After moving its 2020 edition to December and shifting to online-only viewing, New Directors/New Films returned to its usual springtime slot for its 50th iteration in 2021, combining virtual screenings with in-person ones at the Museum of Modern Art and Film at Lincoln Center. The fest celebrated its golden anniversary with a streamable selection of films that played at ND/NF in years past — early work by luminaries such as Chantal Akerman, Charles Burnett, Lee Chang-dong, Christopher Nolan, and Humberto Solás. However, this well-deserved victory lap was just a sidebar to the main program: 27 new feature films, along with […]
Despite the grim promise of its title, Robert Machoian’s The Killing of Two Lovers is more emotionally brutal than it is violent. Set in a Utah town so small that everyone knows everyone, the film follows David (Clayne Crawford), a depressed everyman who has recently separated from his wife and the mother of his children, Nikki (Sepideh Moafi). Well-intentioned though it may be, their agreement to spend time apart and potentially date other people sends David into a downward spiral, and once he’s made aware of his wife’s new male friend, Derek (Chris Coy), things grow more complicated and conclude […]
Shantrelle P. Lewis’ feature documentary debut, In Our Mothers’ Gardens, calls forth and preserves the family histories of several Black women from Lewis’ life, traces each of their past joys and traumas to the present and lets them out into the world to heal. She creates a welcome space for her interviewees to open up on camera, many of whom are dear old friends, and she listens intently and asks thoughtful questions like, “What does your grandmother’s love look like?”, which encourage equally thoughtful responses. All of the women she interviews can call the names and stories of their ancestors […]
World-premiering at the hybrid CPH:DOX (April 21-May 12), and co-presented with the all-digital Hot Docs (April 29-May 9), Life of Ivanna is one preconceived-notion-upending film. The story of an Arctic woman struggling to raise five young children as her often abusive husband spends more time drinking than working is a situation sure to strike concern in the hearts of many — alhough the chain-smoking, no-nonsense protagonist at the heart of this particular tale would likely scoff at anyone’s condescending sympathies. Indeed, with steely will the titular, tough-as-nails member of the Nenets of the tundra is able to stare down whiteouts […]
The following article was originally published in Filmmaker‘s Winter, 2021 edition. Digital technologies, incessantly lurching forward, are the ground we filmmakers stand on. No wonder we’re often unsteady on our feet. The pandemic has only become an accelerant. Although FaceTime and Skype were around awhile before both became verbs, it took the exigencies of the pandemic to flood our lives with Zoom calling, a digital convenience that has reshaped our relationship to proximity, travel and geography. Just ask Joe Biden. Doesn’t every production meeting now take place on Zoom? Production practices with renewed COVID relevance include use of zooms instead […]
Last April, the opportunity to scope out Visions du Réel—a festival I’d never had the budget to attend in-person—came as a novel, welcome distraction. A year later, NYC’s weather is increasingly tolerable and the CDC says I’m ready to roam, but I enjoyed having the hybrid festival option once again on my way out the door; two years of browsing VdR have definitely expanded my understanding of global nonfiction norms, and I’d cheerfully make time at home for the rest in a re-opened world. Amid the films in this year’s lineup, one title, Kind Regards From the Anthropocene, pops out as […]
“One September day,” begins the title card at the head of the New Directors/New Films-premiering Aleph, “I met Rodrigo near 23rd Street for lunch. He talked about microcosms, labyrinths, connectness and Borges…” And with those deceptively casual opening lines, filmmaker Iva Radivojevic takes us on a globetrotting (10 countries on five continents!) journey through the porous borderlands of documentary and fiction that’s as much philosophical as it is observational. Traversing both map and territory, Aleph draws its inspiration from the Jorge Luis Borges short story of the same name, a brief tale that literalizes the Hamlet quote (“O God! I […]
The first trailer just dropped for Nicole Riegel’s Holler, a flinty, tremendously assured debut drama with a powerful lead performance by Jessica Barden. When I interviewed Riegel last fall when her film played in Toronto’s market, she spoke of its development and financing process, during which some financiers asked her if she could make the lead male. “I wanted to tell my story, and I only knew to tell that if it was about a young woman in a very harsh, muscular environment,” Riegel told me. “And then I wanted to tell about how hard it is for young women […]
Director Maja Vrvilo began her career as an editor, and her former job is consistently manifest in her economy of visual expression, impeccably calibrated pacing and use of montage to convey interior states. I first became aware of Vrvilo when she was directing on Hawaii Five-0, a series that made me sit up and take notice of her kinetic action staging and lively handling of actors. That led me to her episodes of Blindspot, MacGyver and other procedurals that all exhibited the sophisticated blocking and precise compositions I quickly realized were hallmarks of her filmmaking. Last year Vrvilo helmed two superb […]
Kwol Min-pyo and Seo Han-sol’s Short Vacation is a graduate thesis film, a side benefit of which is not needing two opening minutes for production company logos but instead being able to jump right into a trim, conflict-free 79 minutes. Four South Korean middle school girls—three long-time friends, the fourth a new-in-town addition to their group—take a long train trip to photograph the rural end of the railroad line. Their photography club teacher has handed out disposable 35mm cameras with the summer vacation assignment to photograph “the end of the world,” however they’d like to interpret that. Taking the train a few […]