6300 Results for “Open ”
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Miranda July and Ira Glass Tell the Future of Storytelling
The Silent History is a fascinating new publishing project that merges app distribution with geolocational storytelling. Launched by former McSweeney’s publisher Eli Horowitz and colleagues, the project will launch next month, downloading stories to readers’ iOS devices and then coaxing them out into the streets of nearly 400 cities for more. Here is the trailer featuring the voices of Miranda July and Ira Glass. Horowitz is interviewed by Reyhan Harmanci at Buzzfeed, and he speaks of the project’s inspirations: “I got to thinking about new storytelling experiences — what can these things do, what can these things lead to,” he […]
by Scott Macaulay on Jul 16, 2012 -
Five Questions with The Imposter Director Bart Layton
Bart Layton’s excellent The Imposter, one of the most inventive and cinematic documentaries of recent years, opens theatrically today. The following interview was originally published on the eve of its Sundance Film Festival premiere. More and more often different mediums and genres of filmmaking are being meshed together and Bart Layton’s newest documentary The Imposter is no different. The film’s official synopsis declares, “Documentary meets Film Noir in this astonishing true story which has all the twists and turns of a great thriller.” But this is not just a hoax to get people into the theatre. Based on an extremely […]
by Alexandra Byer on Jul 13, 2012 -
Five Questions with Union Square Director Nancy Savoca
Nancy Savoca — who wrote the excellent guest blog entry “Waves of Rebel Visions” earlier this week — today releases her insightful latest feature Union Square. The following interview was originally published on the eve of the film’s Toronto Film Festival premiere. Nancy Savoca’s True Love was an early high-water mark in the modern independent film movement. In fact, its storyline, newcomer casting and loose style is now the template for much current indie drama. So, it’s great to report that over 20 years later Savoca is back with another intimate drama realized on a low budget and entirely outside […]
by Scott Macaulay on Jul 13, 2012 -
The Work is the Reward: Chris Eyre on Hide Away
It’s hard to believe it’s been nearly 15 years since filmmaker Chris Eyre burst onto the indie scene with 1998’s Smoke Signals, based on a short story by fellow Native American Sherman Alexie, who also wrote the screenplay, and starring Native Canadian Gary Farmer (probably best known for Jim Jarmusch’s Dead Man). Since then the Portland homeboy has seamlessly shifted from the big screen, to PBS fare, to franchise TV and back again, most recently with Hide Away, an existential drama featuring Josh Lucas and James Cromwell. Earlier this year, Chris was tapped for an entirely different gig, chairing the […]
by Lauren Wissot on Jul 12, 2012 -
Family Portrait in Black and White — A Hammer to Nail Review
(Family Portrait in Black and White is being distributed by First Pond Entertainment and opens theatrically at the AMC Empire 25 in New York City on July 13, 2012. It world premiered at the 2011 Sundance Film Festival. Visit the film’s official website to learn more.) The mere fact that I’m writing these words about Julia Ivanova’s Family Portrait in Black and White means something has gone right. That is to say, on the occasion of its theatrical release, no longer is this film one of those special little treats that bounced around the American festival circuit for over a […]
by Michael Tully on Jul 12, 2012 -
Benoit Jacquot, Farewell, My Queen
The court intrigue that animates Benoit Jacquot’s Farewell, My Queen — set during the final days of Marie Antoinette’s reign — could be the stuff of so many costume dramas. To his great credit, however, the 65-year-old Parisian director, best known on this side of the pond for his 1995 hotel chamber drama A Single Girl, offers an elliptical, accumulative account of the events, keeping them tightly focused on the experience of the Queen’s private reader Sidonie (Léa Seydoux) as the storm clouds of revolution gather from outside the corridors of Versailles and the regime’s demise very quickly becomes inevitable, even […]
by Brandon Harris on Jul 11, 2012 -
Five Questions with Alps Director Yorgos Lanthimos
Yorgos Lanthimos attained “one to watch” status as soon as his disturbing, divisive, and hilariously funny Dogtooth premiered at the 2009 Cannes Film Festival. That film — which went on to win the Prix Un Certain Regard and score an Oscar nomination for Best Foreign Language Film — has something of a companion piece in Alps, which opens this Friday at Cinema Village in New York City. Concerning a group of grief surrogates who help the bereaved by impersonating their recently-departed loved ones, the film is similar to its predecessor in its off-kilter tone and refusal to fit into any one genre or […]
by Michael Nordine on Jul 11, 2012 -
The Blue Velvet Project, #137
Second #6439, 107:19 Jeffrey is about to enter Dorothy’s apartment where he’ll find a hellish scene of Frank’s human butchery. The frame captures his vulnerability, his exposed back to the implied danger of the frame’s open space. The red light at the end of the hall, the sharp-edged shadow across the far door, the tar-pit black hallway floor, and the faint ringing noise on the soundtrack, like something deeply broken in the building itself, all conspire to create a feeling that verges on existential terror. In the pan and scan 1987 VHS version (the photo below is of the film […]
by Nicholas Rombes on Jul 11, 2012 -
MARK RASO’S MICROBUDGET PRODUCTION DIARY: PART 1
Director Mark Raso, whose short film Under won a Student Academy Award earlier this year, will be writing a series of blog entries about making his feature debut with a microbudget movie shot in Copenhagen, Denmark. This is his first dispatch. After watching an inspiring Q&A with director Mike Cahill at an IFP screening of Another Earth in February of this year, my colleague and the producer of our film Mauro Mueller turned to me and said, “Let’s do it, no matter what.” I agreed. Five months later, I find myself in Copenhagen, Denmark, two weeks out on principal photography on my […]
by Mark Raso on Jul 11, 2012 -
WAVES OF REBEL VISIONS
I was born in 1959. Filmically speaking, it was the year of Francois Truffaut’s The 400 Blows, one of the early films of the French New Wave. Truffaut along with Godard, Varda and others were fighting what they saw as the tired narrative of post-war French films. 1959 was also the year that John Cassavetes made his debut with Shadows, a movie he described as being about “the little people – the ones Hollywood doesn’t talk about.” The film couldn’t get a U.S. distributor but still managed to win the Critics Award at the Venice Film Festival. This helped secure […]
by Nancy Savoca on Jul 10, 2012
