff on Jan 28, 2023 -
“Remember To Let Go of the Plan Now and Again”: Editor Andrew Bowser on Onyx the Fortuitous and the Talisman of Souls
Andrew Bowser is the writer, director, star and editor of Onyx the Fortuitous and the Talisman of Souls, a film based on a comedy character of his own creation. Onyx the Fortuitous (Bowser) is an amateur medium who gets a coveted invite to a seance hosted by his idol Bartok the Great. When they manage to rouse the spirit of an ancient demon, Onyx must fight to keep his life—and his soul—from the demon’s clutches. Bowser offers insight into the film’s cut for Filmmaker, discussing how Gremlins, its sequel and Michael Haneke aided in influencing his editing process. See all […]
by Filmmaker Staff on Jan 28, 2023 -
“We Wanted To Get Creative With Negative Space”: DP Dan Adlerstein on Onyx the Fortuitous and the Talisman of Souls
Director Andrew Bowser brings one of his most well-known comedy characters to the big screen in Onyx the Fortuitous and the Talisman of Souls. Onyx the Fortuitous (Bowser) is a struggling amateur occultist who believes he’s made it to the big leagues when he’s invited to a demonic seance by his idol Bartok the Great. When they manage to rouse the ancient spirit, however, he must fight to save his life—and his soul. DP Dan Adlerstein discusses his longtime collaboration with Bowser, bringing the film’s specific brand of horror-comedy to life and more. See all responses to our annual Sundance […]
by Filmmaker Staff on Jan 28, 2023 -
“Weaving a Texture of Human Behavior”: DP Manuel Billeter on Cat Person
Cat Person, the viral short story by Kristen Roupenian that first appeared in The New Yorker, can stoke the flames of discourse anew with the film adaptation from director Susanna Fogel. The premise remains the same: College student Margot (Emilia Jones) develops a mutual crush on 33-year-old townie Robert (Nicholas Braun). Yet when Margot’s attraction for him fizzles out, she becomes the target of Robert’s misogynistic rejection-fueled ire. Cinematographer Manuel Billeter tells Filmmaker about his experience working with Fogel and shooting the anticipated short story adaptation. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did […]
by Filmmaker Staff on Jan 28, 2023
