Editing is older than motion pictures. The ordering and pacing of dialogues, scenes, entrances and exits to build conflict and resolution have long defined Western theater, from Aeschylus’s Oresteia to Wagner’s The Ring of the Nibelung [Der Ring Des Nibelungen]. It was the insertion of first-person thoughts into dialogue and plot that modernized 18th- and 19th-century novels and clever sequencing of mechanically animated magic lantern glass slides that thrilled Victorian audiences to popular epics like Ben-Hur.
If you’re in New York, please join us tonight at 8:00 PM at the IFC Center for a program selected from our 2009 “25 New Faces” list. Derek Cianfrance, director of Blue Valentine and a 2009 “25” alumni, will be hosting along with myself and Nick Dawson, and a panel discussion will follow after the screenings. The complete information is below, and tickets can be purchased here at the link. A special IFP Film Week showcases of work from members of Filmmaker Magazine‘s “25 New Faces of Independent Film” of 2012: The Gathering Squall (Hannah Fidell, 2012, 13 mins) Doubles […]
Along with Jonathan Caouette, Ingrid Kopp, Thom Powers, Esther Robinson, Morgan Spurlock, and John Vanco I’ll be co-hosting a benefit screening of John Maringouin’s Big River Man on Tuesday, September 4, at the IFC Center at 7:30PM. All proceeds will go towards the filmmaker’s surgery fund and an urgently needed lung operation. Additionally, IFC will be donating an additional 50% of the box towards the fund as well as 100% of all income from membership sales and renewals purchased that evening. I’ve posted about Maringouin’s situation previously, and, with days left, the fund still needs monies to reach its $60,000 […]
“In Production” is a regular column which focuses on notable independent films that are currently shooting. After four documentaries (three of which were produced by HBO, the other by Peter Jackson and Fran Walsh), the story of the West Memphis Three gets the narrative treatment courtesy of director Atom Egoyan (The Sweet Hereafter). Devil’s Knot focuses on three young men, Damien Echols, Jason Baldwin and Jessie Misskelley Jr. who were wrongfully accused of murdering three children as part of a satanic ritual. Appearing in the lead roles are newcomer James Hamrick (a Wesleyan drama student) as Echols, Seth Meriwether (Trouble with the Curve) as […]
Playing at New York’s IFC Center tonight — and on newsstands now in the current issue of The Believer — is Laurel Nakadate’s The Wolf Knife, one of Filmmaker‘s Best Film Not Playing at a Theater Near You Gotham Award nominees for 2010. Tonight’s screening is at 9pm, and will feature an on-stage Q&A between Nakadate and novelist Rick Moody (The Ice Storm). Additionally, all ticket-buyers will receive the new issue of The Believer containing the DVD. The video and photography artist’s second feature, The Wolf Knife is a mysterious parable of female adolescence, following two teenage girls who ditch […]
Here’s editor Walter Murch on his first encounter with Apple’s new Final Cut Pro X, his correspondence with Apple, and the Kremlinology of Cupertino. This was recorded at this past week’s Boston Supermeet. For a detailed report on his appearance, visit Chris Portal’s blog. (Hat tip: Notes on Video.)
If you are a reader of our “25 New Faces” series, then you know that I am a huge fan of Alma Har’el and her debut feature Bombay Beach. I think she’s one of this year’s real discoveries, and the film I find inspiring and beautiful. Bombay Beach arrives in New York for a week run at the IFC Center beginning Friday, and I’ll be doing a Q&A with Alma at the 8:20 show on opening night. Before that, you’ll be hearing a lot more about the film on the site. I’ll post an interview with Alma in the next […]
indieWIRE reports that IFC Films has bought Lynn Shelton‘s You Sister’s Sister. The film, which stars Emily Blunt, Rosemarie DeWitt, Mark Duplass and Mike Birbiglia, premiered this week at the Toronto International Film Festival. The film follows Jack (Duplass), who still reeling over the death of his brother a year earlier, gets a suggestion from Iris (Blunt), his best friend and dead brother’s ex, that they take a trip to his father’s cabin to get his bearings. And there he’s unexpectedly confronted by Hannah (DeWitt), Iris’ sister. IFC plans to release the film in 2012. Read our interview with Lynn […]
Since Aesop the fable has been told of the snake or scorpion whose life is being saved by a farmer, turtle, or frog, and who then turns around and inflicts a mortal bite or sting upon its benefactor, perforce sealing its own fate too. The point of the fable is not that snakes or scorpions are evil, but that we each possess an essential nature that drives our behavior, and that others ignore our essential nature at their peril. Hold on to that thought. We’ll come back to it. Since posting my initial notes on FCP X, FIRST MUSINGS, […]
“Some people look more like themselves with the photo filters on,” wrote one person on my Instagram. Snapped last night in back of the IFC Center, where I moderated Miranda July’s talk on the early short films of Jane Campion. And, at this link, July dancing on the beach in front of Sam Taylor-Wood’s camera. (Unfortunately, this New York Times video is not embeddable.) It’s a funny clip when you see the photo of Miranda on the cover of this Sunday’s New York Times Magazine. July’s new feature, The Future, opens in two weeks at the IFC Center, and it […]