Watch the trailer for Our Body, the latest from acclaimed French documentarian Claire Simon, director of God’s Offices, The Competition, I Want to Talk About Duras and others. The doc had its world premiere at this year’s Berlinale before screening at MoMA’s Doc Fortnight and True/False stateside. Per an official synopsis: French documentary titan Claire Simon observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, she questions what it means to live in a woman’s body, filming the diversity, singularity and beauty of patients in all stages of life. Through these many […]
Normally on shoots, veteran documentary maker Kim Longinotto films far away from her native England, often capturing the lives of women in desperate situations over the course of a few weeks. With her latest film, Dalton’s Dream, things ran rather differently. Having watched his victory on the British X Factor in 2018, Longinotto reached out to Dalton Harris, interested in documenting his life in a new country with a new record contract. An initial three-month shoot morphed into more than four years, held up by both the pandemic and the turbulence of Harris’s life as he found himself persecuted for […]
There’s a moment early in director Brian Vincent and producer Heather Spore’s documentary Make Me Famous when the ’80s downtown New York artist Edward Brezinski is described by the late artist Duncan Hannah as the guy with the flyers. Brezinski would show up at openings, drink the cheap wine and press flyers for group shows at the Magic Gallery (his own barren apartment on East 3rd Street) into as many palms as possible. In a world where the most successful artists managed to self-promote while simultaneously adopting a pose of understated remove, Brezinski’s old-school hucksterism was memorably uncool. As the […]
With only 24 days to capture nearly 30 sketches, the average I Think You Should Leave bit is shot in roughly six to eight hours. That might be for the best. When you’re slopping up steaks or shooting body after body busting out of cheap wood and hitting pavement, probably wise not to linger at a location for too long. Cinematographer Markus Mentzer, who has been behind the camera for all three seasons of the Netflix show, breaks down the newest crop of sketches for Filmmaker. Filmmaker: Your first three camera department credits on IMDB are Out of Time, In […]
Fantasia International Film Festival announces today the third wave of titles for its 2023 lineup, with first and second wave titles revealed earlier this spring. The 27th edition of the festival will run from July 20 through August 9 at Montreal’s Concordia Hall Cinema, with additional screenings to be held at the J.A. DeSève Cinema, Cinémathèque québécoise, and Cinéma du Musée. Pre-sale tickets will be available on Saturday, July 15 at 1pm EST. In the meantime, check out the full list of additional titles, panels, events and jurors at this year’s Fantasia, and visit the festival’s official website for more […]
Chris Messina is that rare character actor leading man who is the go-to supporting actor in seemingly everything. From The Mindy Project and Newsroom, to She Dies Tomorrow and I Care A Lot, he handles ultra-serious roles (like in Blame, which I loved) or uproarious ones (such as in this year’s hit Air) with what seems like effortlessness, and now he’s starring in the new series Based on a True Story with Kaley Cuoco. In this hour, he generously takes us on an extended tour of his process. He talks about learning to “experience” rather than “act,” why the thought […]
New/Next Film Festival, produced by Baltimore NPR affiliate station 88.1 WYPR and curated by programmer Eric Allen Hatch, announces today the first titles in its inaugural 2023 lineup. The festival was created in reaction to the recent news that the Maryland Film Festival would not have a 2023 edition. New/Next will run from August 18-20 and be hosted at the five-screen Charles Theatre in Baltimore. “I’m thrilled to be back at The Charles Theatre, bringing some of the most exciting cinema I’ve seen in recent years to our audiences,” said Hatch, who was MdFF’s director of programming from 2010-2018, in […]
Over the past 15 years, British filmmaker Jeanie Finlay has earned a reputation for nuanced, sensitive and compelling documentary portraits. Her films have told many unlikely stories: the rise and fall of a reluctant Elvis lookalike in Orion: The Man Who Would Be King, two Scottish hip hop fraudsters in The Great Hip Hop Hoax, a pregnant transgender man in Seahorse. Her third feature film, Sound it Out, told the story of the last record shop in the Northeast of England and its owner, Tom Butchart, a school friend of Finlay’s. The morning after the world premiere of Finlay’s latest […]
“It was a highly anticipated scene for me,” Hannah Gross told me with a laugh. “It’s just so absurd. For anyone who has a complicated relationship, spoken or unspoken, with a sibling, it’s the ideal scenario: to get to express your grievances through the safety of these voices.” I’d asked her about a memorable moment near the end of The Adults, Dustin Guy Defa’s follow-up to Person to Person (2017). Gross, Michael Cera and Sophia Lillis star as estranged siblings still reckoning with the death of their mother and still adjusting, unsuccessfully for the most part, to the disappointments of […]
Jody Lee Lipes likes to ask questions—so many, in fact, that the cinematographer says it can sometimes annoy directors. However, Lipes found a collaborator with an equally inexhaustible inquisitiveness in Savanah Leaf. “Savanah wanted to go through every scene together [during prep],” said Lipes. “I loved it because that’s my favorite thing to do. We would talk about a scene for like three hours. We went literally word by word through the script.” Lipes, whose credits include Manchester by the Sea, Martha Marcy May Marlene and I Know This Much Is True, first met Leaf on a commercial. They developed […]