Cinematographer Sayombhu Mukdeeprom is an impenetrable interviewee, shrugging off my most premeditated questions. I get it, how many ways can you talk about your creative process or the equipment you rented for a film? When I asked him what lights he used on Memoria, he named an Arri Skypanel and left the rest, “the usual,” to my imagination. As I learned from our talk on Suspiria, which he dialed into from his friend’s unruly wedding party via Skype, Sayombhu prefers flexibility, creating lighting environments that are open to how the director and actors react to them, each other, and the […]
Compiling my annual list of the year’s ten best Blu-ray releases (or, to be more accurate, my ten personal favorites), I have come to the conclusion once again that reports of the death of physical media have been greatly exaggerated – there were easily another three or four dozen titles in 2021 worthy of placement on the list, and I can’t even begin to claim familiarity with more than a small percentage of everything that was released. But these are ten titles I can confidently recommend, not only for the fine transfers of superlative films but for the lovingly produced […]
An ambitious series of 11 music videos accompanied the new Parquet Courts album, Sympathy for Life, and as the band’s Sean Yeaton writes here in an email, the band has opened up the viewing possibilities behind the original live distribution: In the spirit of miracles, I thought I’d bring up a recent one in PC history, where we somehow incredibly (with the help of so many of our talented friends and colleagues) produced 11 new music videos–one for every song on Sympathy For Life. Until now the only way to see them was a live stream event that I successfully managed […]
An indigenous filmmaking focus and the ever-blossoming local film scene helped the 41st edition of the Hawai’i International Film Festival Presented by Halekulani return to an almost-normal state of in-person bliss this November. After a year and more of pandemic uncertainties and isolation, attendees shook off the social rust with varying degrees of success, while fears about being amidst crowds were somewhat abated by Honolulu’s vigorous vaccine requirements and HIFF’s strict 50%-capacity limits. The festival fittingly opened with the world premiere of Isaac Halasima’s documentary Waterman, on the astounding life of Native Hawaiian surfer/Olympian/celebrity Duke Kahanamoku; hit its stride with […]
Covering this year’s hybrid IDFA from home was both blessing and curse. On the downside, I wouldn’t be attending any screenings in one of the most gorgeous cinemas in the world – Amsterdam’s now century-old (and now “Royal Theater”) Tuschinski — nor experiencing all the new media wonders of IDFA DocLab. (Even with the free online exhibition running from November 19-28 I had to forego all VR as I don’t have a headset on hand.) Then again, I did avoid the city’s pandemic-induced partial shutdown (turned closing weekend lockdown) while still having access to the pretty packed P&I library. This […]
In The Power of the Dog, a Montana rancher (Benedict Cumberbatch) who compensates for his repressed desires with hypermasculine cruelty has his isolated domain punctured by the arrival of his brother’s new wife (Kirsten Dunst) and her son (Kodi Smit-McPhee). Based on Thomas Savage’s 1920s-set novel, the film is director Jane Campion’s first feature in 12 years. As a condition of shooting Campion’s welcome return, cinematographer Ari Wegner committed to a full year of prep with the director. They spent weeks on location on the remote South Island of New Zealand, getting to know the light during the season in […]
With three features and several shorts and episodes of television series under his belt, director Reinaldo Marcus Green’s filmmaking career has quickly accelerated since the premiere of his debut feature, Monsters and Men, at the 2018 edition of the Sundance Film Festival. After directing three episodes of the British Netflix series, Top Boy, and a second feature, Joe Bell (starring Mark Wahlberg), Green’s latest film is King Richard, the Compton-set true story of Richard Williams, his wife Oracene Price, and their five daughters, most notably future tennis icons Venus and Serena Williams. As parents who want the best for their […]
Chris Diamantopoulos was always an actor. Never held another job. He was working on the stage at an early age—touring companies, Broadway—then transitioned to television, film, and eventually voice overs. Never stopped. Some highlights: Russ Hanneman on Silicon Valley, Reinhold on Community, Moe in The Three Stooges, the official voice of Mickey Mouse, and right now you can see him playing bad guys in Netflix’s Red Notice and True Story. We recorded this interview hours before he started a new job and he takes us through what’s on his mind on the night before day one. He talks about how […]
Bryan Wizemann’s You Mean Everything to Me is the first feature film I worked on as an A.C in New York. Before principal photography, production sent me the script and the lookbook, which introduced me to the abusive relationship at the center of the film. Nathan (Ben Rosenfield) comes off affable and attractive enough on the surface, but is dangerously worn inside from lying to others and himself. Perpetuating his particularly gangrenous insecurity, he habitually coerces partners into his ring of control. Cassandra (Morgan Saylor) just happens to meet him while she’s down on her luck,and finds herself spiraling into […]
The spectacular first trailer for the anticipated third feature of Robert Eggers, The Northman, just dropped. About a Viking prince avenging his father’s murder, the film reunites the director with Anya Taylor-Joy, the star of his debut, The Witch, and Willem Dafoe, the star of his sophomore film, The Lighthouse. (And that’s in addition to Alexander Skarsgard, Nicole Kidman, Claes Bang, Ethan Hawke and Bjork). In a Filmmaker interview on the film’s production, DP Jarin Blaschke promised that the film will be “accurate as hell”: Well, at least as accurate as 1,000 years ago can be. I don’t want to […]