6301 Results for “Open ”
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D.P. Phedon Papamichael Talks the B&W Imagery of Nebraska, Lighting Movie Stars and his Online Film School
Cinematographer Phedon Papamichael is finding a new audience of fans with his striking black-and-white camerawork in Nebraska, a father-and-son road trip starring Bruce Dern and Will Forte. With this third collaboration with director Alexander Payne, following Sideways and The Descendants, Papamichael is on a list of potential Oscar nominees. He was recently included in a Hollywood Reporter roundtable of five top cinematographers, a series that often portends year-end award winners. His other work includes James Mangold’s Walk the Line and Oliver Stone’s W. He just completed Monuments Men with George Clooney. Papamichael was born in Athens and studied photography and art […]
by Rania Richardson on Dec 9, 2013 -
Hoop Dreams: Josh and Benny Safdie on Lenny Cooke
An intimate portrait of a near-forgotten high school basketball phenom turned undrafted afterthought, Lenny Cooke is the first documentary from the young New York wunderkinds Benny and Josh Safdie. Given that their previous films, The Pleasure of Being Robbed and Daddy Longlegs (I miss its original title, Go Get Some Rosemary), were intimate, 16 millimeter throwbacks to another era of rough and tumble New York independent filmmaking, this film comes as a surprise in a way. Made by self-professed basketball fanatics in the midst of a season of discontent (poor Knicks), Lenny Cooke is a project that predates any of the Safdies narrative efforts. An emotionally […]
by Brandon Harris on Dec 6, 2013 -
“That’s the Movie, That’s the Kind of Overlapping Mess That Bob Loves:” Joan Tewkesbury on Writing Nashville
Robert Altman’s Nashville is one of the towering achievements of 1970s New Hollywood Cinema, a portrait of the hub of the country music scene by juggling a myriad of characters, from self-appointed king of the community Haven Hamilton (Henry Gibson) to its biggest star, Connie White (Karen Black), from the emotionally fragile Barbara Jean (Ronee Blakley) to comically intrepid BBC reporter Opal (Geraldine Chaplin) and campaigning politician Hal Phillip Walker (Thomas Hal Phillips), a presence seen but never heard. A huge, highly accomplished cast — which also includes Ned Beatty, Shelly Duvall, Lily Tomlin, Keith Carradine, Barbara Harris and a very young Jeff […]
by Nick Dawson on Dec 6, 2013 -
Children of the Revolution: Director Narimane Mari on her Award-Winning Bloody Beans
The focus this year’s edition of the Copenhagen International Documentary Festival (commonly known as CPH:DOX) was squarely on the political, with programs exploring the intersection of art and activism. Guest curators Ai Weiwei and The Yes Men programmed eclectic sidebars under the festival’s theme “Everything is Under Control.” A section devoted to Chinese documentaries emphasized the medium’s vital role in surveying the state, and the festival added a new award explicitly addressing the recent crop of documentaries that operate between investigative journalism and activism. Taking the festival’s top prize was Bloody Beans, the first feature by French-Algerian filmmaker Narimane Mari, […]
by Paul Dallas on Dec 6, 2013 -
Sundance Announce Spotlight, Midnight, Kids and New Frontier Titles
Yesterday Sundance released its initial slate and today the second burst of titles emerges. In Spotlight, which houses fest favorites (many by alumni of the festival and/or the labs), there’s only one title that’s new to me, namely R100, Hitoshi Matsumoto’s wild erotic comedy about a “mild-mannered family man with a secret taste for S&M” who “finds himself pursued by a gang of ruthless dominatrices—each with a unique talent.” That’s definitely one to check out. In the Midnight section, new films from Adam Wingard and Taika Waititi (who reunites with his Eagle vs Shark star Jemaine Clement in a vampire mockumentary) are definitely […]
by Nick Dawson on Dec 5, 2013 -
“I Can’t Hate Anyone Unless I Love Them:” Drew Tobia, Eleanore Pienta and Rachel Wolther on See You Next Tuesday
Once in a while, a film comes across your radar that plays so perfectly to your sensibilities, it seems someone handcrafted it with you in mind. These sorts of films are usually small, personal endeavors, that — preference-pending — are too niche for mass audiences, and struggle to find the complimentary festival or forum that will realize their loaded potential. Drew Tobia’s See You Next Tuesday is the lastest entry in this unjustly underground canon. A cult hit in the making if there ever was one, See You Next Tuesday concerns Mona, a pregnant, loudmouthed, lonesome and unhinged grocery store cashier, inhabited by the utterly uninhibited […]
by Sarah Salovaara on Dec 5, 2013 -
Sundance 2014 Competition and NEXT Titles Announced
Slamdance was yesterday, and now it’s the Sundance Film Festival who are putting out their initial competition slates. There’s no single opening movie anymore, but instead Damien Chazelle’s Whiplash, Todd Miller’s doc Dinosaur 13, Hong Khaou’s narrative feature Lilting and Nadav Schirman’s Israeli doc The Green Prince kick off things on January 16. I’m always excited to see lineups that have a mixture of work by familiar faces and names that are as yet unfamiliar to me, and this is definitely one of those. In the U.S. Dramatic Competition, there are films from Joe Swanberg, Jim Mickle, Craig Johnson, Carter Smith and the Zellner brothers plus debuts […]
by Nick Dawson on Dec 4, 2013 -
IFP Guest Curates “One Million Square Feet of Culture” in Miami
Alongside Miami’s Art Basel — the international art show that runs through Saturday — IFP has teamed with One Million Square Feet of Culture to guest curate a series of technology-centric events. Installed at the Wynwood Cigar Factory across (more precisely) 3,045 square feet are three programs: Emotional Arcade, The 78 Project, and BlabDroids. Designed by Brent Hoff and Alex Reben, modified EEG headsets are the tricks of the trade in the Emotional Arcade, where unchecked emotions are a game-winning currency. Alex Steyermark and Lavinia Jones Wright view The 78 Project as an opportunity to record today’s music with yesterday’s technology. Using […]
by Sarah Salovaara on Dec 4, 2013 -
Only 7% of U.K. Films Earn a Profit, Claims BFI Report
Only 7% of British films released from 2003 to 2010 were profitable, claims a BFI report issued this week at London’s Screen Summit. From Michael Rosser’s article in Screen Daily: The stats showed that just 3.1% of films with budgets under £500,000 turned a profit. The numbers increase as budgets rise: £0.5m-£2m: 4.1% £2m-£5m: 4.6% £5m-£10m: 12.1% £10m+: 17.4% Speaking on stage, Steele said: “What does one do faced with those sorts of numbers? Clearly, portfolio investment is necessary to negate the risk and secondly, qualitative judgement. Try to choose filmmakers projects that have above average chance of making a […]
by Scott Macaulay on Dec 3, 2013 -
Slamdance 2014 Lineup Announced
The main competition lineup for the 2014 Slamdance Film Festival was announced today for the event which runs, parallel to Sundance, in Park City between January 17 and 23. The two titles two particularly catch my eye in the Narrative section are Copenhagen by Mark Raso, and Jay Alvarez’s I Play With The Phrase Each Other. Raso, a Student Academy Award winner in 2012, blogged for Filmmaker during the making of his low-budget feature debut (you can read those posts here), while Alvarez — also a first-time director — has ambitiously crafted a black-and-white film which is made up entirely […]
by Nick Dawson on Dec 3, 2013
