It would be nearly impossible to name another musical performer deserving of a deep dive into her formative years than Sinéad O’Connor. Every step of her life — shuffled between an array of parochial schools, a childhood subject to her mother’s chaotic transference of her own abusive childhood onto her daughter — would in retrospect seem to have been an accretive stage in O’Connor’s becoming. A popular culture firebrand, demonized, her message mischaracterized to the point of parody, met with a withering disdain in the highest corners of western media, O’Connor’s own words have always spoken for themselves. Her message […]
Queens of the Qing Dynasty, the second feature from Nova Scotia’s Ashley McKenzie, is a unique work of independently produced Canadian cinema. Both a stark about-face from the hardscrabble realism of her 2016 debut Werewolf—about a pair of strung-out young lovers living hand-to-mouth on the margins of Cape Breton—and a decisive break from the docufiction trends of art cinema at large, Queens is rigorously composed and austerely dramatized, an artful fable pitched somewhere between comedy and tragedy. Starring newcomer Sarah Walker as Star, a neurodivergent teen who develops a deep connection with her caregiver An (Ziyin Zheng, also making their […]
With the opening night of the 60th New York Film Festival upon us, Filmmaker would like to recommend 14 titles to catch during the 17-day engagement, which runs from September 30 through October 16 in-person at Film at Lincoln Center. Over the course of our previous festival coverage from this year—including Sundance, Cannes, Venice and TIFF—many of these films have been featured on our site in critical dispatches and reviews. Below, we share links and excerpts from these director interviews and festival dispatches, highlighting Jerzy Skolimowski’s Eo, Véréna Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica, Kelly Reichardt’s Showing Up […]
Can product placement ever transcend advertising? Pepsi’s vintage logo—a comically over-present staple of ’80s and ’90s commercial Hollywood filmmaking—is continuously conspicuous in Noah Baumbach’s adaptation of Don DeLillo’s White Noise. As a period marker, this makes sense: the novel was published in 1985 and the film’s production design places it in the early ’80s. Thematically, it’s obviously relevant: DeLillo’s first-person narrator, J.A.K. Gladney (Adam Driver), regularly has his thoughts interrupted by lines that simply list corporate names or interpolate overheard advertising chatter. DeLillo originally thought of naming the book Panasonic, writing to his editor that “The word ‘panasonic,’ split into its component […]
This week, Netflix’s Blonde and A24’s God’s Creatures head to streaming and theaters, respectively. The digitally-shot Blonde is a highly stylized look at the life of Marilyn Monroe, shifting aspect ratios and alternating between color and monochrome while employing extreme wide angle lenses, body cam mounts, infrared and more to expressionistically convey Monroe’s perspective. God’s Creatures is the antithesis—austere and somber, captured on 35mm, with an observational point of view distanced from the main characters, a mother in a small Irish fishing village whose life crumbles after providing a false alibi for her son. The films do share one thing in common—cinematographer […]
On a rainy night in a rundown Detroit neighborhood, Tess (Georgina Campbell) arrives at her Airbnb rental only to find the abode double booked and Keith(Bill Skarsgård) already nestled comfortably inside. That’s about all Barbarian’s refreshingly cryptic trailer gives you, along with a few glimpses of the subterranean terror that awaits. So, that’s all I’m going to give away about the plot as well, other than to say that whatever you expect from Barbarian after its first act is most decidedly not what you’re in store for. With the movie in theaters, cinematographer Zach Kuperstein spoke to Filmmaker about recreating […]
Today the short film streaming platform Argo launches two new playlists of films by eight members of the Brazilian Filmmakers Collective. Below, Moara Passoni, one of Filmmaker‘s 25 New Faces, discusses the genesis of the group. — Editor Toward the end of 2013, I moved to New York to launch director Petra Costa’s first feature-film Elena. At the time, we used to joke that we were “the incredible army of Brancaleone” — young Brazilians, mostly women, out to conquer Hollywood. We managed a thumping opening weekend, but it didn’t go far beyond that. That would all change some years later, […]
Founded in 1972, DCTV (Downtown Community Television Center) has the distinction of being one of the rare permanent cinema landmarks in NYC. Housed in a striking firehouse on Lafayette Street in Chinatown, the non-profit media center has long been the one of the most prominent documentary production and film education centers in the country. After a storied legacy of hosting various educational programs, folding-chair screenings, master classes, panel discussions and Chinatown-specific community events, on its 50th anniversary the building will now finally house its own specialized cinema. “We don’t make films for ourselves, we make films for people to see […]
An unwritten rule of public restroom usage is that one should never attempt to strike up a conversation with the person one stall over, and that’s doubly true if the person next to you is an all-powerful god sent down from the cosmos. After a night of grieving and binge-drinking leads to hugging the toilet bowl at a gross rural rest stop, Wes (Ryan Kwanten) finds himself in that scenario when the person in the stall introduces themselves. That person is nothing more than a voice funneled through a gloryhole, but what that voice requests of Wes (and why) raises […]
With the 2022 Gotham Week Conference and Expo just a few days away, The Gotham Film & Media Institute (formerly IFP, and Filmmaker’s publisher) has announced four new members to its Board of Directors. Joining the organization are actor Jonathan Majors, actor Stephanie March, entrepreneur and women’s advocate Dee Poku, and entertainment strategic marketing and PR executive Lisa Taback. “We are thrilled that these four brilliant media and entertainment veterans are bringing their unique perspectives and expertise to The Gotham’s board,” Jeffrey Sharp, Executive Director of The Gotham Film & Media Institute, said in a press release. “As we find […]