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“Ultimately, the Solution Isn’t There Until the Pressure Has Been Lifted”: Youngstown Director Pete Ohs on Microbudget Filmmaking and the Benefit of Being One’s Own Crew
As pre-production was ramping up on his first narrative feature, the pressure to find the perfect shooting location was weighing on Pete Ohs. While he and co-director Andrea Sisson eventually shot the film several hours outside LA — Everything Beautiful is Far Away stars Julia Garner and Joseph Cross, and was released by The Orchard in 2017 — Ohs theorized that knowing his shoot location before coming up with his next story idea would relieve some pressure from the narrative filmmaking process and, in turn, win back invaluable time for creative exploration. The result is Youngstown, Ohs’ sophomore feature which […]
by Taylor Hess on Dec 29, 2021 -
Wanting Less and Needing More: Minimalism, Maximalism, Ryusuke Hamaguchi and the Rest of 2021 in Film
There is a sign somewhere out in the desert (every designer knows where) like a motel sign, except that instead of “NO VACANCY” it says “SANS SERIF,” and the most important man in America is the man whose sole job is to pull the giant lever that turns “SANS” off or on, which he does once every ten years. The KonMari craze of the late 2010s, with its flat-pack packaging of deaccumulation into a lifestyle brand, represents the top of the decade-long pendulum arc that swings forever between minimalism and maximalism. When I still took the subway to work every […]
by Mark Asch on Dec 28, 2021 -
Back to One, Episode 185: Kevin Corrigan
This is Kevin Corrigan’s fourth time on the podcast (his previous episodes are #1, #67, #133). It’s a yearly tradition to visit with the wise sage of indie film acting. We’re catching him right after returning from his latest job in Vancouver. He highlights a few moments from that shoot that stand out for him, shares what’s behind his incredible drawings of moments he loves from various performances, fails at “Kevin Corrigan Trivia” (which leads to some memories of Walking And Talking), talks about what makes it all “worth it,” and much more. Plus we chat way too much about […]
by Peter Rinaldi on Dec 28, 2021 -
“…Even If the Wind Blows It Gives Us Something To Work With”: DP Sayombhu Mukdeeprom on Shooting Apichatpong Weerasethakul’s Memoria
Cinematographer Sayombhu Mukdeeprom is an impenetrable interviewee, shrugging off my most premeditated questions. I get it, how many ways can you talk about your creative process or the equipment you rented for a film? When I asked him what lights he used on Memoria, he named an Arri Skypanel and left the rest, “the usual,” to my imagination. As I learned from our talk on Suspiria, which he dialed into from his friend’s unruly wedding party via Skype, Sayombhu prefers flexibility, creating lighting environments that are open to how the director and actors react to them, each other, and the […]
by A.E. Hunt on Dec 27, 2021 -
Jim Hemphill’s Top Ten Blu-ray Releases of 2021
Compiling my annual list of the year’s ten best Blu-ray releases (or, to be more accurate, my ten personal favorites), I have come to the conclusion once again that reports of the death of physical media have been greatly exaggerated – there were easily another three or four dozen titles in 2021 worthy of placement on the list, and I can’t even begin to claim familiarity with more than a small percentage of everything that was released. But these are ten titles I can confidently recommend, not only for the fine transfers of superlative films but for the lovingly produced […]
by Jim Hemphill on Dec 27, 2021 -
Watch: Plant Life, Adinah Dancyger’s Parquet Courts Music Video
An ambitious series of 11 music videos accompanied the new Parquet Courts album, Sympathy for Life, and as the band’s Sean Yeaton writes here in an email, the band has opened up the viewing possibilities behind the original live distribution: In the spirit of miracles, I thought I’d bring up a recent one in PC history, where we somehow incredibly (with the help of so many of our talented friends and colleagues) produced 11 new music videos–one for every song on Sympathy For Life. Until now the only way to see them was a live stream event that I successfully managed […]
by Scott Macaulay on Dec 22, 2021 -
Rivers and Eyes: The 41st Hawai’i International Film Festival
An indigenous filmmaking focus and the ever-blossoming local film scene helped the 41st edition of the Hawai’i International Film Festival Presented by Halekulani return to an almost-normal state of in-person bliss this November. After a year and more of pandemic uncertainties and isolation, attendees shook off the social rust with varying degrees of success, while fears about being amidst crowds were somewhat abated by Honolulu’s vigorous vaccine requirements and HIFF’s strict 50%-capacity limits. The festival fittingly opened with the world premiere of Isaac Halasima’s documentary Waterman, on the astounding life of Native Hawaiian surfer/Olympian/celebrity Duke Kahanamoku; hit its stride with […]
by Jason Sanders on Dec 22, 2021 -
IDFA 2021: World-Premiering Sociopolitical Docs to Watch For in 2022
Covering this year’s hybrid IDFA from home was both blessing and curse. On the downside, I wouldn’t be attending any screenings in one of the most gorgeous cinemas in the world – Amsterdam’s now century-old (and now “Royal Theater”) Tuschinski — nor experiencing all the new media wonders of IDFA DocLab. (Even with the free online exhibition running from November 19-28 I had to forego all VR as I don’t have a headset on hand.) Then again, I did avoid the city’s pandemic-induced partial shutdown (turned closing weekend lockdown) while still having access to the pretty packed P&I library. This […]
by Lauren Wissot on Dec 22, 2021 -
“I Find that God is in the Mistakes, I’m Finding Moments Where the Actors Don’t Know the Camera’s on Them”: Hank Corwin on Editing Don’t Look Up
Not even an extinction level event can upset the ruling elite in Don’t Look Up, an apocalyptic sci-fi comedy drama from writer and director Adam McKay. Starring Jennifer Lawrence, Leonardo DiCaprio, and Meryl Streep, the movie examines how scientists, politicians, journalists, and the public at large react to news of a catastrophe about to strike. This is the third collaboration between McKay and editor Hank Corwin, ACE, after The Big Short and Vice. A BAFTA Award-winner, Corwin has worked with Oliver Stone, Terrence Malick, Robert Redford, and other directors. He spoke with Filmmaker on Zoom. Filmmaker: When did you start […]
by Daniel Eagan on Dec 22, 2021 -
“The Best Way to Fight the Sun is With the Sun”: DP Ari Wegner on The Power of the Dog
In The Power of the Dog, a Montana rancher (Benedict Cumberbatch) who compensates for his repressed desires with hypermasculine cruelty has his isolated domain punctured by the arrival of his brother’s new wife (Kirsten Dunst) and her son (Kodi Smit-McPhee). Based on Thomas Savage’s 1920s-set novel, the film is director Jane Campion’s first feature in 12 years. As a condition of shooting Campion’s welcome return, cinematographer Ari Wegner committed to a full year of prep with the director. They spent weeks on location on the remote South Island of New Zealand, getting to know the light during the season in […]
by Matt Mulcahey on Dec 21, 2021
