The Sundance Film Festival is always the American independent scene’s bellwether. The festival’s curatorial decisions vault a select group of films — this year, 99 features out of 4,061 submitted — to the top tier of pictures receiving attention from distributors, critics, curators from other festivals and, through copious media coverage, audiences. And while longtime festival veterans — I’ve been attending since 1993 — are accustomed to the usual first-half rhythms (“the festival seems slow”; “the documentaries are stronger”; “did you hear Company X bought film Y for $Z million dollars!”), Sundance’s return to in-person combined with its first true hybrid […]
At the end of the recent Hawai’i International Film Festival, Filmmaker reached out to director Scott W. Kekama Amona to learn more about E Mãlama Pono, Willy Boy, which won the festival’s Audience Award for Best Short Film. An astonishingly assured, measured debut, Willy Boy is one of the more important Native Hawaiian and indigenous titles to come out in recent years, successfully addressing issues like land-rights injustice, political disenfranchisement, police overreach and native identity in a concise narrative framework that takes place in only one day, from one character’s awakening to their eventual “awakening.” Shot in a steely, timeless black-and-white […]
Watching a documentary on film history, editor Walter Murch was struck by how different cinematographers tended to frame faces in close-ups similarly. “I noticed something peculiar,” he said. “No matter what the film was, the eyes of performers in close-up seemed to float along the same line from shot to shot.” Murch tested his theory by tying a string of knitting yarn across his television screen. Dividing measurements from above and below the line gave him 1.618, a number that represents phi, or the golden ratio. Further measurements of faces in close-ups—from the upper frame edges to hairlines, from chins […]
Watch the trailer for Godland, the third feature from Icelandic filmmaker Hlynur Pálmason. The film takes place during the late 19th century and follows a young Danish priest as he embarks on a grueling journey through the harsh yet stunning landscape of Iceland to establish a church and photograph the inhabitants of the then-remote Danish territory. In his dispatch out of Cannes last year, Blake Williams expands on the film’s sumptuous visuals and the film’s (albeit fictitious) historical reference: “The film is shot on 35mm and lets you know it by adopting what appears to have been an extremely hands-off […]
Over the past decade or so, the Hawaiʻi International Film Festival presented by Halekulani—like any good organization—has been in a state of evolution. Ten to 15 years ago, under the then-leadership of executive director Chuck Boller, it was considered one of the best American festivals to celebrate and discover East Asian populist cinema, with guests lists of Hong Kong icons, Japanese auteurs and Korean superstars that put most other festivals to shame. In the 2010s, it shined through its programming of independent Asian American cinema, providing a platform for voices and visions typically shut out of mainstream media. In recent […]
The primordial fear of being watched, stalked and caught by an unknown entity lurking in the dark is the basis of Skinamarink, the microbudget feature debut from writer-director-editor Kyle Edward Ball. The incredibly loose narrative follows young siblings Kevin (Lucas Paul) and Kaylee (Dali Rose Tetreault) as they patter around their family’s strikingly ordinary middle-class house in the dead of night circa 1995. Their parents are nowhere to be found, all of the doors have mysteriously vanished and the lights eventually stop working. While this phenomena is enough to chill any child, their well-being is most threatened by a supernatural […]
The winners of the 16th annual Cinema Eye Honors Awards, which recognizes excellence in nonfiction filmmaking, were announced last night during an in-person ceremony at the Museum of the Moving Image in Astoria, Queens. All That Breathes, Shaunak Sen’s Cannes-winning documentary, took the top prize in the Outstanding Achievement in Nonfiction Feature Filmmaking category as well as nabbing an award for Outstanding Achievement in Cinematography. Yet Sara Dosa’s Fire of Love took home more wins overall, winning in categories Outstanding Achievement in Editing, Outstanding Achievement in Original Score (by Nicolas Godin of French electro duo Air) and tying with Brett […]
The unexpected (and largely unspoken) challenges of parenthood are rawly probed in Holding Moses, a moving documentary short directed by Rivkah Beth Medow and Jen Rainin. The film follows Randi Rader (Medow is in an open marriage; Rader is her long-term partner), a queer, non-binary dancer and Broadway performer who undergoes a personal reckoning when her son Moses is born with a rare genetic disorder of the 22nd chromosome. Via pre-recorded monologue, Rader shares the difficult journey of digging herself out of a deep depression and learning to love her son unconditionally. The candidness of her emotional trajectory may at […]
SXSW has announced the first wave of film and television programming for its 30th edition. The festival will take place exclusively in-person in Austin, Texas from March 10-19. The festival will open with Dungeons & Dragons: Honor Among Thieves, an adaptation of the popular RPG directed by John Francis Daley and Jonathan Goldstein. Other noteworthy titles include the Evil Dead Rise, the latest entry in the Sam Raimi-created horror franchise, Problemista, Julio Torres’s directorial debut starring himself and Tilda Swinton and Flamin’ Hot, Eva Longoria‘s doc about the creation of the Frito-Lay snack. “We are thrilled to announce the first wave of […]
The Sundance Institute announces today the lineup for the Beyond Film conversations at the 2023 Sundance Film Festival, which will all be open to the public. The slate is comprised of three separate series—Power of Story, Cinema Café and The Big Conversation—and will feature filmmaker panels, audience discourses and broader artistic conversations. Beyond Film will be hosted in-person at the festival from January 19-23, with several conversations accessible virtually for nationwide audiences through the Festival’s online platform beginning on January 24. Also announced today are conversations hosted by Sundance Collab and several of the Festival’s partners, which are similarly available […]