17721 Results for “”
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“Independent Media Can Strengthen Tribal Sovereignty”: Rebecca Landsberry-Baker and Joe Peeler on Bad Press
While freedom of the press has certainly been a newsworthy topic these past few years, those of us in the US can at least take comfort in (i.e., take for granted) the fact that our First Amendment firmly protects this inalienable right. That is, unless you happen to likewise be a citizen of one of the sovereign nations sprinkled throughout this occupied land—aka Indian Country—where only a handful of tribes have seen fit to enshrine such a guarantee into their constitutions. Which is a problem not just for the average, truth-seeking Native populace at large, but especially for a dogged […]
by Lauren Wissot on Jan 22, 2023 -
“Pregnancy Became Integrated as a Storyline” | Alison O’Daniel, The Tuba Thieves
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I truly welcome the unexpected, the miscommunicated, the “obstruction” as a co-author of the film. When I started this project, I decided I would make a film as a listening project that is not tethered to the ears. I am d/Deaf/hard of hearing. I can hear, but constantly experience fallout from mishearing things and I second-guess what I hear, because […]
by Filmmaker Staff on Jan 22, 2023 -
“We Had To Shoot the African Scenes in Greece” | Anthony Chen, Drift
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? For Drift, we had several key scenes in the film that were set in Liberia, Africa. I always imagined shooting those scenes on the African continent, possibly in Nigeria. But as we made the film during the pandemic, it became impossible for the scheduling and logistics to work, especially on our budget. There were too many unknown factors and risks that […]
by Filmmaker Staff on Jan 22, 2023 -
“I Realized That a Sauna Is Not Just for Cleaning the Body, but Also the Soul”: Anna Hints on Smoke Sauna Sisterhood
Debuting January 22 in the World Cinema Documentary Competition, Smoke Sauna Sisterhood is an intimate look at a tradition that UNESCO has added to its “Representative List of the Intangible Cultural Heritage of Humanity.” This might appear to be a heavy designation for a way to sweat out stress. Unless, of course, one happens to be South Estonian like director Anna Hints, who grew up with the knowledge that for centuries smoke saunas have also been a place of life (birth) and death. For the small group of women that have generously allowed Hints to serve as a cinematic fly-on-the-wall […]
by Lauren Wissot on Jan 22, 2023 -
“This Film Is Not Just for Disabled People, It Is for Anyone Who’s Ever Felt ‘Other'”: Ella Glendining on Is There Anybody Out There?
While many non-white, non-straight folks have long lamented underrepresentation in cinema, Ella Glendining has literally never seen anyone that looks like her on-screen—or off-screen, for that matter. (Yes, other similarly bodied people are indeed out there; along with fixit freaks like a Miami-based doctor who seems to have cornered the market on “limb lengthening.”) But this truth culminates in the biggest revelation of Is There Anybody Out There?, Glendining’s personal and illuminating non-fiction film: There truly is nobody out there quite like her, nor is there anybody out there quite like you or me. Filmmaker reached out to the acclaimed […]
by Lauren Wissot on Jan 22, 2023 -
“I Was Blind to My Own Blackness by Apartheid’s Design”: Milisuthando Bongela on Milisuthando
The self-described South African “writer, editor, cultural worker and artist”—and now debut feature filmmaker—Milisuthando Bongela grew up under apartheid. Yet she also didn’t, at least not within the straightforward narrative of having witnessed a racist colonial regime heroically toppled by Black liberator Nelson Mandela. Indeed, the young Bongela wasn’t aware of her fellow Black countrymen’s struggle in cities like Soweto. But neither were most of the residents of The Transkei, an unrecognized Black independent region established by the oppressors to conjure the illusion that being “separate but equal” not only worked, but could provide Black people with a wonderfully blissful […]
by Lauren Wissot on Jan 22, 2023 -
“Getting Out of My Own Way Was the Objective” | Bethann Hardison and Frédéric Tcheng, Invisible Beauty
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Bethann Hardison: I’m not sure if it was an obstacle…but getting out of my own way was the objective. Wanting to tell the story and being the story required letting go and allowing total exposure when you were maybe not in the mood. For me, being the co-director and subject was a challenge to allow my directing partner to capture […]
by Filmmaker Staff on Jan 21, 2023 -
“I Wanted To Take a Closer Look at How People Shut Down”: Veerle Baetens on When It Melts
It’s somehow been a decade since Veerle Baetens was named best European actress for her incandescent, heart-wrenching turn in The Broken Circle Breakdown. As a bluegrass-loving tattoo artist gradually obliterated by tragedy, Baetens’ performance was complex, unflinching and emotionally raw. When It Melts, the Flemish filmmaker’s Sundance-premiering feature directorial debut, cuts similarly close to the bone. Adapted by Baetens and co-writer Maarten Loix from Lize Spit’s bestselling Flemish novel, it centers on an isolated woman named Eva (Charlotte de Bruyne) who returns to the village she grew up in with an ice block in the back of her car. There, […]
by Isaac Feldberg on Jan 21, 2023 -
Sundance 2023: Fremont, Gush
After three full features and one walk-out on my first full IRL day of Sundance 2023, I closed with the day’s best, Babak Jalali’s Fremont. Donya (Anaita Wali Zada, a debuting nonprofessional Afghan refugee playing one) lives in the titular city but commutes to San Francisco to work at a fortune cookie factory. She can’t sleep at nights and, after eight months of unsuccessfully trying to get a psychiatrist appointment, finagles a slot with Dr. Anthony (Gregg Turkington). Their one-on-ones are representative of the film as a whole; even on the semi-populated factory floor, Fremont largely unfolds as a series of […]
by Vadim Rizov on Jan 21, 2023 -
“Judy’s Books Allowed Us to Travel Back to Our Own Childhoods” | Leah Wolchok and Davina Pardo, Judy Blume Forever
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? We first started talking to Judy Blume about the idea of this documentary in June 2018, but it wasn’t until the end of February 2020 that we received an email from her saying, “Yes, let’s do it.” That “yes” was a dream come true, but we all know what happens next: just a few short weeks later, we were in […]
by Filmmaker Staff on Jan 21, 2023
