6300 Results for “Open ”
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Five Questions with Paradise Lost 3: Purgatory Directors Joe Berlinger and Bruce Sinofsky
In the mid ’90s filmmakers Joe Berlinger and Bruce Sinofsky traveled to West Memphis, Arkansas for a documentary they were making for HBO on the gruesome murders of three boys and the trial of the three teens who were charged. The film, Paradise Lost: The Child Murders at Robin Hood Hills, gave the trail nationwide interest as Berlinger and Sinofsky revelaed a case that was hardly open and shut. Coerced confessions as well as questionable evidence and testimony made viewers uncertain if the three defendants — Jessie Misskelley, Damien Echols and Jason Baldwin — were guilty and the fight to […]
by Jason Guerrasio on Sep 11, 2011 -
Five Questions with Bunohan Director Dain Said
It’s tempting to refer to Dain Said’s Bunohan as the Malaysian director’s debut film, but Said rides to Toronto on the tailwinds of notoriety stemming from the banning of his proper debut, Dukun. That film dealt with black magic and murder — the latter word being one meaning of his latest film’s title. (“Bunohan” also refers to a local village.) A violent tale involving three estranged brothers, the film is set within the worlds of kickboxing, murder-for-hire, and real estate, and it weaves brutal realism with elements of mythological fantasy. We talked to Said about Malaysian cinema, fight scenes and […]
by Scott Macaulay on Sep 10, 2011 -
FOX SEARCHLIGHT BUYS MCQUEEN’S “SHAME”
Last night Fox Searchlight announced from Toronto it has bought the U.S. rights to Steve McQueen‘s latest, Shame. Starring Michael Fassbender and Carey Mulligan, the drama, which is screening at the fest, follows New Yorker Brandon (Fassbender) who shuns intimacy with women but feeds his desires with a compulsive addiction to sex. However, when his wayward younger sister (Carey Mulligan) moves into his apartment stirring memories of their shared painful past, Brandon’s insular life spirals out of control. The film premiered at the Venice Film Festival and according to the release Searchlight plans to open Shame before the year ends. […]
by Jason Guerrasio on Sep 10, 2011 -
ANDREI UJICA, “THE AUTOBIOGRAPHY OF NICOLAE CEAUSESCU”
Romanian émigré and film essayist Andrei Ujica’s acclaimed Videograms of a Revolution trilogy, which includes the 1992 film of that name as well as his profile of cosmonaut Sergei Krikalev, Out of the Present (1995), finally concludes with The Autobiography of Nicolae Ceausescu, his genre-bending final chapter, which he fondly calls part of the “new non-fiction” that is taking the world of cinema by storm. Culling through several decades worth of propaganda films from the Romanian National Television and Film Archives, he takes wildly out of context footage and gently stews it together into a three hour epic rumination on Romania’s mid and late Communist periods […]
by Brandon Harris on Sep 9, 2011 -
Five Questions with Think of Me Director Bryan Wizemann
One of the more sobering and even painful short films of recent years is Bryan Wizemann’s Film Makes Us Happy. In the 12-minute documentary, Wizemann argues with his wife about his obsession with filmmaking, with her challenging him to give up on his dreams in order to focus on his family — including his new baby. Wizemann’s synopsis simply states, “Film Makes Us Happy documents the last fight my wife and I will ever have about making films.” I have no idea the aftermath of that film on Wizemann’s family life, but I am happy to report that the writer/director […]
by Scott Macaulay on Sep 9, 2011 -
The Blue Velvet Project, #15
Second #705, 11:45 And so here you are, lost in a movie. “It must be great,” the young man says to the older man, referring to his job as a detective. The older man replies, “It’s horrible too.” And you think: this is how life is. Great. And horrible. The detective is at work eradicating evil all the time, even at home where he has not changed out of his detective outfit, because evil does not sleep. You think about the seriousness with which Blue Velvet treats evil in a secular age, and how the most that the detective can […]
by Nicholas Rombes on Sep 9, 2011 -
An Interview with Warrior Star Joel Edgerton
Actor, writer, and director Joel Edgerton (pictured) has a lot on his plate. He stars in Gavin O’Connor’s Warrior, which opens today, and in Baz Lurhmann’s The Great Gatsby, which is currently in production in Australia. Edgerton is also managing to develop a new film that he has written and is set to direct. He sat down with me to talk about Blue Tongue Films, the production company that he formed with his brother, Nash Edgerton, and four other mates, and how they all manage to keep the process fun. Filmmaker: How did you and your brother get started in […]
by Alix Lambert on Sep 9, 2011 -
Rebirth — A Hammer to Nail Review
(Rebirth is now available on DVD through Oscilloscope Pictures. Visit the official Project Rebirth website for theatrical screening dates and to learn more, and go here to watch a startling video detailing the time-lapse project.) On the occasion of the tenth anniversary of 9/11, frankly, at the moment, I’m finding it hard not to feel more hopeless than hopeful about things. It’s bad enough that it’s still frighteningly easy to recall the visceral shock of that fateful morning, watching the twin towers crumble to the ground on television before rushing to my Washington Heights fire escape to confirm that they […]
by Michael Tully on Sep 8, 2011 -
Five Questions with The Forgiveness of Blood Director Joshua Marston
This year in Berlin, seven years after his debut feature, Maria Full of Grace, premiered at Sundance, New York-based writer/director Joshua Marston unveiled his follow-up, The Forgiveness of Blood. Winner of the festival’s Screenplay Award (for Marston and Andamion Murataj’s script), the film sends Marston from the Colombia of Maria to a village in Albania, where local traditions include the protection of family honor through blood feuds. Marston focuses on a teenage boy who is collateral damage in one of these disputes, unable to leave his home for fear of being killed for his father’s dispute. We asked Marston about […]
by Scott Macaulay on Sep 8, 2011 -
Five Questions with Last Call at the Oasis Director Jessica Yu
For Oscar-winning filmmaker Jessica Yu’s latest film, Last Call at the Oasis, she looks at the frightening realities of the current global water crisis. Produced through the social issue giants Participant Media, Yu’s film has the makings of a must-see like An Inconvenient Truth and Food, Inc. Filmmaker: Tell us a little about what your film is about? Yu: Last Call at the Oasis is about the water crisis, which is global and urgent, yet largely hidden here in the U.S. The film tells stories of people who are on the front lines in dealing with water shortage or contamination, […]
by Jason Guerrasio on Sep 7, 2011
