I missed my 6am flight on the last day of the Borscht Film Festival. I blame Moonlight. And Miami. It had been an insanely inspiring weekend of art, film and new friendships at the festival’s 10th year down in Miami. Borscht ran February 22-26, encompassing live performances, film screenings, art installations, parties on islands and even a viking funeral — which I, regretfully, missed. I’d been hearing about Borscht for years through a number of my friends in the film community and via co-founders Jillian Mayer and Lucas Levya’s visionary films/art. Over and over, I was told the fest was […]
As the 2017 edition of SXSW comes to a close, here’s a list of eight short films I saw that are worthy of your attention. There’s no clear throughline apparent here: documentary work investigating the infected water supply of the DC water crisis, midnight selections featuring mannequin heads that come to life to suck face, and miscellaneous narrative shorts that cover everything from the ending of a romantic relationship to a bond formed during an impending school shooting. Many will continue to screen on the festival circuit throughout the year, and some will be made readily available online before you know it. […]
I first met Ram Devineni, creator of India’s first augmented reality comic book, Priya’s Shakti, at the FilmGate Interactive Media Festival in February, where he was presenting the graphic novel’s follow-up, Priya’s Mirror. (This work ended up taking the FilmGate Special Jury Award). With the series Devineni and his co-creators have revolutionized the comic book form, and not just technologically but also culturally. A survivor of gang rape in the first installment, Priya joins forces with acid attack survivors in the second, rendering the titular super-heroine tougher than your average Western badass chick. Devineni is participating in the Art, Technology […]
Just in time for St. Patrick’s Day, Warner Archive has released a gorgeous Blu-ray of Francis Coppola’s Finian’s Rainbow, a flawed but fascinating musical that marked a key moment in the director’s development. At the time, Coppola was a young filmmaker of promise who had worked in erotica (Tonight For Sure) and for Roger Corman (Dementia 13) before scoring a theatrical release for his UCLA thesis film You’re a Big Boy Now (1966). Coppola’s goal was to use that movie as a launching pad for a career writing and directing small personal films, but Jack Warner made him, to reference […]
Two decades of writing, producing, and finally directing some of the most commercially and critically successful films in the world have given Judd Apatow enough cachet to make nearly anything. After his directorial debut, The 40-Year-Old Virgin (2005), took in more than $175 million in domestic gross revenue, his Apatow Productions produced an ongoing string of gargantuan hits, including Knocked Up (2007), Superbad (2007), Bridesmaids (2011) and Trainwreck (2015). But it is only within the last three years that Apatow has moved into a seemingly unlikely genre: documentary film. Last year saw his first nonfiction work as co-director with Michael […]
Expanded from their 2011 short, Lauren Wolkstein and Christopher Radcliff’s The Strange Ones starts with a house fire. A young boy (James Freedson-Jackson) stands paralyzed in front of it, and next we see him on the road with someone (claiming to be?) his older brother (Alex Pettyfer). Over the course of a long, strange road trip, we slowly put together some (but definitely not all) the pieces of a story of sexual assault and two people on the run from the law. Motels, diners and farms are among the upstate New York locations. The impressively assured, enticingly semi-enigmatic film had its premiere Saturday morning […]
In Jeff Malmberg’s 2010 Spirit Award-winning documentary Marwencol, an artist constructs a one-sixth scale imaginary town, populated with miniatures, that is both his creative project and therapeutic enterprise; it’s through this work that he processes a violent attack that left him near-dead and brain-damaged. For the new Spettacolo, Malmberg, this time directing with filmmaker Chris Shellen, has focused on another individual for whom the world is a stage. Here, however, the scope is larger as theater director Andrea Cresti gathers each year the citizens of his small town in Tuscany to make a play based on their lives and histories. […]
World premiering March 11th at SXSW is METH STORM: Arkansas USA, the latest HBO doc from the Peabody (and Edward R. Murrow and Columbia Dupont and Overseas Press Club) award-winning Renaud brothers. Unsurprisingly, the Arkansan siblings have taken a deeply humanistic approach to the meth epidemic with this film, following a soft-spoken DEA agent struggling to stem the flow of (cheap and extremely potent) Mexican cartel “ice” into his rural community. They parallel this narrative with that of a close-knit family of impoverished addicts, led by a no- nonsense matriarch who just can’t seem to catch a break. It’s been […]
In my new short, Whiskey Fist — premiering Friday, September 10 at SXSW — the characters work in front of a sign that reads “Brands’ Lives Matter.” The font is ripped off from Ed Ruscha and the fluorescent ombre background is purloined from posters of the kind stapled to telephone poles advertising local reggae or salsa concerts. Such an insidious combination of high and low appropriation characterizes the vanguard of marketing today, that joking/not joking tone that one would find flourishing in the branding firm where Whiskey Fist takes place. Branding’s sophistication is more seductive than ever, and even more […]
Cinematographers right out of film school often get their feet wet by shooting short films, music videos, and commercials – brief subjects with lower budgets and ample room to experiment and make mistakes. There was no such toe dipping for Bojan Bazelli. He was dunked directly into the river of cinema and legendary New York auteur Abel Ferrara did the baptizing. The Yugoslavia-born Bazelli was just out of film school in Prague when Ferrara came across the DP’s thesis movie and tapped him to shoot his Romeo and Juliet variation China Girl (1987). Over the next decade Bazelli lensed 17 features, […]