Jim Mickle, whose 2010 post-apocalyptic monster picture Stake Land launched him into the top tier of filmmakers making artfully rendered low-budget horror pictures, is back with a lyrically photographed, deeply felt family drama that also happens to be about people that eat other people. In his remake of Jorge Grau’s fabulous 2011 Mexican shocker/political satire/cannibalism-themed exercise in existential miserablism We Are What We Are, Mickle moves the action from a hideously corrupt Mexico City to the rainy forests of the rural Catskills. It opens with the sudden and distressing death of a mysteriously stricken woman, Emma Parker (Kassie DePaiva). Her family, […]
Elaine McMillion, one of Filmmaker‘s 25 New Faces of Independent Film for 2013, has been keeping busy since launching her interactive doc Hollow, about life in the hard-hit county of McDowell in south-western West Virginia, in June at http://hollowdocumentary.com. It immediately earned praise and a sizeable audience; she’s since presented for events and organizations like StoryCode and Independent Film Week, and Hollow continues racking up the positive reviews. The project includes an html5 site with dozens of short videos, photographs, text, user-generated content on Instagram, and content such as videos produced by the film’s subjects, many of whom the Hollow […]
I have both good and bad news about the New York Film Festival (September 27-October 13). First, the good news: For the most part, the films in this impressive, carefully balanced program are very good. And the bad: The fest has become so expansive that quantity just may overshadow quality. A bright, high-energy, and well-regarded expert in all things cinema, Kent Jones debuts as head of the NYFF. For the first time in its 51 years, the composition of the selection committee has been, wisely, revised. Traditionally it was guided by the fest director, always a professional programmer, but rounded […]
Days of Gray, the Iceland-set debut picture from New York production company Bicephaly Pictures, will have its world premiere October 4 at, appropriately, the Reykjavik International Film Festival. The film will screen at the historic Gamla Bio theater with the seven-piece orchestral band Hjaltalin performing their original score. The filmmakers have blogged for Filmmaker about the production of the film, and now they are debuting here their first trailer, posted above. Here’s the synopsis from the film’s Vimeo page: It is a world without language. A world where one is raised to respect the rules. Every possession is strictly utilitarian. […]
Two Dollar Radio, the Columbus, OH-based independent literary house is launching a microbudget film division, and the first project out of the gate is The Removals, written by author, critic and frequent Filmmaker contributor Nicholas Rombes. (His Blue Velvet Project remains a high water mark of this site.) Directing will be Grace Krilanovich, author of acclaimed teen vampire novel, The Orange Eats Creeps, which made a guest appearance recently in Rombes’ essay on Only God Forgives. “The story is part-thriller, part-nightmarish examination of the widening gap between originality and technology, told with remarkable precision,” writes Two Dollar Radio on its […]
Throughout the month of September, Filmmaker is partnering with the online short film competition Filminute, hosting five of its nominated titles and running interviews with the director’s of these one-minute movies. Tell us who you are (where you’re from, background, previous credits as a filmmaker) I am a film director from Stockholm, Sweden. I’ve been working as a director for the past ten years and I am currently running my own production company, Notre Dame Film. I started in the business as editor and motion graphics artist. After some time I found interest in directing and went to study film […]
At almost the midway point of the 61st edition of the San Sebastian Film Festival, relationships have been high on the agenda in the competitive Official Selection, from the pushmi-pullyu problems of a middle-aged marriage in Le Week-End to an unhinged battle between the sexes in Álex de la Iglesia’s Witching and Bitching (Las Brujas de Zugarramundi) and the neat and sweet triumvirate of friendship that crops up in David Trueba’s Living is Easy with Eyes Closed (Vivir es fácil con los ojos cerrados). Relationships are also crucial to the festival itself and many others as they fight for films […]
Director and cinematographer Christina Voros nicely summed up the difference between the fashion industry and the film industry at the Tribeca Film Institute’s Fashion in Film event Friday: “Fashion is sort of antithetical to film. The fashion industry is all about making sure the seams don’t show, that every thread is in place. Documentary is about pulling on the threads until it unravels.” She was speaking of the process of filming her second documentary feature The Director, about Gucci Creative Director Frida Giannini, but the sentiment was reflected in films and discussions throughout the two-day event. At first blush the […]
Throughout the month of September, Filmmaker is partnering with the online short film competition Filminute, hosting five of its nominated titles and running interviews with the director’s of these one-minute movies. Tell us who you are (where you’re from, background, previous credits as a filmmaker) My name is David Stevens and I live in Breda in the Netherlands. I currently study film at art academy AKV|St.Joost and prior to that I studied photography at Grafisch Lyceum Rotterdam. I am now the owner of my own photography and film production company davidstevens.nl. In my work, I strive to bring a world […]
Kyle Patrick Alvarez has carved out an unusual niche for himself within American independent cinema; as he himself comments, “Everyone keeps on joking I have This American Life authors named David cornered now.” Alvarez made his feature debut in 2009 with Easier with Practice, a poignant, heartfelt drama about a young man who begins a phone relationship, initially sexual and then later also romantic, with a woman (or is it?) who randomly calls a motel room he’s staying in. Based on an autobiographical essay, “What Are You Wearing?”, written for GQ by This American Life contributor Davy Rothbart, the film debuted at CineVegas, had a small theatrical […]