6296 Results for “Open ”
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A FINAL REPORT ON SXSW INTERACTIVE 2011
My mind wasn’t blown this year. No Zeitgeist-nailing speaker convinced me that the world was about to change. Nor was there a high-profile washout, a speaker whose on-stage fail created its own newsworthy drama. I’m talking about SXSW Interactive, the mammoth convention/trade show/meet-up/party spot that crowds the stage with the more homespun SXSW Film in Austin each year. This was my fifth SXSW, and, a couple of years ago, in the midst of the indie film depression, I realized something. The positive energy, the feeding frenzy, the dollars — most of it was over on the interactive side. The kind […]
by Scott Macaulay on Mar 21, 2011 -
SEPARATING THE WHEAT FROM THE CHAFF: NEW DIRECTORS/NEW FILMS
The late Sam Fuller, master of low-budget westerns and over-the-top psychosexual dramas, famously expressed to an adoring Godard the following overly quoted opinion of cinema (but it’s relevant here): “Film is like a battleground…Love. Hate. Action. Violence. In one word, emotion.” From the evidence on screen at this 40th edition of New York City’s New Directors/New Films (March 23-April 3) — I must admit, my favorite New York movie event, given that, theoretically, the choices are early works with edge — films built around long takes and a high ratio of long shots (Winter Vacation, Gromozeka, and Attenberg, for example) […]
by Howard Feinstein on Mar 20, 2011 -
SXSW BLOG: “YELLING TO THE SKY” PRODUCER BILLY MULLIGAN, PT. 2
The below post was written by Billy Mulligan, producer of the SXSW film, Yelling to the Sky. Six days of nonstop on-the-go hustle, with a few moments of pause for food coma recovery. That’s my SXSW in a nutshell. As a SXSW first-timer, I had heard countless times that it’s important to take the time to appreciate the Austin foodscape. After finally experiencing some of the culinary delights myself, it can’t be stressed enough that the Trailer Food culture that is ingrained into every fiber of the city is enough of a reason for any man, woman or child to […]
by Filmmaker Staff on Mar 17, 2011 -
Redland — A Hammer to Nail Review
(Redland is distributed by Zyzak Film Company. After playing at several festivals in 2009, it opened theatrically at Laemmle’s Sunset 5 in Los Angeles on Friday, March 11, 2011. See here for a list of future showings.) Though the influence of its cinematic forebears is readily apparent, nary a film comes to mind whose approach is as singularly visual as Asiel Norton’s Redland. Words prove woefully insufficient in conveying its imagistic intensity, but a few descriptions nonetheless come to mind: an aged photograph come to life, key aspects of which are out of focus or otherwise difficult to discern; a […]
by Michael Nordine on Mar 17, 2011 -
RAGE AND SCREAMING IN SOUTH TEXAS: LADIES TAKE OVER AT SXSW
There are at least ten narrative films at SXSW this year directed by women — twice as many as last year. At first glance, they share almost nothing in common. There’s a campy ‘50s-inspired vampire romp My Sucky Teenage Romance, by the 18-year-old Emily Hagins, and Small Beautifully Moving Parts by a pair of married adult women co-directors (each married, not to each other), Annie J. Howell and Lisa Robinson, about a pregnant woman so fascinated by electronic gadgets that she can’t begin to face the organic reality of having her baby. Some films feature male protagonists (No Matter […]
by Alicia Van Couvering on Mar 16, 2011 -
PATRICIO GUZMÁN, “NOSTALGIA FOR THE LIGHT”
“Most of my work refers to the historical memory of Chile and Latin America,” says acclaimed documentarian Patricio Guzmán (Salvador Allende, The Pinochet Case), a Santiago native who has lived in exile for more than three decades, after reflecting on the arc of his long, legendary career. “It’s a passion — creative territory that I have always followed.” Best known for his monumental three-part film The Battle of Chile (1973), an on-the-ground account of democratically elected leftist Salvador Allende’s brief term in office before a U.S.-backed coup d’etat brought dictator General Augusto Pinochet to power, Guzmán has always fought to […]
by Damon Smith on Mar 16, 2011 -
P. DAVID EBERSOLE’S “HIT SO HARD”
Screening Times: Tuesday March 15th, 9:15pm (Alamo Ritz 1), Friday march 18th, 7:00pm (Vimeo Theater) A veteran director and producer of cable television (Wicked Wicked Games, Desire), P. David Ebersole’s rock doc Hit So Hard is a typical booze-and-drug-filled profile of his friend and collaborator Patty Schemel, the original drummer for the seminal grunge band Hole, who fell on hard times after the always controversial rock band’s heyday. Filmmaker: How did you first conceive of Hit So Hard? Ebersole: My friend Patty Schemel brought me a gold box, filled with 40-plus hours of never-before-seen video footage from when she was […]
by Brandon Harris on Mar 15, 2011 -
TRIBECA ANNOUNCES SPOTLIGHT, CINEMANIA, TRIBECA/ESPN & SPECIAL SCREENINGS
The Tribeca Film Festival announced today the films selected for the Spotlight, Cinemania, Tribeca/ESPN Sports Film Festival and Special Screenings sections for their 10th edition, which takes place April 20 – May 1. Some of the highlights include Sundance favorites Beats, Rhymes & Life: The Travels of A Tribe Called Quest, The Guard starring Don Cheadle and Brendan Gleeson, and Higher Ground which is starred and directed by Vera Farmiga. There’s also Revenge of the Electric Car, the follow-up to Chris Paine‘s doc Who Killed the Electric Car?, and Tribeca regular Alex Gibney returns with Catching Hell. Chosen as the […]
by Jason Guerrasio on Mar 14, 2011 -
“PAUL” DIRECTOR GREG MOTTOLA
Writer-director Greg Mottola won himself a lot of fans with his smart, witty debut movie The Daytrippers, and then promptly disappeared from the indie scene for the best part of a decade, working in television while he tried to get his sophomore feature off the ground. In 2007, he returned to the big screen fray with Superbad, the Judd Apatow-produced teen comedy, which was a number one box office hit and made him a hot commodity once again. Going back to his indie roots, Mottola followed up the success of Superbad with Adventureland, a beautifully nuanced coming-of-age dramedy about a […]
by Nick Dawson on Mar 13, 2011 -
SXSW SNAPS, DAY ONE
The first day at SXSW, the 4th floor. “What’s this line for?” I asked the woman standing next to me. “No idea,” she said. But it wasn’t a line for anything. The crowd was just there. And as I pushed my way through, it slowly started to dissipate. It was like one of those highway slowdowns, where the memory of congestion lingers after whatever caused it. If you’re going to sponsor a festival, at least do something useful, like this rolling Samsung display of panel times, schedule changes and social media activity. When you check into SXSW, you’re given three […]
by Scott Macaulay on Mar 12, 2011
