Sometimes you wind up in a place where you do not have something that everyone else has. So it was being a young American producer at the Rotterdam Cinemart Labs, straight off the plane from Sundance. Think: Independent Film Model Congress. I and my fellow American, Billy Mulligan, found ourselves on Day One in a “Speed Dating” scenario, spending five minutes each with our new international producer friends. From this and the subsequent wine-fueled dinner, I understood quickly that for all the different backgrounds and accents (Bosnian-inflected Scotch English being the prize winner in this department), we were all quite […]
Here’s what’s in my Instapaper this week. At Hammer to Nail, Mike Ryan returns from Park City and declares, “Indie is back!?!” Specifically, he sees the festival embracing a wider spectrum of the independent community and jettisoning its reflexive propensity towards cinematic naturalism: First off, what is great about Sundance 2011 is not only the selection of unusual, formally inventive films, but the near total absence of corporate engineered, market driven, faux indie high-budget QUIRK CRAP (although there were some more offbeat versions of the old style quirk like My Idiot Brother and Terri, there was not an Answer Man […]
Retribution is a low-budget indie action film that its producers at Openview Cinema plan to release April 1, 2011. Producer Cody Norris sent me the below trailer, and I asked him for more info on how they got the movie, directed by Colten Kidwell, made. Here’s what he wrote: We made Retribution with a tiny budget. Our actors were all volunteers, we were given the use of all our locations, we borrowed or made props, and we didn’t hire any additional crew. When we couldn’t buy things, we improvised. Production lasted more than a year because our actors were volunteers […]
Before I posted Thursday’s blog post about financial troubles at independent fulfillment service Neoflix, I tried to reach its owner and president, JC, for his account of the situation. Tonight I received from him an email addressed to me and Jon Reiss, whose blog post I included in my posting. I am reprinting JC”s response here in its entirety Dear Jon and Scott, Those in the Indie film community who are interested in self-distribution deserve a direct update from me on Neoflix shutting down. I hope you will include this letter in its totality in any articles or blog posts […]
Tura Satana, star of such films as Faster Pussycat! Kill! Kill!, Astro Zombies and The Doll Squad, died this week at the age of 75. From a remembrance posted today at Screen Rush by filmmaker Shade Rupe: Tura earned her most visible role while performing in Irma La Douce. She got a call from her agent to come read for Russ Meyer. She didn’t have time to change so she showed up in the wedding dress she was wearing for Irma La Douce. Russ handed her the script for “Leather Girls,” the original title of Faster, Pussycat! Kill Kill! and […]
A rainy today like today’s in New York is a good time to ask yourself, “Does philosophy still matter?” Below is the complete video from last week’s sold out event at the New School. From their blog: In an age of instant punditry, 24/7 Twitter updates, and political discourse that seems to discourage careful reflection, an all-star panel at The New School will ask Does Philosophy Still Matter?, marking the publication of NSSR Professor James Miller’s new book, Examined Lives: From Socrates to Nietzsche (Farrar, Straus and Giroux, 2011). Panelists include Simon Critchley, professor of philosophy at The New School […]
After the rush of sales in Park City this year, it seems the entire American cine-punditry is racing to declare this the beginning of a new golden age in American Independent Film. I sure hope they’re right. One wonders if March’s SXSW Film Festival in Austin will continue the trend and finally push that festival into true market status. Nearly 40 films were acquired in Park City and many more that premiered there will surely be acquired in the weeks and months to come. Yet for some of the most daring new American films, the sales rat race at Sundance […]
It was a grueling and exhilarating year. Last year from January to December I road-ripped in my van, the “Red Devil,” occasionally flew on airplanes, a few times rode on trains, sprinting across and around America, then over and around Europe, parachuting in on nearly 50 film festivals. It was a manic-depressive trip on the rollercoaster-roadway. One minute I was kissing the stars and the next I was eating asphalt. It was madness, but madness that made complete sense. To understand America today, non-fiction books are giving fewer and fewer clues. Literature has become passé for making sense out of […]
Neoflix, a fulfillment house used by many self-distributing independent filmmakers, has fallen severely behind on its payments, say filmmakers and producers who have contracted with the company. Today in a blog post, filmmaker and former Neoflix customer Jon Reiss writes, “I have received reports from a number of filmmakers that they have not been paid by Neoflix for months. Some filmmakers are owed hundreds, thousands and tens of thousands of dollars.” Separately, Filmmaker has also been contacted by filmmakers who say they are owed money by Neoflix. We have been told that discussions with the company throughout the Fall of […]
Last week from the Sundance Film Festival Filmmaker ran a series of videos sponsored by Kenneth Cole highlighting the work of volunteers at the festival. Each year, 1,600 volunteers descend on Park City and help make the festival a good experience for both filmmakers and audiences. And each year Cole, a Sundance Institute board member, designs and donates a sleeveless down vest to the volunteers. This year those vests are for sale at Kenneth Cole stores and at Sundance’s online festival store. A percentage of the net profits from the sale is donated to the Sundance Institute. Below, in this […]