6300 Results for “Open ”
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Carol Morley, Dreams of a Life
In 2003, when the badly decomposed body of 38-year-old Joyce Vincent was found on a sofa in her flat above a busy shopping district in Wood Green North London by bailiffs for the Metropolitan Housing Trust seeking back due rent, the news shocked the public. Nobody had reported her missing, even though she had been dead for three years. A pathologist could not determine the cause of her demise because nothing remained except a skeleton. Questioned by the police, neighbors admitted to noticing a foul odor emanating from the apartment but had never reported it. Stranger still, the television was […]
by Damon Smith on Aug 1, 2012 -
THE 17TH ANNUAL STONY BROOK FILM FESTIVAL
Falling under the umbrella of the Staller Center for the Arts at Stony Brook University, and still run by its original founder Alan Inkles (whose praises I’ll sing a bit later), the Stony Brook Film Festival is a breath of fresh Long Island air in a sea of desperate-to-please fests. Now in its 17th year, the event runs like a well-oiled machine – with screenings starting promptly on time and technical glitches nonexistent – yet feels more like a 10-day family retreat, complete with marina lodgings in nearby Port Jefferson. It’s also one of the warmest, most accommodating festivals I’ve […]
by Lauren Wissot on Jul 31, 2012 -
The Blue Velvet Project, #145
Second #6862, 114:22 Jeffrey, taking the gun from the Yellow Man’s jacket pocket, as Frank is in the bedroom, shooting. In addition to Jeffrey and the Yellow Man, there is the camera, or at least its presence, invisible in accordance with classical cinema’s codes, which, even after the deconstructive storms of postmodernism, are themselves invisible, having been absorbed into the very technologies that make film possible. In Blue Velvet, for the most part, the camera does not call attention to itself; most of its movement is motivated, aligned with, and justified by corresponding movements in the film’s narrative. And yet […]
by Nicholas Rombes on Jul 30, 2012 -
Movie Business Shrinking
A curious occurrence took place in the wake of the Aurora, CO, mass killing on the opening night screening of the latest Batman release, The Dark Knight Rises. Revenue from opening weekend ticket sales was $211.8 million, slightly less than the $222.2 million for The Dark Knight. This was the highest box office gross for a conventional 2D movie for 2012. While the large turnout for the movie can be linked to a response to the shootings as much as the appeal of the movie, the numbers hide a darker truth. The movie business is shrinking. Ticket sales and DVD […]
by David Rosen on Jul 30, 2012 -
EXPLORING TERRY GILLIAM’S ARCHIVE
Terry Gilliam’s daughter Holly has created a blog, “Discovering Dad,” dedicated to the exploration of her father’s enormous and rich archive. Here’s her opening post: In October 2011 I took on the mamouth task of organising my father’s archive – all his work from pre-Python days, as a cartoonist, photojournalist & assistnat editor for Help! magazine, through all his original artwork and cut-outs for Python animation, posters, logos and generally everything Python, to his storyboards, designs and sketches for his feature films and other non-film related projects (including his opera of “Faust” and that infamous Nike commercial). Why!? Because I […]
by Scott Macaulay on Jul 30, 2012 -
A GLANCE AT NEWFEST 2012
NewFest, New York’s LGBT film festival, returns this year with bicoastal fortification, its programming taken over by the folks at L.A.’s Outfest, whose motive for the merge is to foster a national queer arts entity. But is the alliance holy? With Outfest having just wrapped its 30th anniversary, an 11-day event that boasted nearly 150 titles (including Ira Sachs’s Keep the Lights On, Jonathan Lisecki’s Gayby, and David France’s riveting ACT UP doc, How to Survive a Plague), NewFest has the not-so-faint whiff of an afterthought, its 18-feature lineup looking more like the subpar cache of a scavenger than a […]
by R. Kurt Osenlund on Jul 28, 2012 -
Killer Joe — A Hammer to Nail Review
(Killer Joe world premiered at the 2011 Venice Film Festival. It is being distributed by LD Entertainment and opens theatrically on July 27, 2012. Be forewarned, gentle viewer: this one has an NC-17 rating! Visit the film’s official website to learn more.) As I get older with each passing year, I’ve begun to process the world—and, by extension, cinema—in a different light. While I’m not turning into an outright prude, I am becoming much less tolerant of art and entertainment that takes a condescending and contemptible attitude towards humanity. On an ethical, theoretical level, there’s no denying that the way […]
by Michael Tully on Jul 26, 2012 -
Five Questions with Searching For Sugar Man Director Malik Bendjelloul
When Swedish director Malik Bendjelloul first came across the story of ’70s singer/songwriter/cult-hero Rodriguez, it must have seemed too good to be true, especially for a music-focused documentarian. Sixto Rodriguez, the Detroit-based troubadour who blended street-savvy folk, rock, and socially conscious soul on two under-the-radar early-‘70s albums, was completely unknown in America (and almost everywhere else) for decades. But in a twist worthy of an O. Henry story, Rodriguez (who has always worked solely under his surname), somehow ended up an iconic figure in South Africa, where his reputation assumed Bob Dylan-esque dimensions. The catch: most South Africans have long […]
by Jim Allen on Jul 25, 2012 -
Mikkel Norgaard, Klown
Long considered one of the funniest shows in Scandinavia, the television series Klown features Danish comedians Casper Christensen and Frank Hvam playing Curb Your Enthusiasm-style variations on themselves, getting into hysterically awkward encounters with friends and strangers, loved ones and frenemies, including other Danish celebrities such as actress Iben Hjejle (High Fidelity, The Boss of It All) and Jørgen Leth (the co-director, with Lars von Trier, of The Five Obstructions). Running for six seasons, it propelled the comic duo to the heights of Danish celebrity and mainstream popularity. Now there is a film version of Klown directed by Mikkel Nørgaard, who conceived and directed much of […]
by Brandon Harris on Jul 25, 2012 -
ROGER ROSS WILLIAMS AT THE SUNDANCE DOCUMENTARY LABS
The Sundance Documentary Edit and Story Labs took place earlier this month, and director Roger Ross Williams — attending with his film, God Loves Uganda, described as “a journey into the heart of East Africa, where Ugandan pastors and their American counterparts spread God’s word and evangelical values to millions desperate for a better life” — wrote the following blog post about his experiences there. Alfred Hitchcock said, “In feature films the director is God; in documentary films God is the director.” Yes — and it doesn’t help when God is also the subject. Setting out to make a doc on […]
by Roger Ross Williams on Jul 24, 2012
