6560 Results for “production”
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VIMEO ANNOUNCES “VIMEO PRO”
Video sharing site Vimeo announced today Vimeo PRO, a new account aimed at small business — including independent filmmakers and production companies. Offering high-quality hosting at a competitive price (50GB of storage and 250,000 plays for an annual $199 fee), the new service lives separately from the regular Vimeo community. From the press release: “Until now, quality video hosting has been expensive, confusing, and extremely difficult for a small business owner to understand. Small businesses have fallen between the cracks of free video services and massive enterprise video solutions,” said Dae Mellencamp, Vimeo’s General Manager. “Vimeo PRO resolves the contradiction […]
by Scott Macaulay on Aug 1, 2011 -
A YEAR WITHOUT RENT, PART 4
When I was a kid, one of my father’s favorite sayings was, “why don’t you play in the road?” He had two sons close in age who were active and rambunctious and it wasn’t a particularly large house, so any excuse to get us where we could be neither seen nor heard was a good one. And in his defense, it was a pretty quiet country road, so the danger was minimal. I think of this sometimes when I’m on set and a particularly non-essential person is, to put it nicely, in the way. For the sake of simplicity, let’s […]
by Lucas McNelly on Aug 1, 2011 -
IT’S ALL UPHILL FROM HERE
“It’s always a battle. Everything…everyday. It’s like,…can I just get off the battlefield for one day? Step out of the war-zone for a minute?” – Jens Pulver from JENS PULVER | DRIVEN This confession from Jens has rung through my head almost daily over the past year as I’ve worked to make, complete and subsequently market and release our film, JENS PULVER | DRIVEN. With the film being fully crowd-funded, having garnered festival play and just released nationally on nearly every major VOD network in North America it can be legitimately counted as a marked success in the micro-budget independent […]
by Gregorybayne on Jul 27, 2011 -
John Michael McDonagh, The Guard
You’ve seen it all before. Amidst a sea of police corruption, one last honest, wisecracking cop and an improbable sidekick unravel a series of criminal entanglements.They’re an unlikely pair and one of them is surely way out of his natural element. There will be chases, usually with cars, although likely on foot too, and gunplay, half quotable one-liners, and maybe a dash of suspense, although it’s highly unlikely either of our leads will meet an untimely demise. How could anyone possible make a tired scenario like this fresh? Just ask John Michael McDonagh, brother of Martin, the lauded Irish playwright […]
by Brandon Harris on Jul 27, 2011 -
WHAT DOES A SCRIPT SUPERVISOR DO?
Over at The Rumpus, Andrea Manners breaks down her job. From the piece: Rumpus: What’s a typical production day like? Manners: Before we start production, I meet with other departments. I ask the hair department to communicate their ideas for the film, and I ask the makeup department what they plan to do. I’m basically making sure the director’s idea and vision is translated from the script’s point of view. I’m also the liaison between the director and the editor. The editor needs a lot of notes to make the movie since he’s not there. I represent the editor on […]
by Scott Macaulay on Jul 27, 2011 -
WATCHING SETH FISHER MAKE A MOVIE
There’s a lot of filmmaking advice out there, but as you know from reading this magazine and website, I favor instruction from people who are in the trenches themselves. Director Seth Fisher sent me an email about his movie, Passing Harold Blumenthal, a while back, and I’m only just getting to it now. Consequently, I missed the chance to plug his Kickstarter — not that he needed it, though, because he successfully raised $50,000. But it’s not too late to plug his blog, which I’ve just paged through. At Watch Me Make a Movie, Fisher is walking you through his […]
by Scott Macaulay on Jul 26, 2011 -
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by Filmmaker Staff on Jul 23, 2011 -
Lady Vengeance: Rewatching (and Saying Goodbye to) Harry Potter
For the last ten days, the conclusion to the massively popular Harry Potter series has been jerking tears and dredging up boatloads of cash, and it seems its total box office domination is far from over. In honor of this momentous occasion I decided to undertake the unoriginal but ambitious quest of watching all of the previous films in the week leading up to the premiere. The Potter-palooza culminated in a midnight screening of The Deathly Hallows Part 2 in a strip mall multiplex near the rural Michigan town where I was vacationing, complete with buttered popcorn, limited edition 3-D […]
by Farihah Zaman on Jul 23, 2011 -
Foreign Correspondent: Going Dutch
Lauren Wissot’s report on arthouse viewing in Amsterdam inaugurates a new occasional, rotating column, “Foreign Correspondent.” In this space find reports on film cultures around the world, covering everything from production to distribution to exhibition. Bookmark this first edition for your next trip to Amsterdam. — Editor Besides the Dutch no-nonsense approach to everything from healthcare to vice, what I find most impressive about this Venice of the North is that there’s an actual cinema culture here — which is not the case in my hometown NYC, where there are only a handful of repertory screening rooms to serve a […]
by Lauren Wissot on Jul 21, 2011 -
Yance Ford
Yance Ford was a sophomore at Hamilton College 19 years ago when her brother was murdered. “My brother’s death picked up my life and put it down somewhere else,” Ford says. “I had an image of myself in my mind as a working artist, and when he died, all of that changed.” By her senior year, Ford, who made images as a photographer, decided she wanted to make a film about her brother’s death. She moved back to her hometown New York, worked as a p.a. and took a Third World Newsreel production workshop. Then in 2002 she became series […]
by Webmaster on Jul 20, 2011
