17711 Results for “”
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“It is Like a Story From a Database That We Are All Implicated In”: Heather Dewey-Hagborg and Toshiaki Ozawa on Their DNA-Themed Short Film, T3511
Art and biology coexist in the work of artist Heather Dewey-Hagborg, who has created images — film, video, sculptural — as well as multimedia performance and process-oriented work that animate with emotional complexity increasingly urgent questions around identity and personal freedom. Much of her work uses DNA as both subject and artistic material, with the artist working herself with genome sequencing and DNA collection as well as exploring the implications of this same work being commodified at scale through consumer-facing companies like 23andMe. What’s particularly noteworthy are the emotional valences she brings to these questions. Neither a techno-thrillseeker or a […]
by Scott Macaulay on Jun 7, 2023 -
Trailer Watch: Emma Seligman’s Bottoms
Emma Seligman appeared on our annual 25 New Faces of Film list back in 2020 ahead of the release of Shiva Baby, her feature debut starring Rachel Sennott as a young woman navigating anxiety-inducing encounters at a relative’s wake. She reunites with Sennott for her sophomore feature Bottoms, which she co-wrote with the actress who once again stars, this time alongside Ayo Edebiri as queer high schoolers who devise a hands-on scheme for hooking up with otherwise straight cheerleaders. Watch the first red band trailer above. The official synopsis reads: Bottoms, a refreshingly unique raunchy comedy, focuses on two girls, […]
by Filmmaker Staff on Jun 6, 2023 -
Exclusive Trailer: Film at Lincoln Center’s “Marco Ferreri: Beyond the Absurd” Retrospective Series
Filmmaker is pleased to host the exclusive trailer premiere of Film at Lincoln Center’s forthcoming retrospective series “Marco Ferreri: Beyond the Absurd,” which was co-produced by Cinecittà. The most comprehensive U.S. retrospective of the Italian director’s work will take place at FLC from June 9 through 22, with several films presented on 35mm. Per the press release: Highlights include Ferreri’s third feature The Little Coach, starring the famous comic actor José Isbert, which established young Ferreri as a European master of black humor; The Ape Woman, which underwent harsh censorship and is now presented with its three different endings: the […]
by Natalia Keogan on Jun 6, 2023 -
“I Do Not Have an Adult Profession, and So You Need To Maintain Access to Your Childlike Self”: Matthew Maher (Back To One, Episode 256)
In recent movies like Air and Funny Pages, television series like Our Flag Means Death, and plays like Annie Baker’s The Flick, Matthew Maher has made a name for himself as someone who can bring an oddball or weirdo to full life with enough charm, charisma, and genuine gusto to make us love him unconditionally. On this episode, he talks about his acting foundations, the tools formative teachers have given him, and some theories he has developed as a teacher himself. He explains the allure of experimental theater in ’90s New York City, makes a case for embracing contradictions and obstructions in a character and […]
by Peter Rinaldi on Jun 6, 2023 -
Girlblogging: American Psycho
This post is part of a series, Girlblogging. Read the introduction here. Also, in New York, American Psycho screens tonight at the Paris Theater with director Mary Harron present in a tribute to producer Ed Pressman. The orchestral sting slices through the opening credits; perfect drops of blood rain down like vinyl balloons or the forms in a photorealistic painting: taut and shiny, artificially self-contained. When they splatter, the punch line lands. It was a joke all along—not blood, not really, just a false appearance—an emulsion drizzled across bone china; the screen expands to reveal a chef’s knife descending upon […]
by Matilda Lin Berke on Jun 5, 2023 -
Girlblogging: For Girls, By Girls (Girls on Film)
Girlblogging is the online expression of a certain kind of girlhood: a condition not strictly defined by youth or gender, but—per the French theory collective Tiqqun in Preliminary Materials for a Theory of the Young-Girl—the quality of being “the model citizen as redefined by consumer society.” The lace and ribbons are just bells and whistles. At its core, girlhood is the aesthetic of the unequal power-relation. The Young-Girl who constructs reactions and critiques, the girlblogger, manages to be both the consummate consumer and the consummate consumer good. Though she is wounded by them, she derives a certain pleasure from the […]
by Matilda Lin Berke on Jun 5, 2023 -
Trailer Watch: 25th Anniversary 4K Restoration of Lars von Trier’s The Idiots
MUBI has released a new trailer for the 25th anniversary 4K restoration of Lars von Trier‘s dark comedy The Idiots. The only film that von Trier made under the Dogme 95 “Vow of Chastity” (and the second official Dogme film, or Dogme #2), The Idiots centers on a commune in the Danish suburbs where members aim to disrupt wider “bourgeoisie” society by pretending to have mental and physical ailments in public. It is the second film in von Trier’s Golden Heart Trilogy, preceded by Breaking the Waves and followed by Dancer in the Dark. The Idiots will open theatrically at […]
by Filmmaker Staff on Jun 5, 2023 -
Sundance 2023 Documentary Sales and Beyond: Stark Realities, Golden Opportunities
Distribution strategist Peter Broderick, whose articles on microbudget filmmaking were foundational in the early days of this magazine, publishes a weekly newsletter that is a must-read for anyone tracking the independent film industry. A recent edition, his report on Sundance 2023 documentary sales, has prompted discussion and clarified important current trends in non-fiction acquisitions. This report is reprinted with his permission. Sign up for Broderick’s newsletter here. — Editor “Every independent filmmaker should learn the lessons of Sundance. This year’s festival revealed critically important developments in the indie ecosystem.” Let’s start with the same two sentences that began my Special Report […]
by Peter Broderick on Jun 2, 2023 -
“Directing Is Being a Professionally Passionate Person”: Celine Song on Past Lives
A lived-in, swooning memory piece on the intersection of roads taken and missed, Celine Song’s Past Lives is as confident as filmmaking debuts come. “I needed to invent the way that this movie should be made. I wanted it to be the first movie of its kind to be made,” Song tells me recently during an interview at the Madison Square Park—one of the locations of her film—over a picnic of petits fours and sparkling lemonade. “I think that every filmmaker pursues this when they approach a new project,” she continues. “I needed this to be something that stands on […]
by Tomris Laffly on Jun 2, 2023 -
“Music Will be a Prism That You Can See the Whole Movie Through”: Director Zachary Wigon on Story Beats, Miles Davis and His BDSM-Themed Thriller Sanctuary
The poster for Sanctuary features a blonde Margaret Qualley whispering to a mysterious Christopher Abbott. Its imagery — a seeming femme fatale, an unknowing male prey and all the imagined chaos in between — evokes the height of the cinematic erotic thriller era. But the strength, elegance and wit of Micah Bloomberg’s (TV series Homecoming) script and Zachary Wigon’s (The Heart Machine) direction is their interest in subverting your (and the characters’s) expectations at every step. In Sanctuary, Abbott plays Hal, a hotel mogul’s son and heir. He has ordered a fancy meal to a decadently opulent hotel suite where […]
by Meredith Alloway on May 31, 2023
