In New York City at least, it is unbearably horrible outside. Whatever you do you will be suffering. So why not shoot some footage for Sundance’s “Life in a Day” project? Today, July 24, is the day during which you must shoot, and you have a few days after to send it in. You will definitely be in good company. Joe Berlinger, Marianna Palka, Peter Sollett, Caleb Deschanel, So Yong Kim, and Brad and Todd Barnes have all agreed to participate. Here’s Sundance’s John Cooper with more details. And before shooting, go here for more guidelines, the questions you must […]
Any new New York independent movie theater, one showing not mini-major studio moveovers but recently premiered festival films that don’t have formal distribution, is cause for celebration. But we at Filmmaker are hailing the new reRun for one other reason: it’s in our building. That’s right, after a long day solving the crises of the current indie scene, we can head downstairs and enjoy not only movies but pretzels filled with garlic mashed potatoes, popcorn with duck fat, and microbrews. That’s right, you can eat and drink inside this theater, which is down the hall from reBar. (Menu preview courtesy […]
I’m finding Flipboard, a new app/web reader that launched this week, kind of cool, but I can’t tell how much I really like it yet. What Flipboard does is create on your iPad a “personal magazine,” displaying an aggregation of different feeds and channels in a design-y format. What makes it more than an aestheticized RSS reader is that it pulls in social as well, turning your Facebook and Twitter feeds into channels that you read like flipbooks. So, open the Flipboard version of your Facebook and the cover image might be a collage of Japanese movie posters that a […]
Announced earlier today on indieWIRE, the 67th Venice International Film Festival will open with Darren Aronofsky‘s Black Swan, a thriller set in the world of ballet starring Natalie Portman, Mila Kunis, Winona Ryder and Barbara Hershey. The film will screen in competition, debuting Sept. 1 in the Sala Grande, following the opening ceremony. Aronofsky won the Golden Lion at the fest in 2008 for The Wrestler. The Venice Film Festival runs Sept. 1 -11. Fox Searchlight will release Black Swan later this year.
Here’s the second of the New Breed videos on the creative process filmed this year by Sabi Pictures at the Los Angeles Film Festival and presented by Filmmaker and the Workbook Project. Appearing in this episode are filmmaker Julius Onah (one of our “25 New Faces”), filmmaker Jeff Malmberg, actress Trieste Kelly Dunn (another “25 New Face”), director Brett Haley and producer Ted Hope. NEW BREED LOS ANGELES – Episode 2 from Sabi Pictures on Vimeo.
An amazing moment from Spiritualized’s performance at the Iceland Inspires concert. Spiritualized performs Ladies and Gentlemen We Are Floating in Space at Radio City Music Hall in New York on July 30.
Great post by Ted Hope today, a reprint of the Good Machine “No-Budget Commandments” back from the early days of his and James Schamus’s production company. Go to Ted’s blog to read the full list, but in re-reading them I remembered the deep thinking we all did back then as to what a “no-budget movie” could and should be. There was a feeling that no-budget movies had to be deliberate in their representational strategies, uniting their budgets and artistic visions to produce works that wouldn’t strive for “production value” but instead would make their relative poverty an enabler of a […]
Via Pitchfork comes this video for Broken Bells’ “The Ghost Inside,” directed by Jacob Gentry and starring Mad Men’s Christina Hendricks. As part of their “Director’s Cut” series, they interview today the director of this haunting sci-fi critique of our glamour-obsessed culture. From the interview: Pitchfork: This looks like a pretty big production for a relatively small band like Broken Bells. Jacob Gentry: A lot of people say it looks big and expensive, but it wasn’t by any stretch. The special effects in the video were limited to things that could’ve been done in the late 70s or early 80s. […]
Since her widely acclaimed first feature Devil’s Playground debuted at Sundance in 2002, London native Lucy Walker (one of Filmmaker’s 25 New Faces of Independent Film that year) has distinguished herself as a resourceful documentarian with a discerning eye for character detail. A study of Amish adolescents sampling the forbidden fruits of the modern world during “rumspringa,” an elective time spent away from the strictures of their traditional religious community, Playground was an insightful, humanizing portrait of a little-seen, faintly understood social milieu. For her follow-up in 2006, Blindsight, Walker again took on an uncommon challenge, trailing a group of […]
Bill Murray doesn’t do many interviews, so even if it wasn’t kind of awesome, Dan Fierman’s interview with the actor in GQ would be a must read. Fierman covers a lot of ground, particularly obsessing over Murray’s sole directing effort, the massively underrated Quick Change, so I don’t think I’m spoiling anything by quoting here the last exchange between the two: Last question. I have to know, because I love this story and want it to be true. There have been stories about you sneaking up behind people in New York City, covering their eyes with your hands, and saying: […]