Last year, I posited that Boyhood‘s use of 35mm seemed to be a kind of special effect as much as anything: committing to film ensured an internally continuous look over 12 years of production whose uniqueness would survive despite a digital intermediate and no prints being struck for American release. This type of use of 35mm, separate from its ongoing viability as an exhibition format, was one common reason cited for its use in 39 2014 US releases originating in whole or substantial part from it. That’s a list that’s probably not complete: collating the release calendar against the technical specifications primarily quickly […]
Here’s the full list of the 2015 Academy Award nominees, led, improbably, by Birdman and The Grand Budapest Hotel with nine apiece. Best Picture American Sniper Birdman Boyhood The Grand Budapest Hotel The Imitation Game Selma The Theory of Everything Whiplash Best Actor Steve Carell, Foxcatcher Bradley Cooper, American Sniper Benedict Cumberbatch, The Imitation Game Michael Keaton, Birdman Eddie Redmayne, The Theory of Everything Best Actress Marion Cotillard, Two Days, One Night Felicity Jones, The Theory of Everything Julianne Moore, Still Alice Rosamund Pike, Gone Girl Reese Witherspoon, Wild Best Supporting Actor Robert Duvall, The Judge Ethan Hawke, Boyhood Edward Norton, Birdman Mark Ruffalo, Foxcatcher J. K. Simmons, Whiplash Best Supporting Actress Patricia Arquette, Boyhood Laura Dern, Wild Keira Knightley, The Imitation […]
Michael Madsen’s “documentary from outer space” is at the top of our viewing list at Sundance this year. As it is described by production company NGF: THE VISIT is a documentary with comedy elements, and a philosophical exploration of our fear of strangers through the ultimate threat to our self-image: The discovery of Alien Intelligent Life. In Vienna lies the UN-city, with its late 1970’s architecture and its extra-territorial status not unlike a giant spacecraft that has landed in the middle of the civilized world. Inside this impressive institution representing our belief in humanity, resides the UN Office of Outer […]
I was appalled by a posted comment on this site about the title of my coverage of last year’s New York Jewish Film Festival. A pun on a seminal German novel, “How Jewish Is It” was to me not just incredibly clever but apt. I felt the festival’s mission admirably expansive compared to some earlier editions and sister events in other cities. The commenter, who self-identified only as “The Judge,” felt differently: “How Jewish? Give me a break! Everything about movies is Jewish, or did I miss something?” Lo and behold! The Judge’s snarky observation was prescient. I had commended […]
I’m not much for year-end listmaking — the release calendar variables for potential inclusion are pretty limited, so it feels like a pointless exercise in rearranging the same 20 pieces as everybody else, and I’ve probably written about the movies in question enough for the time being by year’s end. It is, nonetheless, the tail end of the season where people put out their lists and justifications, so I’ve laid out ten arbitrary categories that allow me to tout some titles, released in the US in 2014 unless otherwise noted. Best DTV Casualty Few people have reshaped the multiplex landscape as much in […]
A bit of synergy as two things crossed my screen this morning: a query from a prospective writer and this article from Paul Bradshaw and the Online Journalism blog. Taken together they got me thinking about pitching, new writers and Filmmaker. The query was from a perfectly polite, well-spoken individual who self-identifies as a “blogger” and a “geek” and who sincerely wants to write for us. Absent from the email were a) any link to any previously published work; b) any sort of biographical information denoting the person’s specific expertise or area of interest; c) any specific suggestions of work […]
Fox Searchlight has struck early, acquiring Noah Baumbach’s highly anticipated Mistress America two weeks before its premiere at the 2015 Sundance Film Festival. As described in the press release, “In Mistress America, Tracy (Lola Kirke) is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke (Greta Gerwig) – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke’s alluringly mad schemes.” The film is written by Baumbach […]
An alum of the 2013 IFP Filmmaker Labs (an experience he wrote about here), Paul Harrill’s Something, Anything is less saccharine than truthful. A quietly meditative, regional production, Harrill’s debut feature follows Peggy (Ashley Shelton), a young Southern woman who, after a series of tragic personal events, begins a spiritual quest to better herself as an individual with altruistic intentions. Ethereal throughout, Harrill’s film displays an assured, contemplative expressiveness behind the camera. The writer/director and his producing partner, Ashley Maynor, are as much advocates for strong storytelling in their own work as they are for encouraging it in the films of […]
“Eight years ago, the shortlist came out, and the Academy failed to recognize not just three or four good films. They left off all the good films,” began Laura Poitras, the first presenter and undisputed star of last night’s 8th Annual Cinema Eye Honors, held at Astoria’s Museum of Moving Image. Recounting a bit of the organization’s history before bestowing Finding Vivian Maier with Best Debut, Poitras remarked that Founding Director AJ Schnack forged a necessary “response to what was happening in the community” in creating this close-knit, nonfiction awards ceremony. Cinema Eye Honors is always a pleasure to attend on account of that sense of “community,” […]
In a new annual lunchtime ceremony, Cinema Eye Honors awarded today the Filmmaker-sponsored Heterodox Award to Richard Linklater’s Boyhood and feted Jennie Livingston’s Paris is Burning with its Legacy Award. Linklater as well as Livingston and her collaborators were all on hand to accept their awards at midtown’s Etcetera Etcetera. Of the divide between documentary and fiction, Linklater, who was on hand to accept the award, said, “I don’t even call it ‘a blurry line’… I’ve never really drawn a particular line between documentary and fiction.” Continuing, he said, “[Boyhood] is not a documentary but it’s certainly a document. It’s […]