William Horberg, exec producer of Charlie Kaufman’s Synecdoche, New York, has a blog, and in today’s post he compares his first reading of Kaufman’s script — in one of those annoying “you have to read this in two hours and then hand back immediately to a bonded messenger” sittings — to his first assignment at script coverage back in 1986. (Hat tip: Ted Hope.) From the piece: As a test, the first screenplay I was given to read and analyze as a sample of my reading, writing and comprehension was, believe it or not, How To Get Ahead In Advertising, […]
Ballast, which picked up several Gotham Award nominations yesterday, closes at New York’s Film Forum today But the film’s website has just been updated with screening dates across the county as well as in New York. (The film will move to the Cinema Village and the Brooklyn Heights Cinema for one week beginning Friday.) Here are the other upcoming dates that have been announced so far: Walker Art Center Minneapolis MN Oct 29 Q&A with director Lance Hammer following screening. Music Box Theatre Chicago IL Oct 31 – Nov 06 Q&A with filmmaker Lance Hammer on Friday, October 31. Screening […]
If you saw the original interview — or even if you didn’t — this is hilarious. See more funny videos at Funny or Die
IFP announced today the nominees for this year’s 18th Annual Gotham Independent Film Awards. Lance Hammer‘s self-distributed first feature Ballast received the most nominations with four, including for Best Feature and Breakthrough Director. The awards will be handed out on Tuesday, Dec. 2 at New York City’s Cipriani Wall Street. Full list of nominees are below. Best Feature BallastLance Hammer, director; Lance Hammer, Nina Parikh, producers (Alluvial Film Company) Frozen RiverCourtney Hunt, director; Heather Rae, Chip Hourihan, producers (Sony Pictures Classics) Synecdoche, New YorkCharlie Kaufman, director; Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel, producers (Sony Pictures Classics) The VisitorTom […]
After I produced my first feature (Tom Noonan’s What Happened Was…), I imagined what my next year would be like. I’d be flying all over the world going to countless festivals with the film. But I quickly realized two things. One, festivals don’t care much about hosting producers, and, two, I wasn’t flush enough to float myself on a year of globetrotting and had to get back to work. In today’s diminished conventional distribution environment, film festivals are increasingly seen by first-time filmmakers not as tony travel spots but rather as cogs in a new machine that might connect them […]
Digital Strategist/Consultant Alex Johnson, who writes at, among other places, The Workbook Project (and is one of the professionals featured in its Mindshare Program) has a really interesting essay up on the site discussing the value of a name. No, not a well known actor who is attached to your film, but your name, and how that moniker can help (or hurt) you in the Google-ruled world of online brand recognition. Starting off by discussing her problems of being commonly named, she goes on to detail what she’s done about it while also musing on the pro’s and con’s of […]
JULIETTE BINOCHE IN DIRECTOR ABEL FERRARA’S MARY. COURTESY ABEL FERRARA & ANTHOLOGY FILM ARCHIVES. After more than 30 years as a director, Abel Ferrara shows no sign of losing any of the raw intelligence, energy and vitality that have made him a continuing force in American cinema. The Italian American Bronx-born director, now 57, began directing shorts as a film student at SUNY Purchase in the early 1970s and made his feature debut in 1976 with the porn film 9 Lives of a Wet Pussy under the pseudonym Jimmy Laine. His debut proper was the legendary DIY grindhouse movie The […]
In this week’s newsletter I mentioned that I’m trying to put together some thoughts on how the looming recession and current credit crunch will affect independent film production. It’s a bigger issue than just that, however, as these economic troubles are hitting at the same time as the industry — both Hollywood and indie — is rethinking the business model that underpins the feature film business. (If you don’t currently get the newsletter, you can subscribe by typing in your email address at right.) I received the following response from Jane Kosek which raises a lot of good points about […]
One thing coming up in the new Filmmaker is an interview with Todd Sklar, the director of Box Elder and the head of Range Life, a company embarking on a progressively old-school DIY distribution strategy for four films this Fall. The first is Sklar’s own film, and the other three are Registered Sex Offender, In Memory of My Father, and On the Road with Judas. All four are on the road, working the arthouse and college circuit in a film tour featuring not only screenings but events with the various makers. Visit the websites linked here for more info, and, […]
One of the past year’s best shorts is now online, courtesy of New York Magazine’s Vulture. I’m not sure I’d describe Myna Joseph’s Man as the tale of “creepy sisters into the woods,” but it does beautifully capture a particular and not often seen on screen sisterly dynamic having to do with burgeoning sexuality, competition and love. Here’s what Brandon Harris wrote about Joseph when we selected her for our “25 New Faces List”: A simple and startling premise, the rivalry that exists between sisters, especially when a strange, cute boy is involved, grows into an arresting account of female […]