6296 Results for “Open ”
-
My 10 Favorite Festivals Of 2010
It was a grueling and exhilarating year. Last year from January to December I road-ripped in my van, the “Red Devil,” occasionally flew on airplanes, a few times rode on trains, sprinting across and around America, then over and around Europe, parachuting in on nearly 50 film festivals. It was a manic-depressive trip on the rollercoaster-roadway. One minute I was kissing the stars and the next I was eating asphalt. It was madness, but madness that made complete sense. To understand America today, non-fiction books are giving fewer and fewer clues. Literature has become passé for making sense out of […]
by Stewart Nusbaumer on Feb 4, 2011 -
NEOFLIX CHARGED WITH NOT PAYING FILMMAKERS
Neoflix, a fulfillment house used by many self-distributing independent filmmakers, has fallen severely behind on its payments, say filmmakers and producers who have contracted with the company. Today in a blog post, filmmaker and former Neoflix customer Jon Reiss writes, “I have received reports from a number of filmmakers that they have not been paid by Neoflix for months. Some filmmakers are owed hundreds, thousands and tens of thousands of dollars.” Separately, Filmmaker has also been contacted by filmmakers who say they are owed money by Neoflix. We have been told that discussions with the company throughout the Fall of […]
by Scott Macaulay on Feb 3, 2011 -
SXWS 2011 LineUp Announced
130 features (consisting of 60 world premieres, 12 North American premieres and 16 U.S. premieres) will screen this year from a record-high 1,792 feature-length films submitted to SXSW producer Janet Pierson and her team. Highlights include opening night film Source Code, from Duncan Jones (Moon), Jodie Foster‘s The Beaver, Greg Mottola‘s Paul, Sundance Grand Prize doc winner How to Die in Oregon, Errol Morris‘ Tabloid, Victoria Mahoney‘s Yelling to the Sky, Azazel Jacob‘s Terri and a special screening of Catherine Hardwicke‘s Red Riding Hood. See the complete lineup below. The Midnight, SXFantastic and shorts lineup can be found here. […]
by Jason Guerrasio on Feb 2, 2011 -
Cold Weather and Everything You Wanted to Know About Genre
Honestly, what the hell is up with genre these days? It’s a tricky thing to get a handle on, but we all have an idea of what’s happening in the independent film world: as production financing has dried up in a world where cinema is, simply put, not generating as much revenue as it used to, independent filmmakers who might be more at home making “art” flicks have decided to mix their interests with more familiar genre narratives. Catfish, which generated more intellectual-thought-content-per-minute than any other 2010 release, was sold as (and contained elements of) a Blair Witch-esque thriller, set […]
by Zachary Wigon on Feb 2, 2011 -
The Microbudget Conversation: What Are The Festivals Good For ?
Sorry to all for the week off. A little festival called Sundance was happening, and this column would have been lost in the hustle and bustle. PLUS, I’ve become agoraphobic after editing Orphaned for three weeks straight now. I no longer possess social skills and hygiene. (But the movie looks good so far!) After our second article posted, Blake Eckard contacted me and thought I needed to talk to someone ASAP. It could only be one person, Jon Jost (pictured below). Jon is one of Blake’s favorite film directors and he is a legendary indie filmmaker. It was a no-brainer. […]
by John Yost on Feb 1, 2011 -
“POSITION AMONG THE STARS” DIRECTOR LEONARD RETEL HELMRICH
Position Among the Stars Winning both the IDFA (International Documentary Film Festival Amsterdam) and Sundance for the same film isn’t anything new for director Leonard Retel Helmrich. Both Position Among the Stars (which received a Special Grand Jury Prize at Sundance this past Saturday) and Shape of the Moon — his previous documentary about three generations of the Shamsuddin family of inner city Jakarta — have won top awards at the festivals. These two documentaries, along with 2001’s Eye of the Day, combine as a trilogy to tell a moving story about religion, politics, and economics, all through the lens […]
by James Ponsoldt on Jan 31, 2011 -
SUNDANCE 2011: THE WORDS OF 10 FILMMAKERS
At the 30th Sundance Awards Ceremony last night, I walked around the hall and asked filmmakers a simple question, and requested a short response. My question was: “What does Sundance mean to you?” Their answers were incredibly diverse — in fact none were identical. I shouldn’t have been surprised. Out of varied thoughts are born unique visions that can become great films. Of course not great films for everyone, but great for someone, or for a group of someones. For an audience taken on a journey where they have never been, or have not been for a long time, films […]
by Stewart Nusbaumer on Jan 30, 2011 -
Pioneer Director David Lowery
To create a feature with a genuine sense of mystery pulsing beneath the filmed veneer is a rare accomplishment, but to achieve that in a short film? Next to impossible. However, Pioneer — David Lowery’s tender, moody short — is an absolute cryptogram. Little more than a father (well-played by musician/actor Will Oldham) telling a tall and violent tale about an absent mother to his young son, Pioneer manages to stay within the confines of a bedroom yet utterly transports the audience to the high altitudes of childhood imagination. Lowery’s facility to direct children was on fine display with his […]
by James Ponsoldt on Jan 28, 2011 -
GREGG ARAKI, “KABOOM”
One of the key figures in the New Queer Cinema and ever youthful at 51 years of age, Gregg Araki is a director who is increasingly hard to pigeonhole. After the critical success of 2004’s Mysterious Skin, the film which confirmed that Joseph Gordon-Levitt was a movie-star and that Mr. Araki could direct delicate drama as well as exploitation and cult cinema, it seemed that the director of such indie LGBT classics as The Living End (1992) and The Doom Generation (1995) was moving on to a new, more conventionally respectable, middle-aged portion of his career. Now Mr. Araki is […]
by Brandon Harris on Jan 28, 2011 -
“THE OFF HOURS” DIRECTOR MEGAN GRIFFITHS
Good things come to those who wait, as writer-director Megan Griffiths will attest. The debut feature from the Seattle-based filmmaker, The Off-Hours, was seven years in the making before it finally went into production last spring. Inspired by Griffiths’ own experiences working the night shift, this moody, atmospheric indie captures the lives of the people who frequent a diner in a nowhere truckstop town, including pretty young waitress Francine (Amy Seimetz), her foster brother Corey (Scoot McNairy), soft-spoken truck driver Oliver (Ross Partridge), and alcoholic diner owner Stu (Tony Doupe). There are also cameos from fellow directors Lynn Shelton (whose […]
by Nick Dawson on Jan 26, 2011
