6580 Results for “production”
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Here Producers Jay Van Hoy and Lars Knudsen
Originally printed in our Fall 2010 issue, we asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space. Jay Van Hoy & Lars Knudsen’s latest film, Braden King’s Here, premieres at Sundance on Friday. For Parts and Labor’s Jay Van Hoy and Lars Knudsen, independent film success is all about work. Very hard work. Midway through our conversation about their recent producing successes, Jay Van Hoy and Lars Knudsen realized that they hadn’t had a day off in 18 months. “You did seven-day weeks for a year-and-a-half?” […]
by Scott Macaulay on Jan 20, 2011 -
BANKSY WINS TOP PRIZE AT CINEMA EYE HONORS
At an awards ceremony at the Museum of the Moving Image in Queens, Cinema Eye handed out honors to the best of this year’s documentary films. The top award, the Outstanding Achievement in Nonfiction Filmmaking, when to Banksy’s Exit Through the Gift Shop, produced by Jaime D’Cruz. Laura Poitras was named Outstanding Director for The Oath, and Jeff Malmberg Outstanding Debut for his Marwencol. Matt Porterfield’s Putty Hill won the first Filmmaker-sponsored Heterodox Award. One of the most moving moments of the night was a tribute to editor Karen Schmeer, who was killed last year in a hit-and-run, and one […]
by Scott Macaulay on Jan 19, 2011 -
“THE GUARD” | writer-director, John Michael McDonagh
[PREMIERE SCREENING: Thursday, Jan. 20, 6:30 pm — Egyptian Theatre] The biggest surprise for me occurred during preproduction. There was a scene in the screenplay where the three villains rendezvous at an amusement park and discuss the day’s events while waiting to ride on a rollercoaster. The scene with the screwball nature of the film was set in an actual amusement park in a seaside town in County Galway, Ireland, our location for the shoot. However little did I know that when the rollercoaster is out of use (during the non-summer months) it is packed up and shipped off to […]
by Filmmaker Staff on Jan 18, 2011 -
CULTURE HACKER: A STORYTELLING PANDEMIC
Originally printed in our Winter 2011 issue, grab a free issue of Filmmaker at Sundance to be a part of Pandemic 1.o. When the phone rings I’m feeling a bit nervous. The voice on the other end is slow and calculated. “We can do 30,000 but it will take 10 weeks. In order to get it in time for Sundance we need to order 500,000 and ship from China… We’re going to have to find another way.” Not quite your normal Sundance prep conversation, especially when the items in question are bottles of water. But these are not regular bottles […]
by Lance Weiler on Jan 18, 2011 -
The Microbudget Conversation : Films Too Small To Fail
I first met Zak Mulligan through my DP Sean Donnelly a few years back. After a bit of back and forth on the merits of Kickstarter, I helped him with a little production design on his first feature, and we became fast friends and supporters of each others work. Zak and his directing partner Rodrigo Lopresti were recent participants of IFP’s Independent Filmmaker Labs with their first feature film I’m not me. Zak also won the Best Cinematography award at Sundance last year for his work on the film Obselidia. He’s here to talk a bit about the advantages of […]
by John Yost on Jan 18, 2011 -
Killer Films Teams With Moxie Pictures To Create Killermoxie Management
Over the transom comes this press release from Killer Films and Moxie Pictures, who have combined forces to create KillerMoxie Management. With offices in L.A., New York and London, the company will rep filmmakers, actors and recording artists across various media and branded entertainment ventures. (Interestingly, and appropriately, the announcement makes clear that a broad range of media formats, not just feature films or conventional advertising, will be the focus of the company.) The venture will be headed by Brian Young, who leaves Untitled Entertainment to join KillerMoxie. Here’s the press release: New York-based indie film powerhouse Killer Films (Christine […]
by Scott Macaulay on Jan 12, 2011 -
ANTONIONI ADAPTED FOR THE STAGE
Those in London the first week of February can witness the Toneelgroep Amsterdam theater company’s stage adaptation of three films by Michelangelo Antonioni. From the Barbican Theater’s website: Love affairs, isolation, heartache. Internationally renowned theatre director Ivo van Hove leads his powerful ensemble in an exploration of award-winning, Italian film director Michelangelo Antonioni’s groundbreaking 1960s film trilogy (L’Avventura, La Notte, L’Eclisse), in this epic adaptation for the stage. Simultaneously performed, filmed and projected onto a giant screen, the show reinvents Antonioni’s portraits of bourgeois relationships in public and private settings. Multiple perspectives provide an intimate and visceral insight into the […]
by Scott Macaulay on Jan 9, 2011 -
FILMMAKER PARTNERS WITH CINEMA EYE ON THE HETERODOX AWARD
I’ll be writing more about this award and the films in the days ahead, but, for the moment, here is a press releasing announcing a new award Filmmaker is very happy to be sponsoring at Cinema Eye this year. New York – The Cinema Eye Honors for Nonfiction Filmmaking announced today the five nominees for the first annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine. The Cinema Eye Heterodox Award marks a new award category created to honor a narrative film that imaginatively incorporates nonfiction strategies, content and/or modes of production. These films illuminate the formal possibilities of nonfiction […]
by Scott Macaulay on Jan 4, 2011 -
My Year Of DIY — The Good, The Bad And The Ugly
Gregory Bayne shoots Jens Pulver. Photo courtesy Alex Couey. A short collection of observations from my year of DIY. My name is Gregory Bayne, and in 2010 I stumbled into a full time “DIY” film career without a back up, without a net, and without, in many respects, a clue. And, though over the course of 2010 I ran two successful crowd-funding campaigns (http://bit.ly/drivenks, http://bit.ly/poiks), made a fully fan-funded documentary feature (that people really seem to love), and released, with my collaborator, a narrative feature…I made less than enough money to scrape by, and currently find myself about to start […]
by Gregorybayne on Jan 3, 2011 -
OPENFILM COMPETITION DEADLINE — DECEMBER 31
The deadline for the second “Get it Made” contest from Openfilm, the online film community, is rapidly approaching. Filmmakers have until December 31 to submit a short film under 40 minutes in length that “could be produced into a compelling feature film.” The winner, who will be selected by Openfilm’s Advisory Board, will received $50,000 in cash and a financing contract of $450,000 to go towards the feature production. Read more about the contest here.
by Scott Macaulay on Dec 29, 2010
