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“Examining the record of past research from the vantage of contemporary historiography, the historian of science may be tempted to exclaim that when paradigms change, the world itself changes with them. Led by a new paradigm, scientists adopt new instruments and look in new places. Even more important, during revolutions scientists see new and different things when looking with familiar instruments in places they have looked before. It is rather as if the professional community had been suddenly transported to another planet where familiar objects are seen in a different light and are joined by unfamiliar ones as well. Of […]
Jamie Stuart continues his series of shorts from the 46th New York Film Festival with an appearance from Steven Soderbergh and a chance encounter with a woman in distress… or is she? Approximate running time: 6:02. Download the short here by right clicking and choosing Save Target or Save Link. (35M) Please visit Jamie’s site at www.mutinycompany.com. To see all the videos in this series please go to https://filmmakermagazine.com/nyff46.php.
Following is the text for Ted Hope’s keynote address at the Film Independent Filmmaker Forum on September 27, 2008. Thanks to Ted for allowing us to reprint his speech. A THOUSAND PHOENIX RISING How The New Truly Free Filmmaking Community Will Rise From Indie’s Ashes I can’t talk about the “crisis” of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren’t in crisis. The business is changing, but for us –us who are called Indie Filmmakers — that’s good that the business is changing. Filmmaking is an […]
Over on our Web Exclusives page I’ve posted Ted Hope’s just-concluded keynote address at the Film Independent Filmmaker Forum. Please read at this link and post comments if you have them. Here’s how he opens: I can’t talk about the “crisis” of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren’t in crisis. The business is changing, but for us –us who are called Indie Filmmakers — that’s good that the business is changing. Filmmaking is an incredible privilidge and we need to accept it as such […]
With so many great performances to choose from, I’m selecting this late-career classic: The Verdict, written by David Mamet and directed by Sidney Lumet.
A REENACTED SHOT OF ARTHUR RUSSELL ON THE STATEN ISLAND FERRY FROM DIRECTOR MATT WOLF’S WILD COMBINATION: A PORTRAIT OF ARTHUR RUSSELL. COURTESY PLEXIFILM. Some people age more quickly than others, and Matt Wolf – both in person and in his work – displays a confidence and maturity that belie his tender years. Twenty-six-year-old Wolf was born and raised in San Jose, California, and spent much of his teenage years watching movies. He won a full-tuition fellowship to study film at NYU, where he made a number of shorts including Smalltown Boys (2003), an experimental biopic about AIDS activist David […]
… or, what you hear in the political ad.
Here’s mash-up commentary on last night’s Bush speech titled “The Dark Bailout.” Nolan’s The Dark Knight continues to resonate. Hat tip: Hollywood Elsewhere. Source: Matthew Belinkie at Overthinking It.
I completely missed notice that Carlos Reygados’s third feature, Silent Light, is opening today in New York. I think this film is a flat-out masterpiece, and I can’t recommend it highly enough. Manohla Dargis writes about the film in today’s New York Times. An excerpt: I’ve seen Silent Light three times — it had its premiere at the 2007 Cannes Film Festival — and find it more pleasurable and touching with each viewing. After having wowed and appalled international audiences with bravura technique in his first feature, Japón (2002), and assaultive provocations in his second, Battle in Heaven (2005), which […]
IFP announced today the launch of First Weekend, a new program that seeks to connect audiences directly with new independent films. The first film profiled in the series will be Lance Hammer‘s Ballast. From the release: “First Weekend” series will be a quarterly program designed to guarantee sold out shows during a self-distributed film’s opening weekend. In purchasing a $25 ticket and supporting the series, audiences are directly supporting truly independent films and filmmakers. The full box-office proceeds will go directly toward the film’s theatrical run. The audience also gets to join in a post screening conversation hosted by a […]