Award-winning Palestinian filmmaker Elia Suleiman (Divine Intervention) makes idiosyncratic films about the endless conflict between Arabs and Israelis, stitching together wryly humorous tableaux that speak to the absurdity of life under occupation. Suleiman himself is often a character in these tragicomic dramas, a mute witness quietly observing the agitations of the Middle East at ground level, with lidded eyes and a mournful face that commentators have repeatedly likened to Buster Keaton’s. As a youth infatuated with socialism, Suleiman (now 50) fled a pending arrest warrant in Nazareth (the authorities were under the impression he was a gang member) and moved […]
I’ll be writing more about this award and the films in the days ahead, but, for the moment, here is a press releasing announcing a new award Filmmaker is very happy to be sponsoring at Cinema Eye this year. New York – The Cinema Eye Honors for Nonfiction Filmmaking announced today the five nominees for the first annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine. The Cinema Eye Heterodox Award marks a new award category created to honor a narrative film that imaginatively incorporates nonfiction strategies, content and/or modes of production. These films illuminate the formal possibilities of nonfiction […]
One of the great joys of being a critic is the childlike sense of wonder that comes with being the first to discover something new (that, and as the esteemed music critic Lester Bangs once put it, getting free shit). I first met Zachary Oberzan after seeing his one-man show Rambo Solo, developed with Nature Theater of Oklahoma, in early 2009. (Yes, for the record the tickets were comp since I was reviewing for Theater Online.) At the time I wrote, “I have seen the theater future and its name is Rambo – or more accurately, one fearless thespian named […]
Back in September we asked, “Is Apple Delaying a New Final Cut Studio?” The French rumor site Hardmac reported that the next version of editing software had experience “setbacks” and that, furthermore, engineering talent was being transfered to the iOS department. Now, Hardmac is reporting that a new version of Final Cut Studio “should” come out in March or April. From the site: Let’s start with Final Cut Suites. AS we reported earlier, all version of Final Cut should be unveiled in March or early April. It should be a substantial update when compared to the previous version, but not […]
Via Google Analytics, here are the top ten traffic-getting posts on Filmmakermagazine.com for 2010. (The top traffic getter was actually the final post of 2009, our “Best American Independent Films of the Decade” list. But I’m restricting the ten below to posts that actually went up in 2010.) 1. 25 New Faces of 2010. Our 25 New Faces list is now regularly the mostly widely read piece each year. I was particularly happy to see some of the first-time filmmakers we selected — Victoria Mahoney, Rashaad Ernesto Green, Sean Durkin, Danfung Dennis, to name four — have their films accepted […]
Are you short a New Year’s resolution? Feel free to borrow one of the ones below. 1. Amplify your voice. You have a voice. Make it bigger in 2011. Spread it wider and connect it to more people. If you are working within your own little crew, spread out. If you’ve gotten into a pattern of relying on the same agents or producers or colleagues, enlarge the perimeter of that circle. If face-to-face is your preferred medium, get out more. Do you email or text too much? Call people more. (This one was suggested by Ira Deutchman via Twitter.) If […]
It’s all in the mix. I’m going to borrow from the overly quoted urban sociologist Jane Jacobs, who maintained that for a city to be vital it requires a blending of old and new neighborhoods, cultural sites, and areas of commerce. For Jacobs, Lincoln Center was poisonous, a large, concentrated collection of arts facilities that is usually lifeless and could have worked better spread out around New York City. As far as I know, Jacobs never got to Dubai. Almost everything there is new, oversized, and sanitized; the scale is not human. After all, the Emirate boasts the world’s largest […]
Several of the films that will appear in Competition at this year’s Berlin Film Festival were announced today, and I couldn’t be happier to see two anticipated films by two of our “25 New Face” filmmakers on the list. Miranda July will be traveling from Sundance to Berlin with her new movie, The Future, and first-time filmmaker Victoria Mahoney will be debuting with her Yelling to the Sky. I’m particularly thrilled to see Victoria’s film there because the project was part of the IFP Narrative Lab this year, for which I was a mentor. I saw the film at the […]
If you’re in New York, come out tonight for an evening with Pete Sillen at the IFC Center. Filmmaker is hosting a screening of Pete’s short-form work, and I’m moderating the Q & A. The evening begins at 7:00, and here’s the description: Tonight at 7:00pm! We’re proud to welcome critically acclaimed director Peter Sillen Tuesday December 14 discussing his works with Filmmaker Magazine Editor-In-Chief Scott Macaulay. Sillen will present screenings of a number of his short films, including Speed Racer: Welcome to the World of Vic Chesnutt, Grand Luncheonette, Branson: Musicland U.S.A., and a short working cut of his […]
Something of a prodigy even before she made her first feature, Manhattan native Ry Russo-Young (Orphans) had an early apprenticeship in the medium, studying visual arts and drama at Oberlin College and Yale, respectively, before putting in some time at the Lee Strasberg Institute and NYU’s Tisch School of the Arts. Russo-Young eventually directed the short film Marion, a multi-screen deconstruction of scenes from Alfred Hitchcock’s Psycho enacted by three actresses, which won the 2005 Silver Hugo Award for best experimental short film at the Chicago International Film Festival. Two years later, she debuted Orphans, an emotionally wrenching drama about […]