I was fascinated by this article in the New York Times about haunted houses — no, not real ones, but the theatrical funhouse kind that pop up around the country in the lead-up to Halloween. As Jason Zinoman writes, this spookhouse tradition is now drawing not just the usual carnival workers and the more recent Christian scaremongers featured in George Ratliff’s documentary Hellhouse but theater companies, writers and directors. Here’s Zinoman on the experience crafted by the Vortex Theater Company: In terms of design and production, the Vortex’s “NYC Halloween Haunted House” — from the creators Joshua Randall and Kristjan […]
Our favorite NYC-based low-budget horror mega-studio, Glass Eye Pix, celebrates its 25th anniversary with a two-week retrospective series of screenings at reRun in New York that begins today. They include founder Larry Fessenden’s first picture, No Telling, his excellent and quite movie Wendigo, and films by its roster of artists including Ti West and James McKenney, whose Satan Hates You, says Fessenden in the New York Times video below, is an “oddly serene and pious Christian scare film.” In Fall, 2009, Filmmaker celebrated Glass Eye Pix’s 24th anniversary with an article and interview of Fessenden by Lauren Wissot. From her […]
In our Winter print edition, Alicia Van Couvering wrote five short case studies of films raising production financing in innovative ways. One was Kentucker Audley’s Open Five, and now the film is finished and premiering tonight as the Opening Film of the 13th Memphis Film Festival. In addition to premiering for the Memphis audience, the film will also be streaming free for a limited time at Audley’s site. (Loyal readers will also remember that Audley was one of our “25 New Faces” of 2007. From the press release: Open Five is described as a blend of “reality and fiction” and […]
Director Alix Lambert and producer Jill Peters have launched a fascinating new documentary project, He/She/He and are fundraising on Kickstarter. From their project description: Over the past decade, transsexuality and gender dysphoria have become hot topics, but what few Westerners realize is that in many parts of the world, a woman living as a man or a man living as a woman isn’t boundary busting – it’s tradition. A cinematic journey through the rituals of two very different cultures, He/She/He will change the way the viewer thinks about gender. Our journey begins with the sworn virgins of Albania, a group […]
Last night’s Stranger Than Fiction, the weekly documentary series at the IFC Center, “completed a circle” for programmer Thom Powers. It was while Powers was judging applications for the Garrett Scott Documentary Development Grant, a grant given by the Full Frame Festival in honor of the talented filmmaker who passed away at the age of thirty-seven, that he first learned about Cameron Yates’ film, The Canal Street Madam. As part of their grant proposal, Cameron Yates and producer Mridu Chandra had submitted a ten-minute reel of highlights from their work-in-progress. The footage impressed Powers, and he selected them as one […]
Two new pieces up here at Filmmaker. In the latest “Into the Splice” from Nicholas Rombes, he goes to a lonely multiplex on a Monday night to see Let Me In, stewing on the way to the theater over the sacrilege of its production: I went to see Let Me In with low expectations. Like so many, I had seen and been awed by the original Swedish version, Let the Right One In (directed by Tomas Alfredson), whose quiet pacing and lonely stretches of relative silence only made the horror more horrible when it came. An American version, surely, would […]
In a press release today Ted Hope announced that Todd Solondz’s new film, Dark Horse, went into production on October 11. Hope is producing through his new Double Hope production company, and the cast includes Justin Bartha, Selma Blair, Mia Farrow, Jordan Gelber, Donna Murphy and Christopher Walken. Andrij Parekh (Blue Valentine) is shooting, Derrick Tseng is co-producing, and Goldcrest is handling international sales. From the press release: Mr. Solondz helms the tale of Abe (Jordan Gelber), a 30-something who lives with his parents, reluctantly works for his father (Christopher Walken), and avidly collects toys. When Abe isn’t playing backgammon […]
“Then, too, there is always something other than content in the cinema to grab hold of, for those who want to analyze,” Susan Sontag wrote in her seminal essay Against Interpretation. “For the cinema, unlike the novel, possesses a vocabulary of forms — the explicit, complex, and discussable technology of camera movements, cutting, and composition of the frame that goes into the making of a film.” Toward the very end of the same essay, she advocated, “The function of criticism should be to show how it is what it is, even that it is what it is, rather than to […]
Marketing and publicity specialist Sheri Candler has a post up on her blog entitled “Five Ways to Fail at Crowdfunding” that is a good read for those thinking of kickstarting of gogo’ing their indie feature. She opens: I am prompted to write this post because I have been hit up many times lately about supporting, advising or donating to various crowdfunding initiatives. Don’t get me wrong, it isn’t quite a complaint because I have been known to support many campaigns by doing any one of these things (ask anyone else offering their advice if they have done any of these […]