6300 Results for “Open ”
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“If You Can Do a Scene in One or Two Shots, What’s Better than That?”: DP Conor Murphy on Shooting Mickey and the Bear
Director of photography Conor Murphy flew directly from Kazakhstan, where he was finishing a project, to Anaconda, Montana, the location for Mickey and the Bear, currently in release from Utopia. He had four weeks prep with writer and director Annabelle Attanasio before shooting her debut feature. Based on Attanasio’s research into the residents of Anaconda, a mining town fallen on hard times, Mickey and the Bear follows high school senior Mickey Peck (played by newcomer Camila Morrone) as she tries to figure out her future. Caring for her father Hank (James Badge Dale), an armed forces veteran suffering from drug dependency, could […]
by Daniel Eagan on Dec 8, 2019 -
“Happiness Has Become a Kind of Ideology”: Jessica Hausner on Motherhood, Genetic Engineering, Being a Female Filmmaker and Her Sci-Fi Drama, Little Joe
Jessica Hausner’s unsettling and weirdly beautiful sci-fi drama Little Joe is named for the infertile red bloom that Alice (Emily Beecham), a scientist on a genetic engineering team, has developed as a supposedly harmless form of heroin: savoring its scent makes people feel happy. She has named the flower for her son (Kit Connor), and illicitly brings one home for young Joe to tend and talk to in his bedroom. What Alice supposedly doesn’t reckon with is Little Joe’s capacity for influencing whom Joe wants to live with as he approaches adolescence, herself or his father, her former partner. Or […]
by Graham Fuller on Dec 6, 2019 -
Sundance 2020 Announces 118 Feature Films
For independent filmmakers the most eagerly awaited announcement of the year is here: the 118 feature films selected for the 2020 Sundance Film Festival. The films hail from 27 countries and were chosen from a dizzying record high of 3,853 features. And the 2020 edition is the final one for outgoing Festival Director John Cooper, who says, “The program this year, my last as Director, is a celebration: of art and artists, yes, but also of the community that makes the annual pilgrimage to Park City to see the most exciting new work being made today. Watching this group expand […]
by Scott Macaulay on Dec 4, 2019 -
Spectacle, Controversy and the Septic: Pingyao International Film Festival 2019
This is a strange place to have a revelation. I’m sitting in a movie theatre in Pingyao, Shanxi Province, China. I have shrunken into a cosy corporate space which, once the house lights are put out, is soothingly anonymous. I’m briefly hidden from the startling and imposing hubbub of the Pingyao International Film Festival, a “boutique” film festival founded by the great Jia Zhangke in 2017; hiding, as it were, in plain sight. All this festival’s state-sponsored glitz, its overproduced sleekness, the ubiquity of its many, many attendees, the drone of voices in the street, the scooters caroming by—all of […]
by Christopher Small on Nov 27, 2019 -
Sundance Institute Announces Documentary Fund Grantees Totaling $1.5 Million
The Sundance Institute announced today $1.5 million in grants to 47 nonfiction film projects hailing from 27 countries. The grants, which include specialized grants administered by The Kendeda Fund and the Stories of Change Fund, support films across development, production, post-production and audience engagement. From the press release: “These grantees comprise a snapshot of the boldest visions in nonfiction storytelling today,” said Hajnal Molnar-Szakacs, Director of the Documentary Film Program’s Film Fund. “From the intimate to the epic, their scopes and ambitions illuminate not only the world around us, but new ways of seeing, telling and showing.” Today’s slate of […]
by Scott Macaulay on Nov 26, 2019 -
“I Chose to Yell, You Chose to Whisper:” Zhang Yimou and Jia Zhangke at Pingyao International Film Festival
I was loitering around the ticket office of the Pingyao International Film Festival, waiting for the day to begin. This was the second morning of the festival and, like all international delegates, I was still adjusting to being in China. That adjustment is at least threefold: to the time zone, to the food and to the place. Already I had seen Jia Zhangke, festival founder and one of the greatest of all directors, mobbed by legions of fans. I had seen Zhao Tao standing tall and beautiful in the queue for the opening film, apparently invisible to those around her. […]
by Christopher Small on Nov 26, 2019 -
Conflict Resolution: Jennifer McShane on Her HBO Doc about Policing and Mental Health, Ernie & Joe: Crisis Cops
Winner of the Special Jury Prize at this year’s SXSW, Jennifer McShane’s Ernie & Joe: Crisis Cops is an eye-opening look at the game-changing San Antonio Police Department’s Mental Health Unit through the daily activities of two of its humble leaders. It’s also a master class in policing done right. At first glance the partners-in-fighting-crime protagonists of the film’s title seem straight from Cops central casting — hetero white macho males, one a military vet. But McShane swiftly disabuses us of any preconceived notions we might have with her very first, quite shocking scene, one in which the unassuming heroes […]
by Lauren Wissot on Nov 19, 2019 -
Hannah Leder, Alexandra Kotcheff, and Jacqueline Beiro on Their 127-Day Shoot and Doing it All on the Independent Comedy, The Planters
When the book of no-budget filmmaking war stories is written The Planters should get its own chapter. Not only were Hannah Leder and Alexandra Kotcheff the co-writers and co-directors of this truly independent comedy, they also served as its cinematographer and camera operator, gaffer, production designer, wardrobe designer, hair stylist, sound recordist, and — oh yes — its two lead actors. With only producer Jacqueline Beiro and a few supporting performers rounding out the production team, Leder and Kotcheff persisted through desert heat and nearly 130 days of filming to produce their feature debut. Of course, none of this would […]
by Paul Harrill on Nov 15, 2019 -
“‘Follow the Money’ Became So Important to the Structure…”: Lauren Greenfield on Making her Doc about Imelda Marcos and Philippine Politics
In The Queen of Versailles and Generation Wealth, writer and director Lauren Greenfield opened up an elitist world largely off-limits to the public. The Kingmaker, her latest documentary, looks into the life and complex legacy of Imelda Marcos, widow of the former leader of the Philippines Ferdinand Marcos. It is currently in theaters prior to its exhibition on Showtime. Five years in the making, The Kingmaker evolved from what was originally a piece about exotic animals transported by the Marcoses to Calauit Island into a full-fledged investigation of Philippine politics. Greenfield and her team wound up covering the election of […]
by Daniel Eagan on Nov 14, 2019 -
To Kid or Not To Kid: How Do You Make a Web Series from a Feature Film?
I read once that Marshall Curry always thinks of his audience when developing his next film. And then I also know that other directors say, “Make a good film and people will find it.” Or as my old comedy boss at the BBC once told me: the audience don’t know what they want until you give it to them. There is a sense of truth in all of these statements, but Curry’s has stayed with me. As soon as I started developing my film To Kid or Not To Kid — the first English-language film about the decision to […]
by Maxine Trump on Nov 13, 2019
