AUGUST DIEHL, KARL MARKOVICS, VEIT STÜBNER AND AUGUST ZIRNER IN DIRECTOR STEFAN RUZOWITZKY’S THE COUNTERFEITERS. COURTESY SONY PICTURES CLASSICS. It is the natural desire of critics to put films and their directors into neat categorizations, and yet there are some directors, such as Stefan Ruzowitzky, whose work simply cannot be summed up in a simple all-encompassing description. Born in Vienna, Austria, on Christmas Day 1961, Ruzowitzky stayed in his home city to study film, theater and history before pursuing a career in directing television shows, commercials, and pop promos for bands such as The Scorpions and Nsync. In 1996 he […]
On the heels of Toshiba’s announcement this past weekend that it will fall on its sword in the long-winded battle for hi-def DVD supremacy making Blu-ray the victor (guess I backed the wrong horse, anybody want Goodfellas on HD DVD?), David Pogue writes in the New York Times today that even though there’s more options to watch movies online, in the immediate future, DVDs are still your best choice as he gives a report card on the Internet movie boxes (Apple TV, TiVo/Amazon Unbox, Xbox 360 and Vudu). Pogue also makes a good point about the absent-minded thinking of the […]
Interesting trend article by Dan Frost in the New York Times about “co-working,” in which various freelancers all share a common office space while still doing their own projects. From the piece: While coworking has evolved since Mr. Neuberg’s epiphany in 2005, dozens of places around the country and increasingly around the world now offer such arrangements, where someone sets up an office and rents out desks, creating a community of people who have different jobs but who want to share ideas. “It’s nourishing on a fundamental level,” said John Vlahides, the executive editor of 71miles.com, a travel site covering […]
The French writer and film director Alain Robbe-Grillet died on Monday in Normandy at the age of 85. GreenCine has a round-up of various news reports and commentary here. Robbe-Grillet was best known for his literary manifesto “For a New Novel,” his screenplay for Alain Resnais’ Last Year at Marienbad, and his various novels — The Erasers, Jealousy, The Voyeur — that formed part of the Nouveau Roman movement. As a director, his films include L’Immortelle and Trans-Europe Express. La Belle Captive was recently released in the States by Koch Lorber. When I was in college, Robbe-Grillet’s early novels and […]
With more eye-catching docs coming out of Sundance in 2007 (Manda Bala (Send A Bullet), Crazy Love, My Kid Could Paint That, No End In Sight, War Dance, Zoo, ect.), Daniel Karslake‘s For The Bible Tells Me So was lost in the flurry, but this interesting look at how decades of religious anti-gay bias is based almost solely upon the misinterpretation of the Bible, the film should certainly be in the conversation as one of the best docs that came out of Sundance ’07. Hailed at festivals around the country and getting an impressive release through First Run Features, this […]
Over at his Cinema Echo Chamber, Brandon Harris has a go at Richard Corliss’s list for Time Magazine of the “25 Most Important Films about Race.” From Corliss’s intro: To celebrate Black History Month, we’ve chosen 25 movies to honor the artistry, appeal and determination of African Americans on and behind the screen. The films span nine decades, and reveal a legacy that was tragic before it was triumphant. At first, blacks were invisible; when they were allowed to be seen, it was mostly as derisive comic relief. The 1950s ushered in the age of the noble Negro, in the […]
With the passing yesterday of legendary horror auteur George Romero, we’re reposting Nick Dawson’s 2008 interview with the director on the release of the penultimate chapter of his zombie series, Diary of the Dead. R.I.P. George Romero. No matter how you look at it, George A. Romero will always be remembered as the godfather of the zombie movie. Born in 1940 in New York City, Romero graduated from Carnegie Mellon in the early 60s and stayed in Pittsburgh to set up a commercial production company. In 1968, he segued into features with his seminal debut, Night of the Living Dead, […]
Anne Thompson writes in Variety this week about the marketing challenge facing indies hoping to distribute their films online. In a piece headlined “Frustrated indies seek we distribution,” Thompson looks at all the unsold films out of Sundance this year and then talks with some of the current players in the online distribution space and wonders whether the needs of the former can be met by the current powers of the latter. A passage: The key question is, when will an alternative distribution outlet for indie films emerge — an outlet that can interest enough viewers to bring in meaningful […]
Since this seems to have been a blog day of embeds and videos, I’ll add one more: this link to Kate Stables’ piece in The Guardian providing links to six online videos all themed for Valentine’s Day. There’s work by Duane Hopkins, Anastasia Kirillova and others, and you’ll find the sweet and romantic as well as the brooding and unexpected. (Hat tip: GreenCine.)
Here’s the new red-band trailer for David Gordon Green’s Judd-Apatow-produced comedy Pineapple Express.