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“It’s a Difficult Sport”: Parker Posey (Back To One, Episode 251)
The 4K restoration and re-release of the comedy Party Girl brings Parker Posey to Back To One. Shortly after the success of that movie in 1995, she went on to star in so many independent films, like The Daytrippers, Clockwatchers, The House of Yes (not to mention a bunch of Hal Hartley and Christopher Guest classics), that she was dubbed “Queen of the Indies.” On this episode, she explains why that moniker was oddly detrimental to her career. She talks about recent experiences on the sets of Beau Is Afraid and The Staircase; the connection between actors and athletes; why, […]
by Peter Rinaldi on May 2, 2023 -
“Friday Morning Donald Called Me and Said, ‘We’re Shooting Film'”: DP Drew Daniels on Swarm
In the new Amazon series Swarm, a fanatical devotee of a Beyoncé-esque pop star embarks on a quest to meet the singer, with a few stops along the way to dispose of those who have disparaged her idol online. Created by Donald Glover and Janine Nabers, the show hops around between Texas, Georgia, Tennessee, Seattle and L.A., but was shot largely in Atlanta by Drew Daniels. The Red Rocket and Krisha DP spoke to Filmmaker about the influence of Michael Haneke, the beauty of imperfect camera moves and Swarm’s extremely last-minute switch to 35mm film. Filmmaker: Let’s start with some […]
by Matt Mulcahey on May 1, 2023 -
“There’s a Beauty to the Dark Feminine”: Nida Manzoor on Polite Society
The unbreakable bond of sisterhood threatens to be thwarted by a eugenic evil conspiracy in Polite Society, writer-director Nida Manzoor’s feature debut. The British filmmaker, who was raised in a Pakistani Muslim household, has encased vital aspects of her own life in each project she’s embarked on so far. Her Peacock/Channel 4 show We Are Lady Parts, which follows a punk band comprised entirely of Muslim women, incorporates her natural musical prowess through writing the show’s music with her siblings Shez and Sanya. Now with Polite Society, Manzoor reflects on another immutable aspect of her life: the chaos and camaraderie […]
by Natalia Keogan on Apr 28, 2023 -
Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds
When it came time to title his 2018 documentary about The Kronos Quartet, director Sam Green chose A Thousand Thoughts. Referring to an older Kronos composition, the title also spoke to the film’s approach, which was to use the music and biography of the Bay Area classical group to summon up a range of allusive meditations on ephemerality, culture, legacy and death. For his latest documentary, ostensibly about the much larger and more amorphous topic of “sound,” Green has gone in the numerically opposite direction. 32 Sounds, which opens today at New York’s Film Forum, announces itself as a sort […]
by Scott Macaulay on Apr 28, 2023 -
The Pampero Cinematic Universe: 20 Films in 20 Years
Trenque Lauquen opens with a mystery. Laura, a biologist cataloging plant species in the eponymous town, has gone missing and her husband and a driver she used to work with team up to track her down. The two men share stories and tour the doldrums of the Las Pampas area while beginning to unravel the mystery behind Laura’s disappearance, discoveries that lead to other discoveries and even more questions. Told over the course of 12 chapters and screening in two parts, Trenque Lauquen unfolds like a large map—sprouting stories within stories in a labyrinth of genres, characters and vivid flashbacks. […]
by Samuel Brodsky on Apr 28, 2023 -
Camera to Cloud to Remote Collaboration: New Remote Tools and Workflows from NAB 2023
From uploading to the cloud to editing in the cloud to collaborating across the cloud, there was no shortage of new tools and workflow ideas at NAB to help shoot and edit quicker regardless of where your team is located across the globe. Let’s dive into a few of the most interesting updates, from remotely collaborating to remotely working. Camera to Cloud First up, let’s talk about camera-to-cloud workflows. The biggest update from Frame.io was the extension of the C2C workflow to still photos. Now, unlike video where you can use an external device from Atomos or Teradek to add […]
by Joey Daoud on Apr 27, 2023 -
How AI Will Change Your Future Media Workflow
The two big product updates from Adobe at NAB were text-based editing in Premiere and still photo support in Camera to Cloud (you can read our coverage on Frame.io updates here). But in chatting with Michael Cioni, Adobe’s Senior Director of Global Innovation, things took a fascinating turn when discussing Firefly, Adobe’s generative AI model, and the future of AI in media production. Our conversation explored the integration of AI tools in Adobe’s products, as well as the broader implications of AI-driven technologies on the creative process. Michael shared his insights on how the shift towards generative AI solutions could significantly […]
by Joey Daoud on Apr 27, 2023 -
Trailer Watch: Nancy Schwartzman’s Victim/Suspect
After premiering at Sundance earlier this year, a trailer and release date have dropped for Nancy Schwartzman’s latest doc Victim/Suspect. As with her previous effort Roll Red Roll, the subject of sexual assault—and the gross mishandling of these cases by police and the judicial system at large—is central to the film. Per the film’s official synopsis: Victim/Suspect chronicles journalist Rae de Leon’s investigation into a disturbing pattern: young women report sexual assault to the police but instead of the perpetrators being brought to justice, the women are arrested for filing a false report. Working for The Center for Investigative Reporting, de […]
by Filmmaker Staff on Apr 27, 2023 -
Trailer Watch: Jamie Sisley’s Stay Awake
Winner of the Cinema Vision 14Plus Award and Generation Special Mention for Best Film at last year’s Berlinale, Jamie Sisley’s debut feature Stay Awake finally gets a trailer and a limited US theatrical release date. The addiction drama will open at Film Forum in New York City on May 19 and the Laemmle Royal in Los Angeles on May 25. An official synopsis reads: A fictionalized account of the filmmaker’s coming of age as he struggles to get out from under the yoke of a prescription-drug-addicted mother in small-town Virginia. Life in the last, lame-duck months of high school, with […]
by Filmmaker Staff on Apr 27, 2023 -
Sundance Institute Announces 2023 Fellows for Directors, Screenwriters and Native Labs
Today, Sundance Institute announces the 2023 fellows for its Directors, Screenwriters and Native Labs. 12 fellows will join this year’s Directors and Screenwriters cohort, while the Native Lab will support five fellows. The Native Lab, which supports Indigenous filmmakers developing feature films and episodic projects, will begin with an online portion that runs May 1-5 before continuing in-person in Santa Fe, New Mexico from May 8-13. Of the five fellows participating, three are from the US while the other two hail from Canada (selected with the Indigenous Screen Office) and New Zealand (selected with the New Zealand Film Commission). Largely […]
by Filmmaker Staff on Apr 27, 2023
