6580 Results for “production”
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DUBAI INTERNATIONAL FILM FESTIVAL
It’s all in the mix. I’m going to borrow from the overly quoted urban sociologist Jane Jacobs, who maintained that for a city to be vital it requires a blending of old and new neighborhoods, cultural sites, and areas of commerce. For Jacobs, Lincoln Center was poisonous, a large, concentrated collection of arts facilities that is usually lifeless and could have worked better spread out around New York City. As far as I know, Jacobs never got to Dubai. Almost everything there is new, oversized, and sanitized; the scale is not human. After all, the Emirate boasts the world’s largest […]
by Howard Feinstein on Dec 27, 2010 -
TRAILER WATCH: “FLY AWAY”
Janet Grillo, a producer (Autism: The Musical, Searching for Paradise), former New Line executive, and writer/director (the short, Flying Lessons), has directed her first feature, Fly Away. From the film’s website: Based on the award-winning short Flying Lessons, Fly Away tells the moving story of a single mother, Jeanne, grappling with the challenge of raising her autistic teenage daughter, Mandy. As Mandy becomes more and more unmanageable, so too does Jeanne?s life. Over the period of two weeks, Jeanne is confronted with the most difficult decision a parent can make: to let go, allowing her child to grow, but also […]
by Scott Macaulay on Dec 22, 2010 -
Obama-Republican Tax Bill Includes Extension Of Film Tax Break Section 181
Filmmaker Justin Eugene Evans forwarded me news that an extension of Section 181, the film production tax break, was included in the bill signed by President Obama today. Here, reprinted with permission, is an email containing the news. Dear Film Professionals – Section 181 has finally been renewed! The new Tax Bill was signed into law by President Obama earlier today. The tax law includes Section 744, which includes language that replaces IRC Section 181’s expiration date of December 31, 2009 with December 31, 2011. Here is what this means: 1.) Any money spent on qualifying domestic film production* in […]
by Scott Macaulay on Dec 17, 2010 -
SXSW ANNOUNCES DUNCAN JONES’ “SOURCE CODE” AS OPENING NIGHT FILM
Moon director Duncan Jones’ second feature, Source Code, will open the 2011 SXSW Film Festival, it was announced today. Excerpted from the press release: The smart action thriller is the second feature from SXSW Alum Duncan Jones (Moon), and stars Jake Gyllenhaal (Love and Other Drugs, Brokeback Mountain), Michelle Monaghan (Eagle Eye, Due Date), Vera Farmiga (Up in the Air, The Departed) and Jeffrey Wright (Quantum of Solace, Syriana). The South by Southwest Film Conference and Festival runs March 11 – 19, 2011 in Austin, Texas. When decorated soldier Captain Colter Stevens (Gyllenhaal) wakes up in the body of an […]
by Scott Macaulay on Dec 16, 2010 -
Criterion: America Lost and Found: The BBS Story
In a recent edition of his ongoing online column “Movie Answer Man,” Roger Ebert was faced with the following reader-submitted query: “Since good movies can now be cheaply made, why aren’t we seeing more of the kind of arthouse films that were so influential in the ’60s and ’70s?” Ebert’s response, while relatively curt, was two-fold. “1.) It is very expensive to release, promote, and advertise any movie,” he began. Fair enough — as any independent filmmaker knows, simply getting your movie made is just one small initial hurdle…and as any viewer who watches contemporary independent films can sadly attest, […]
by Travis Crawford on Dec 16, 2010 -
MAHONEY, JULY SELECTED FOR BERLIN COMPETITION
Several of the films that will appear in Competition at this year’s Berlin Film Festival were announced today, and I couldn’t be happier to see two anticipated films by two of our “25 New Face” filmmakers on the list. Miranda July will be traveling from Sundance to Berlin with her new movie, The Future, and first-time filmmaker Victoria Mahoney will be debuting with her Yelling to the Sky. I’m particularly thrilled to see Victoria’s film there because the project was part of the IFP Narrative Lab this year, for which I was a mentor. I saw the film at the […]
by Scott Macaulay on Dec 15, 2010 -
The Perfect Swan
(Editor’s Note: This essay contains spoilers.) In literature or in oratory, where rhetoric arose from, it’s somewhat difficult to separate the argument’s mode of persuasion from its substance. In order to make an entirely skilled rhetorical point, the writer or speaker will have to present a series of assumptions and assertions, facts and hypotheses, in such a way that makes the argument’s substance apparent. That’s why literature lends itself to the intellectual: it’s founded upon a progression of ideas. Cinema is often referred to as a different kind of linguistic medium (the “language of film”), but a linguistic one nevertheless, […]
by Zachary Wigon on Dec 10, 2010 -
STARS ON STAGE IN MARRAKECH
Before arriving, invitees traveling to this 10th anniversary edition of the Marrakech Film Festival were presented with an eye-popping list of stars — actors and directors both — who would be in attendance. Keanu Reeves, Martin Scorsese, Susan Sarandon, Eva Mendes, Francis Ford Coppola, Harvey Keitel (the subject of a retrospective), the Dardennes Brothers… the list went on and on. Some of these stars showed up to promote their films — Reeves, for example, arrived with James Caan (also the subject of a tribute) to support their opening night picture, Henry’s Crime. Coppola and the Dardennes along with Lee Chang-dong […]
by Scott Macaulay on Dec 5, 2010 -
A LETTER TO FILMMAKERS NOT GOING TO SUNDANCE
Last year I ran the below post, “So You Didn’t Get Into Sundance.” As the Sundance list came out this week, I thought I’d give it a once over and pen a new version for ’11. But after reading it again, I’m not sure what I’d change. Once, more then… So you didn’t get into Sundance…. I’m sorry. Trust me, I feel your pain. As a producer I’ve received both the acceptance calls as well as the rejection ones. (Actually, the rejection call is sometimes not even a call, but a form email or letter.) In some cases, I’ve known […]
by Scott Macaulay on Dec 3, 2010 -
The Mourning After: Tom Ford on A Single Man
The following first appeared in Filmmaker‘s Winter 2010 edition. —Editor Although fashion and film have always been closely intertwined, Tom Ford may be the first fashion designer to cross over to the role of filmmaker. To be sure, his debut feature, an adaptation of Christopher Isherwood’s A Single Man, reflects his immaculate sense of style. But its story, a melancholy tale of a day in the life of a middle-aged college professor (Colin Firth) who is still mourning the unexpected death of his longtime lover Jim (Matthew Goode), is a far cry from the sex-saturated tableaus that Ford created for […]
by Peter Bowen on Dec 1, 2010
